Godspell

I remember seeing this film a very long time ago with my father when it was released in theaters. I just recently saw it again on TV and was just as dazzled as I was the first time (although I admit, to fully appreciate this movie, it is best seen on a large screen). The film is gorgeous to look at, and the whole feel is carnival-like. The songs are as fresh as they were in 1973, catchy and light-hearted, and yet touching. The young cast seems to be having a great time--and it's interesting that their characters (except for Jesus, played by Victor Garber) all use their real names.

Titanic fans will be interested in seeing the 23-year old Victor Garber (who played the ship's builder Thomas Andrews) as Jesus, and not only is he gorgeous to look at, he has a beautiful singing voice as well. It mystifies me why Garber never got more leading roles in movies. Far superior to the dreary opera that came out the same year, "Jesus Christ Superstar."

Even back in the 1970s, skepticism everywhere, the song "Day By Day" seemed like a genuine expression of reverence for the simple teachings of Jesus Christ, despite the obvious efforts in this film to make him a psychedelic hero. While the hippie costumes and clown make-up don't hold up very well today, the point of the movie is to deliver a view of Christ as the radical threat to the status quo that he was. This film was part of an effort to make us take a new look at the gospels (see "Jesus Christ Superstar" as well) and make them relevant to contemporary life while avoiding any mention of sex, drugs, and rock and roll. Overall, it may seem naïve and disingenuous now, but if you want a look at the anti-establishment, anti-materialism youth culture of the 1960s, this can't be beat. ---from Musicals on the Silver Screen, American Library Association, 2013

Many people have difficulty accepting a film that dates itself by the first glance, (The hair, clothes, music, etc...), but once you accept it's generation, sit back and ENJOY! GODSPELL is a musical that works on delivering a powerful message while at the same time being entertaining and enjoyable without being "PREACHY." This movie is simple enough to attract children and still hold it's adults in this classy Sunday School lesson. This was the first movie I saw on a personal tv I got for Christmas as a child, and it made such an impact. As a teenager, I had the honor of being in the high school addaption of GODSPELL, and now, as an adult, I can sit back and enjoy it all over again with my 3 year old daughter, who LOVES this movie. The music is infectious, the costumes are colorful, and the parables are entertaining and faith-building. It's a shame that GODSPELL fell in the shadow of that OTHER hippy Jesus movie (not worth mentioning). This one is a STAND-OUT film, worthy of it's viewing, over, and over , and over again.

The story of "Godspell" is not one of the Christ's Passion, it's not about the angst among his disciples or the sexual tension he had with Mary Magdalen. It's a positive story focusing on Jesus' teachings and parables, told in a lighthearted way, with some outstanding music and spectacular location photography (particularly in the song "It's All for the Best").

While the hippie-like costuming and the semi-clown makeup seem to outrage some folks, and are admittedly dated today, the movie should be looked at in the context in which it was created. Jesus, in the eyes of those in power during his life, was a radical extremist and a threat to the status quo. He taught lessons of love, empowerment, inclusion, justice--well, you get the idea. Hippie clowns were the logical vehicle to present those lessons at the time "Godspell" hit the big screen.

But when you get past the period set and costume design, and to the basic show, "Godspell" is a wonderful entertainment. First, and most often mentioned by everyone, is the amazing location photography. You have to see it to appreciate it. Next is the music. Although the most commercial song in the show is the repetitive "Day by Day," the one song that most people remember from "Godspell", there are many beautiful melodies. My favorite is "By My Side", the only one with the music NOT written by the composer, Stephen Schwartz. It has beautiful harmonies, and Katie Hanley does a great job on lead vocal. The rest of the songs are nearly as good, and all are quite singable.

About the cast: Victor Garber (Jesus) is the most recognizable today, although for years, until her untimely death, Lynne Thigpen would probably have been recognized by more people. Garber has had quite a successful theatrical career, and has appeared in supporting roles in many movies and TV shows. Ms. Thigpen, who was mostly known for her PBS shows, had an award-winning stage career, as well as being very successful on the small screen.

Sadly, David Haskell (John the Baptist/Judas) and Jeffrey Mylett are no longer with us. I won't list the entire cast, since you can find that easily enough (if you're reading this, you probably already have!), but I will say that they ALL sang very well and displayed personalities that made you want to get to know them. The passing of musicals as a staple of the movie studio probably prevented these talented singer/actors from reaching a broader audience. I hope that they've all found success on stage.

At the very least, I hope that they all know how their lively, engaging performances and beautiful singing have brightened our lives. It's been over thirty years since I first saw "Godspell" in the theater, and as I watched it yesterday on cable TV, I was reminded how much that movie meant to me.

And by the way, I'm not a Christian. But if I were, I'd like to be one as portrayed in "Godspell".

Godspell reminds us of a culture long gone, peace demonstrations, flower power, "big hair", bright colours, folk rock music, and loud expressive clothing. These are the props of choice the directors use to communicate the gospel message. The film itself is dated now but viewed in the context of early seventies culture it contains a powerful and relevant message that impacted on a searching audience.

Godspell was conceived by John Michael Tebelak, who upon reading the gospels discovered joy, - "Joy! I found a great joy, a simplicity" However a visit to a church to experience this joy was totally disappointing, he knew at once what he must do.

Tebelak brings his discovery alive by way of the gospel of Matthew; his set is central New York City, a place over flowing with people caught in the hustle and bustle of daily routine. Out of the crowds he separates his cast, setting them free from the mundane routines of daily inner city life. They come together at a fountain where they frolic in the water seemingly without any care for the routines they have left behind. John played by David Haskell baptises each one in turn, Jesus played by Victor Garber appears and he to is baptised, rising from the water complete with superman tee shirt symbolically marking him as "master". The cast then is set apart as the "masters" disciples as each receives the symbolic mark of Jesus with face paint. Together now, dressed in flamboyant opp shop clothing, vibrant colours, face paint and "big" hair they have developed a sense of community that stands out in this over sized set, they have become a band of disciples.

The band proceeds through the empty city stopping at significant landmarks to play out messages from the gospel. These messages are focused on the teachings of Christ mainly through the parables, interestingly the disciples participate in the teaching, this gives a sense of inclusiveness that draws the audience into the message. Most of the critical points of the gospel are covered, such as Gethsemane, the last supper, the betrayal, and the crucifixion which at first seems a little bizarre but it also gives one a sense of participation and connectiveness, however the resurrection is left out. Their teaching is supported by the use of song and music, mime and dance, coupled with comedy; this blend achieves the joyful portrayal of the gospel that Tebelak desired.

The portrayal of Jesus as a clown may have been offensive to some, however this reviewer found it to be refreshing, the clown communicates joy while communicating the seriousness of the gospel message. He reminds us that the gospel is a message of great joy and humility, love and peace, of triumph and victory. However in saying that there are some aspects that don't fit with our understanding, for instance the betrayal scene, Jesus kisses Judas. Then it does finish with a question hanging over it, that being, why no resurrection scene? Or maybe there was, perhaps the grand finale represents the risen Jesus, carried lifted high into the crowded streets, it gives a sense of inclusiveness, that somehow Jesus lives on in each one of us.

A fun movie that you just have to participate with, and at the same time a serious message is communicated.