CALIFICACIÓN DE IMDb
5.9/10
2 k
TU CALIFICACIÓN
Un gángster en Harlem debe rescatar a su ex-esposa, quien ha sido secuestrada por la mafia.Un gángster en Harlem debe rescatar a su ex-esposa, quien ha sido secuestrada por la mafia.Un gángster en Harlem debe rescatar a su ex-esposa, quien ha sido secuestrada por la mafia.
- Dirección
- Guionista
- Elenco
Julius Harris
- Papa Gibbs
- (as Julius W. Harris)
Rocky Aoki
- Asian Mobster with Purple Rolls Royce
- (sin créditos)
Annie Horton
- Maid
- (sin créditos)
Eugene Puzo
- Shooting Gangster on Beach House
- (sin créditos)
Janelle Webb
- Maid
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I loved Larry Cohen and Fred Williamson's previous collaboration 'Black Caesar', one of the toughest and most enjoyable movies of the early 70s blaxploitation boom. That movie was a great success and in the rush to cash in with a sequel something was lost. Cohen was shooting his killer baby classic 'It's Alive' at the same time Williamson was making 'That Man Bolt', yet they still attempted to make 'Hell Up In Harlem' simultaneously! Cohen's script is weaker this time around and the emphasis is on fights (fists and guns) over character development and story. The movie is more of an action film than a crime drama and therefore much less interesting to me. Williamson is still a powerhouse, but the movie as a whole fails to satisfy. Gloria Hendry ('Black Belt Jones') and D'Urville Martin ('Dolemite') both return from the first movie but aren't required to do all that much. You could even call their roles cameos and not be far wrong. Julius Harris ('Superfly') also returns as Williamson's father, but this time round he has a much larger role, and almost carries the first third of the movie all by himself. The film directly follows on from 'Black Caesar' with Tommy Gibbs (Williamson) recovering from a near fatal gunshot wound. He relies upon his Pop to keep things together, and this enables Harris to blossom from a middle aged straight citizen into a cool dressing killing machine almost overnight! This is one of the most entertaining things about the whole movie, but not enough to stop it from being a disappointment. Even the score this time round is inferior, with no James Brown content. I think this movie was too rushed and suffers for it. It has its moments but isn't a patch on 'Black Caesar'. I've noticed that quite a few blaxploitation classics fail to deliver with their sequels (I'm especially thinking of 'Foxy Brown', Jack Hill's weak follow up to his sensational 'Coffy'). I wonder why that was? Greed perhaps, or lack of faith in the material, I don't know. Anyway, 'Hell Up In Harlem' is okay, but it could have been, SHOULD have been a lot better! 'Black Caesar' is still brilliant though, don't miss that one.
This sequel to the popular blaxploitation hit "Black Caesar" was cheaply and hastily shot, and it shows. It is pretty obvious at times that star Fred Williamson wasn't always available, meaning that he's either doubled or his character simply doesn't appear at all in a scene. The low budget and speedy production also shows in other aspects, one being the screenplay. There isn't too much of a story here. Indeed, it seems at times writer/director Larry Cohen was making things up during the shoot. But despite the crude nature, the movie all the same kind of works. It is fast paced, and never boring. And Fred Williamson does manage to make his character magnetic enough that you keep watching him. Apparently audiences agreed, since this sequel was successful enough at the box office that the studio planned a third movie concerning the adventures of character Tommy Gibbs, but those plans were eventually cancelled.
Another kick ass blaxploitation classic, director Larry Cohen really knows his stuff! "Hell Up in Harlem" features even more action than it´s great predecessor "Black Caesar" does! It´s a fast-paced crime story about the rise and fall of an Afro American godfather and everybody who loves such blaxploitations goodies like "Dolemite", "Blacula" or "Foxy Brown" should give it a look! Once more, main actor is the ultimate coolness and it´s no wonder why Quentin Tarantino digged him out for his funny "From Dusk Till Dawn" movie. Unfortunately, they don´t make stuff like this anymore! Movies like "Dead Presidents" or "New Jack City" are nothing else but failed attempts to exhume the blaxploitation genre! Better watch the originals again, they are da real deal!
Fun sequel takes off where Black Caesar took off...lots of violence...soul soundtrack not as good as James Brown's work on Black Caesar, but passable. Overall this movie has an even more fantastic plot than the first but is still basically enjoyable...particularly the island ambush scene and the chase in which Williamson runs after his opponent, who boards an airplane to L.A. from New York...Fred doesn't sweat it and gets a flight that just happens to leave a few minutes after the first gets off. We see scenes of the two men in planes...upon landing, at the same time, Williamson finds his quarry in a crowded airport and picks up where he left off in New York. As I said, ridiculous, but fun.
70s action and a blaxploitation classic with Fred Williamson (The Inglorious Bastards - 1978, MASH) as Black Caesar leading the way backed up by the luscious Gloria Hendry.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
¿Sabías que…?
- TriviaJames Brown was originally slated to do the music, but Larry Cohen rejected it. Motown artist Edwin Starr did the music, and Brown released the rejected music in the album, "The Payback".
- ErroresWhen Tommy stabs Palermo with an umbrella at Coney Island, the next shot featuring the squib/wound is clearly animated.
- Citas
Woman: [after Gibbs shoots mafioso in Times Square] Aah!
- Versiones alternativasAn altered audio goof on the MGM DVD, but not the VHS release, occurs in one scene during the ambush in the beach house. Instead of hearing the women screaming, you hear additional gunshots, instead. The current Blu-ray from Olive Films corrects this mistake.
- ConexionesFeatured in Adam & Yves (1974)
- Bandas sonorasAin't It Hell up in Harlem?
(uncredited)
Written by Freddie Perren and Fonce Mizell
Performed by Edwin Starr
courtesy of Motown Records Corp.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Hell Up in Harlem?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Hell Up in Harlem
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,452,828
- Tiempo de ejecución1 hora 34 minutos
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Infierno en Harlem (1973) officially released in India in English?
Responda