Engendro: un monstruo de película

I know of and truly admire the genius of John Frankenheimer, who gave us The Manchurian Candidate, Seven Days in May, Seconds, The Train, and more recently, Ronin. He also gave this ridiculous eco-monster movie enough discipline and artistic snap to raise it above the level of mutant frogs, bunnies, and snakes, all croaking, hopping, and slithering around the late 70s.

I don't dwell on plot in my reviews; I like to talk about what makes the movie worth expending your precious minutes or not, so here is what one geek loves about this silly, fun flick: Even with the overly intense performances, the Marcus Welby music, the clichéd-to-the-point-of-exasperation mean, old corporate polluters, the fact that Talia Shire's face seems to be melting off her head (cheap shot, I know), and the monster--think of Shaq in latex, p.o.'d, with fangs and Mad-Eye Moody peepers--you have a scary, fun, and interesting movie.

Hey, Stephen King liked it, although he was right in pointing out how silly it was to put the Indians in teepees in Maine.

I wonder if Robert Foxworth, Shire, and Armand Assante get fan mail for this 8th grader of a movie. Frankenheimer, God bless him, made this movie work, and passed away a few years ago (no causal relationship, of course). He was so serious and deep, a really, really skilled artist, but I also wonder how he would have responded to fan mail for Prophecy.

I hope all involved had or have senses of humor and when confronted with a request for an autograph on the VHS box, respond with, "Hey, thanks for your support, you geek!"