Jingi naki tatakai

I was shocked and awed from the first scene by the blisteringly kinetic and colorful cinematography. This movie is beautifully constructed and performed.

Bunta Sugawara is so endlessly fascinating to watch. What a face. Keiji Takamiya was great too.

WHY is this not better known?

Based on a true story Battles Without Honor is a kick ass trip through the rise of the yakuza in post war Japan. Beginning in 1945 and traveling through the next 12 or so years this is the tale of a group of friends who come together in order to survive the cruelties of post-war, and post-bomb Japan and then spend the next decade killing each other as they change sides in a perpetual gang war.

This film has just about everything. Moments of violence, hysterical comedy (The finger), drama, and there is even hints of romance as a moll tries to hide her beau. Its brutal and nasty and probably very close to reality.

Some reviews paint this as having come in the wake of the Godfather, but while that may have gotten the movie made, the tone is different. There is no honor, there is no loyalty, there is only violence, violence and more violence, usually ex-friend on ex-friend. Despite there being "gangs" its really everyman for himself. American and European films of the same period often painted things as much less cut throat and that there really was familial loyalty, that idea is somewhat alien here as people switched sides if it kept them alive.

This is a near perfect film in many ways. It picks you up from the opening minutes and carries you along to the end. Its wonderfully of a time and place and extremely well acted all around.

There are only two problems which are minor. First, I think the film requires a bit more familiarity with what was going on in Japan post war. While I have had some knowledge of that, I was a tad lost at the start since I wasn't instantly aware of what I was seeing. The second minor flaw is that its jump through time story telling can be a bit disorienting. Its not that the plot threads are lost, its just that it takes a minute to know who the older people are.

Over all a great film.

8 out of 10, although it probably should be 9 out of 10, since I'm just in a down mood.

Harrowing post-war b/w photos of Hiroshima are the backcloth for the opening credits and we are soon introduced name by name to family members that will play a part in the early days of the yakuza. Seemingly one unforeseen aspect of the war was a lawless Tokyo but there were those who rushed in to fill the void and would expand further when the Korean war began a few years later. Bold use of widescreen (as many close-ups as distant - partly, I'm sure to cut down on cost of converting wide expanses of the city to a 40s/50s landscape) and wonderful colour and effective soundtrack help hold this somewhat desperate story together. Bright, brash, violent and bloody, this is also fast moving (a little too fast at times, for some of us) with a pause here and there only to discuss the next epode of mayhem.

Every movie buff knows that Kinji Fukasaku was the most know yakuza film director, with Junya Sato; both gave us dozens of films of this kind. And there were plenty of other film makers too. This very film opens the way of a cycle of five or six movies, starting in 1945, after WW2 and Hirosima tragedy. It shows pretty well how gangs of Yakuzas rose from poverty, hopelessness, despair to survive. Watch it as a document, a social crime film, pulled by great directing and acting; for instance an amazing Bunta Sugawara, a long time yakuza film actor.

Although based on a true story, this film owes a lot to The Godfather, which was released a couple of years before. However, there are quite a few differences. For a start, there are many more main characters. At least twenty. And they are introduced at such a rate as to make it impossible to follow the lot. No less than ten characters are introduced (each with a name and description subtitle) in the first two minutes. The key word for this film is - chaotic. The opening scene is of Japan just after the end of WWII. The camera uses the now-familiar form of WobblyScope, tumbling all over the place as it chases the young thugs who chase misbehaving GIs and then run away. The progression is highly episodic from there. Although Shozo is the lead character and narrator, much screen time is spent on at least a dozen others. Really, if you are non-Japanese, like me, you'd need a map of all the characters and their changing relationships to have any hope of following the story. However, this is not a big problem because, mainly, it is one of the aspects which the filmmaker is trying to convey. That the people who were drawn into these gangs often had nothing much else to do, and were not particularly men of honour. The Japanese title refers to the total breakdown of the old code, where honour was everything. The only character who acts with anything like honour here is Shozo, who looks continuously stunned as powerplays and double-deals swirl around him. This film is a terrific antidote to the "honourable gangster" films. Well-worth watching. Also, it produced at least 4 sequels, all starring Bunta.