The Harrad Experiment

This is one of the movies that passed me by when it came out in 1973. I was 27, married, working, and had three young children. However I recall hearing about it because of its daring nature.

An incoming group of Harrad college students have been assigned a roommate of the opposite gender, "carefully chosen." They are becoming the experiment, to see what happens when the pairs share a room and are expected to become sexually exploratory. Don Johnson is one of the featured students, and he also sings a couple of songs written for the movie. He also comes close to romancing his real-life future mother-in-law, Tippi Hedren.

Many of the "featured" reviews here knock the movie because it apparently is available on DVD in a badly edited version and a poor print. It recently (2023) became available on Amazon Prime streaming and, judging by the 96 minute running time is the complete, uncut movie.

In fact, watching it you can see it has quite a bit of full frontal male and female nudity. However the video and sound are marginal, watched on a modern hi-def flat screen TV the images are very fuzzy. Don Johnson was about 23 during filming, he went on to marry Melanie Griffith who was only 15 here and is uncredited as one of the students.

It isn't a particularly good movie but an interesting watch for the 1970s sensibilities. It is mostly notable for its subject and the nudity.

At home, streaming on Amazon Prime.

I just watched a bowdlerized version of "The Harrad Experiment". I'd heard of this movie, but had never seen it. It stars Tippi Hedren, James Whitmore Jr., and a very ( almost unrecognizably ) young Don Johnson.

The story concerns a small college which has gone co-ed to an extreme. Boys are deliberately room-mated with girls, and the couples are encouraged to have sexual intimacy.

Now, had that sort of film been made, today, you'd have a mind-boggling, no-holds-barred sex-fest; but back in 1973, they made a sort of tentative pastel-water-color story with bland characters and dialogue, sprinkled with curses the actors seem to choke while saying. Mind you, I wasn't disappointed, I was relieved. This movie is sort of an icon of modern 'sex as salvation' subject matter in film.

The movie comes off as a kind of bland, sex-driven "After-School Special". The script is vanilla and cliché-ridden; with lots of pop-psychology and not-quite-there challenges to 'old-fashined' mores.

Hedren and Whitmore are the married professors conducting the experiment. We never quite know whether they're actually ( hypocritically ) condoning 'free-love' or whether they're trying to point out to the students that monogamous relationships really are the strongest. Either way, they are dangerously close to law-suits. The curriculum is so wishy-washy that, in comparison, Alfred Kinsey's 'research' looks like the Sodom and Gomorrah Pride Parade ( actually, it probably was ). Intimacy seems to be their real goal, rather than merely pandering to one's sexual gluttony, but they are terribly stupid in encouraging 'sexual freedom' as a means of discovering that.

The style of the film is so typically early-70's with its light, cheerful, guitar background music and sunny edge-lit cinematography; that I expected Karen Carpenter to start singing "Rainy Days and Mondays". It renders the film, unintentionally, quite funny.

There are three folk/pop tunes sung in the film's background, two beautifully performed by Lori Lieberman, and the last by ( what?! ) Don Johnson, himself, and not badly, either.

Other than the Lieberman songs, the only real highlight of the film is an amusing improv team ( The Ace Trucking Company -- featuring a young Fred Willard ) performing on the topic of 'group marriage'.

Most likely, the film would have seemed maybe 2% edgier with all the nudity and G-D's left in, but I seriously doubt it. I could tell where the cuts were made and there was precious little eye-poison in this watery Lorimar Production.

A real surprise is that one of the writers was ( and I blinked twice when I read his name ) Ted ( Lurch, the butler ) Cassidy. He has a cameo early in the film.

I can't recommend the film, due to its themes ( insipidly as they were presented ), but I'm glad that I've been able to check off and discount another cheesy step on the ladder to our current gradual cultural downfall ( "The April Fools", "Bob & Carol & Ted & Alice" being others ).

The 1970's brought the movie rating system. The system allowed both nudity and overt sexuality into American films. Hollywood was trying to capture the youth market in a way they never had. This led to a number of "hip" youth low budget oriented movies. Some tried to capture a moments in time such as "The Trip". Some worked only as satire such as "The Seniors". Some tried social commentary as "The Harrad Experiment". All had common dominators: young people, sex and skin.

Some hold up as a time capsule, "The Trip". Some as a silly nudie farce, "The Seniors". And some are just dull. "The Harrad Experiment" falls into this category. What was shocking to one generation, such as "The Chapman Report" and "Peyton Place", becomes boringly silly to future ones.

It's not a bad film, its just a dumb film. Still, if you are interested in seeing youngish Tippi Hedren in bra and panties or a very young Don Johnson's backside; it's worth a look. Just remember, you've been warned.

My friends and I read the HARRAD EXPERIMENT by Robert Rimmer as nervous teenagers in the early 70s. The book was a manifesto for sexual awareness and responsibility, a call for a rational development of sexual activity on a cultural basis. Of course at the time, we were just looking for the hot parts....

Anyway, the movie makers were given the thankless task of transforming the book and apparently cound not decide whether to make it a polemic or a soap opera. Worse, the plot they chose betrays the format of the book, where the narrative was shared equally buy two men and two women. The film concentrates on Johnson's character, maligning him and transforming the film into his character's unwilling education in sexual responsibility.

Bruno Kirby doing full frontal nudity? Brrrrr..........

This was more or less the KINSEY (2004) of its day, though clearly quaint in comparison; still, it is a measure of the times that the film caused a mild stir back then whereas KINSEY virtually made no ripples when it emerged! Anyway, HARRAD is mildly interesting (if perhaps too low-key to stay in the memory for long) in delineating the forward-thinking/experimentation that occurred in sexual relationships at the end of the 1960s. Incidentally, I rented the film as part of a small tribute to its recently-deceased star James Whitmore: of course, the middle-aged actor does not get in on the action (even if it is never particularly explicit); Tippi Hedren, then, appears as his still-attractive spouse/collaborator – who even catches the eye of the campus hunk (Don Johnson, interestingly the long-time partner of Hedren's real-life daughter Melanie Griffith!). The rest of the cast is filled with fresh faces (including future comedian Bruno Kirby[!]…but especially notable is lovely and initially shy heroine Laurie Walters who, in her turn, is pursued by leering Robert Middleton at a nearby café). Unsurprisingly, partners get swapped (whether intended or not) which invariably cause heartbreaks, but there is also some cheap humor at the expense of a bespectacled and plump student. While director Post was more at home in action-oriented fare, he handles the delicate subject matter with directness and reasonable perception; besides, the film looks good, sports a typical 1970s pop score (one of the songs being performed by Johnson himself) and, for what it is worth, was even followed a year later by a sequel, HARRAD SUMMER.