Dr. Jekyll and Mr. Hyde

It has always been my humble opinion that the best player in the history of the screen who could go quickest into a rage and convince you of it is Kirk Douglas. So the dual role of Dr.Jekyll/Mr.Hyde should have been a natural for him. And when it's strictly acting Kirk takes his place along side John Barrymore, Fredric March, Spencer Tracy even to the guy who created the role in the Victorian era theater Richard Mansfield.

But this musical adaption of Dr.Jekyll And Mr. Hyde fails precisely because of that, it's music. Lionel Bart who wrote so many good songs in the 60s for British pop stars and the score of the musical Oliver was in a lot of financial and health problems. The story goes that Bart opened the trunk and provided a lot of previously unpublished stuff for the score. It hadn't been used because it wasn't that good.

Can't critique the cast here though only Stanley Holloway as Poole the butler could be properly identified as a musical performer. Kirk Douglas had sung on the big screen previously in 20,000 Leagues Under The Sea and Man Without A Star, but he had better material there. Donald Pleasance is his usual slimy self as the man from London's underworld who discovers Douglas's dual nature.

The women in the story no matter which version also emphasize the dual nature. Susan Hampshire is the daughter of Michael Redgrave who Douglas courts as Jekyll. But it's Susan George as the music hall performer who Hyde wants to make his love slave.

I wish Kirk Douglas had done a straight dramatic version, it would have been better received.

Kirk Douglas co-produced this videotaped NBC production through his Bryna Productions, and cast himself in the lead. It's rumored to feature castoff songs from Lionel Bart's OLIVER! If so, they've been shoehorned somewhat inappropriately into a truncated but serviceable version of the Stevenson tale.

The cast and performances are good-- particularly Susan George, Judi Bowker and Donald Pleasence (who displays an impressive singing voice).

Some of the songs are fine-- the one Michael Redgrave sings at the engagement party is beautiful-- but others are cringe-making. One may watch this show wincing in dread that another one will start.

Despite this, it's an interesting version-- certainly a curiosity-- and worth a look.

This TV production did not have songs cut from Oliver, The score was to be an original by Oliver's composer Lionel Bart. Uncredited composers were brought in to "doctor" Bart's awful score. Certainly that horrid graveyard number with Jekyll playing a gravestone shaped like a piano has to be the worst moment in the film. On the other hand some of it is so unintentionally funny you end up enjoying it anyway. Kirk Douglas' performance is pretty good, his singing isn't. Still compared to the David Hasselhoff video of the Broadway musical this could be called a masterpiece. Maybe Jekyll and Hyde shouldn't be musicalized, or at least should be given to more talented creators.

Dr. Jekyll and Mr. Hyde (1973)

** (out of 4)

Extremely uneven, made-for-TV version of the Robert Louis Stevenson novel finds the kind Henry Jekyll (Kirk Douglas) being turned down by an insane asylum when he asks permission to treat one of their patients with his new drug. With no where else to turn Jekyll decides to try it on himself and soon he's transformed into the evil Mr. Hyde. This film originally played on NBC and has become somewhat of a Holy Grail for me over the past couple years because no matter how hard I tried I just could never track down a copy. Finally the movie showed up and I must admit that it was pretty disappointing but in areas that I really wasn't expecting it. I'll start off by saying that you're entertainment level is going to depend on how many of the songs you enjoy. I'm not sure how well a Musical version of the Jekyll and Hyde story went over back in the day but when viewing this film today one can't help but, at times, roll their eyes and laugh. I've heard rumors that some of the songs here were originally cut from OLIVER! but a few experts say this isn't true. I certainly hope not because I found the songs here to be incredibly boring, stiff and just downright flat. I guess, to be fair, you could say that some of them were inventive in terms of the lyrics but they still didn't work for me because I just didn't find any energy or emotion in any of them. Another problem is that director Winters is all over the place and never really seems to know how he wants the film to play. At times you'd swear you were watching some sort of spoof because of how over the top some of the performances and songs are. Just take a look at the first transformation sequence with Douglas turning into Hyde and you'll be wondering why the director never stepped in and demanded a second take. There were actually several moments where I wondered if an outtake had slipped into the production because the numbers were either that bad or just didn't live up to be anything special. Douglas seems a bit too laid back as Jekyll but he does manage to come to life as Hyde later in the film. I think the crazier Hyde gets the better Douglas' performance becomes. The real shock here is Susan George who plays the role of the prostitute. I'd dare say this is the best performance I've seen her in next to STRAW DOGS and her singing was actually very good. Another major thumbs up goes to Donald Pleasence who plays a watch thief and he too manages to sing quite well. Michael Redgrave appears briefly and is a bit too wooden. The set design is actually pretty good looking and the costumes are another major plus but these few good things can't save an otherwise dull film. If one enjoys the music they'll probably rate this one a bit higher but I'd say the majority of people are going to walk away disappointed.

If `Oliver!' was Lionel Bart's `Sgt. Pepper,' then `Dr. J & Mr. H' was his `Let It Be.'

But I don't blame him nor the brilliant cast for the dullness of this made-in-the-UK-for-NBC production. It would never have been made in the first place if some ratings-hungry hack at 30 Rock wasn't desperate to sell an idea.

At the time PBS' `Masterpiece Theater' was scoring Sunday night ratings airing the opulent British costume serials then being made. Said hack had the idea of putting a famous Yank in that sea of British accents. They even made sure they cast Susan Hampshire, who was in just about everyone of those serials, plus some Brits the American audience knew from the movies (Donald Pleasence, Stanley Holloway, Michael Redgrave.) The guy from `Oliver!' has some other songs? And he's broke? Great! Get him, too! Have it ready by such & such date!

It was hyped to the nines in the U.S. media, only to crash in the ratings and the columns. I know of this only because of on-line research; I was fascinated why I'd never heard of such a teaming of talent. I even bought an old copy via eBay; I found myself yawning and fast-forwarding.

Apparently, great players alone don't make a team; the coach must know what he'll do with them. If they're going to play on their home ground, it helps if they play for their home crowd, too. (`Covington Cross' flopped for the same reason.)