Escape de la Isla del Diablo

I saw this at 1 am Saturday on this TV out of Indianapolis and couldn't tape, tiVO or DVD it, so I stayed up to watch.

I liked the rough, LOW budget Corman style of this movie without the "composition and mannered shots" of the big budget Papillon with McQueen and Hoffman.

You could feel the roughness, smell, and atmosphere of being in prison in the middle of nowhere. The pig skinning was very realistic as was the language and full nudity.

This is not Camp Granada.

James Luisi goes on to become the constipated Lt. Doug Chapman in Rockford Files and Christopher George becomes an action cop on Hawaii five-O.

James Brown is the lead, but absent in the top of credits on IMDb, and Corman utilizes this low budget action star who was in many low budget films to interesting effect.

The guards, the brutality, the hopelessness... are all there in the French prison.

It almost feels like a documentary through the kinetic energy and cutting of the movie.

I really like Corman's attitude of "get 'er done" way before it became a catch phrase.

Enjoy.

I saw this way back in 1983 when it was shown late one night on television , and I`m talking network televison in those days you didn`t have satillite or cable at least not in Britain where we were confined to a total of 4 channels. And the most shocking thing was that it contained very strong language , back then very very few films shown on television had swearing left intact but here it was untouched which was amazing when nearly every sentence contains the word " F*** " though much of the gore and gay sex seems to have been edited ( And badly edited at that ) for transmission especially a shark attack scene where it cuts to a shark fin then cuts to a man waving his bloody stump at the camera then cuts to a couple of fingers floating about the water , very strange and I ESCAPED FROM DEVILS ISLAND also has that low budget production value feel seen so often in video nasties that I can`t help feel that it in unedited form it would would be classed as a video nasty .

Despite its flaws it`s a lot of fun , I can put my hand on heart and say I enjoyed it far more than PAPILLION and we get to see a sadistic guard who calls homosexuals bad names while twisting their nipples . Can`t get more sadistic than that

I Escaped from Devil's Island (1973)

** (out of 4)

This exploitation film from Roger and Gene Corman beat PAPILLON to theaters by a month and features Jim Brown and Christopher George playing prisoners on Devils Island who plan an escape to get away from the sadistic guards. They duo end up on an island with many beautiful women but soon enough the prison guards come calling. I ESCAPED FROM DEVIL'S ISLAND is somewhat entertaining for the fifty-minutes or so but once we're out of the prison things really slow down and the second half of the film is a major chore to sit through. Veteran director William Witney does a pretty good job at making this low-budget film look like it had higher production values than you know it had. The first portion of the film inside the prison features all sorts of silly violence dealing with the prisoners being beaten, thrown in the hot box and various other items that we've seen in countless prison movies. This remains somewhat fun as both Brown and George are such enjoyable actors that you can get caught up with them and this helps the film move a little bit. Fans of the two actors will probably want to sit through this even though the end result isn't as good as you're going to hope. Brown has no problems playing the tough guy and there's plenty of action built around him. George plays a political prisoner who is against violence and the two actors really work well together and build up some nice chemistry. The problem in the second half of the film is simply the fact that nothing entertaining happens. We see the men fight, argue, fight some more and it just grows tiresome after a while. The exploitation level really needed to be pumped up in the second half as did the energy because the film pretty much just runs out of gas.

Not a totally wretched film, as I had expected, but pretty boring nonetheless. Should actually be "We escaped..." since its Jim Brown, Christopher George, and a couple others that do escape [no spoiler, it happens, without incident in the first 30 minutes]. And what I really mean by that is that its difficult to tell [until the bitter end] who the focal character was. Has some interesting Marxist/Communist subplot, that gets buried under the rug after they escape. Let's see...you also get a really disappointing Shark attack, a leper colony cameo, Jim Brown falls in love[!] and an exotica Les Baxter score! Looks like it was filmed in Mexico by the Cormans.

So basically, the title gives it all away. Interestingly enough, check out director William Witney's career! Geez! and Darktown Stutters!!! Well, why couldnt he have made this that fun?? I escaped from Colonel Sander's Chicken Fryer?!?!

Superstar athlete Jim Brown plays Le Bras, one of many inmates at the notorious prison fortress Devil's Island in French Guiana in the early 20th century. He butts heads with pacifistic convict Davert (Christopher George) while also trying to deal with nasty and sadistic guards. When he gets the chance to make a break for it, he takes it, along with fellow prisoners Jo-Jo (Richard Ely), Dazzas (James Luisi), and a reluctant Davert. The four men make it to the mainland, with prison personnel, led by Major Marteau (Paul Richards), in hot pursuit.

From then on, things get rather episodic as Le Bras and his comrades encounter lepers and Indians (not to mention a shark), and when they make it to a colourful community, Le Bras decides that he rather likes it there.

Directed by veteran filmmaker William Witney for the Corman brothers, Roger and Gene, and filmed in Mexico, "I Escaped from Devil's Island" is passable entertainment. It's not strong on story; in fact, this story starts to get more incoherent as the movie goes on, but in terms of delivering exploitation, it does its job. There's gore aplenty as well as the requisite female nudity. There's some socio-political subtext, but it never gets in the way of the admittedly lurid thrills. The photography, by Rosalio Solano, is just gorgeous, and Les Baxter composes a flavourful and fun music score. The acting is decent from our principals; Brown is commanding as usual, he and George act well together, and Richards and especially Richard Rust make for a very effective pair of thoroughly disagreeable villains.

Overall this is pretty easy to forget but it kills time in an entertaining enough manner.

Six out of 10.