El monstruo asesino

I could barely keep myself from either nodding off or just turning off this turd, but I decided to stick it out if only for the reasoning that maybe *something* would happen. This is the work of a writer/producer/director/special fx, Kenneth Herts, who wants to make a statement on ecological damage while making a monster movie. That's what he wanted, anyway. What it turns out to be is a lot of acting, either slightly hammy or just mundane and without much merit, and scenes that seem to repeat themselves as the monster ATTACKS in the river waters (oh, and what luck, a woman just happens to be naked in it... even though there have already been DISAPPEARANCES!)

This is just nonsensical stuff, but I suppose it's not too harmful; it's not very obnoxious at the least and once or twice we get a semi-interesting peek at Brazilian "culture" (which is the father walking through town with his flock or other pieces of a semblance of 'hey, this is NOT America!'). But whatever hope the director had in casting Mitchum or Carradine is squandered on at best pedestrian and at worst excruciatingly banal and dumb dialog. It doesn't help that when we finally get something of a good look at the monster and the "action" happens, it too is stupidly staged and with only sleazy appeal. Usually I would feel sorry for a filmmaker who had a lot of problems getting a particular picture finished- in this case it took the better part of the mid 70s- but with Monstroid or Monster or whatever it's called... nah.

If you happen to get the Elvira DVD double-feature of this (bad print with bad transfer quality) with Blue Sunshine, make sure to skip this one. Unless, of course, you're an Elvira die-hard and can't help yourself to hear her luscious commentary; personally, I'd rather get Joel or Mike Nelson with the robots from Mystery Science Theater on this roast turkey.

This is a wonderfully goofy example of a self produced, written and directed vanity project ...while I was working as a crew member John Carradine commented to me (before the burning at the stake sequence): "This is the worst piece of sh*t I've ever worked on ...and I've worked on a lot of pieces of sh*t." Also An interesting moment earlier when Jim Mitchum was having trouble with his lines and started cursing in the courtyard location of the Santuario (a religious shrine in Chimayó) - at which point one of the local "vato loco" low-rider onlookers growled "...show some respect man", which apparently caused Jim to remember where he was, as he then made a very profound and heartfelt apology for his inappropriate behavior. In any case the crew did the job on deferment and were never fully paid - but came away with plenty of particularly bizarre stories - like the night we caught the producer/director's 10 year old son entertaining himself by constructing miniature Burmese tiger traps for us to break our legs in. Like they say: "Ya gotta' love the Biz..."

Where can we begin... This film starts off in Colombia with a young couple dancing to festive music in the night. As is natural in this situation, their frolicking is interrupted as the man is attacked and killed by a shadowy fish/lizard creature. Que loud scream and..."MONSTER". While the begining is far from unique, the camera work gave me some nostalgic vibes from similar 70's films and I thought that maybe, just maybe there was hope for this diamond in the rough. Alas...I suppose when you buy a 30 year old video tape for a dollar at an antique store, you get what you pay for. After a brief intro telling us how this is all based on a "true" story, we are introduced to a group of business men discussing the state of their mine in Colombia. Apparently talk of lake monsters and witchcraft have disrupted the flow of cash and the board 'ain't' happy about it. SO add in some environmental issues, religious views and an annoying nerdy kid who believes in the lake monster and you've got yourself...well... a mess. "The monster manages to "get in touch" with three or four individuals. These scenes aren't too bad, but they are few and far between the hour of talking. Even a witch burning doesn't do much to speed this film up. First problem. If you're going to have a movie called "monster", please make said monster not laughable. It's early scenes were brief, actually managing to keep the tension up, but believe me, the big reveal is sort of a let down. Imagine the Lock Ness monster mixed with a lizard and a catfish and you'll have some idea. Now once the creature is revealed, certainly our "hero's" will face off with it personally right...RIGHT!!! Nope, the best way is to pump a lamb full of dynamite and go fishing. I do have a slight problem with this. Obviously, if a creature has been surviving for thousands of years without having been discovered, and it is capable of going for a little stroll on land, it must be somewhat intelligent. So why does the creature decide to go out for a bite to eat and reveal itself when it is surrounded and being followed by a helicopter? Perhaps he was a media whore... Of course our hero manages to accidentally drop detonator in the water, causing him to brave a swim. Personally this was just stupidity on his part, and I was rooting for the Monster. Alas this occasionally clever beast decides to play around with a guy in a boat rather than take care of the real threat. SO the beast goes Kaboom. There is much rejoicing...unfortunately they don't realize that Monsters like to lay hundreds of eggs in a clearly visible and poorly protected area which can hatch spontaneously releasing offspring which are actually too large to fit in the supposed eggs they came from. Everybody up to speed? Don't worry about it. Personally I didn't hate this film as much as I have others. In this case the makers were simply over enthusiastic with their budget constraints. The plot could have worked and the film could have been a little scary with more money and better casting. One little factoid I noticed, is that women have progressed considerably since the 70's. In this movie, secretaries are called darlin' and honey, and have their posteriors fondled in ways that would see a modern man carried off for a chat with a grand jury.

Monster is a mind numbingly awful movie about an evil American concrete factory (are there any else in Hollywood?) polluting the waters of the small Colombian town of Chimayo somehow creating a catfish-like beast with a predilection for lamb and loose women. James Mitchum is Bill Travis the man who is sent down to Chimayo by his foul-mouthed boss Barnes who himself can't keep his hands off of his secretary's rear to get to the bottom (pun intended) of the story. While in Chimayo Bill must contend with an annoying reporter who apparently broadcasts all of her stories in perfect English directly back to America. I guess in the seventies there was a market for news from small South American towns. There is also a radical named Sanchez that wishes to sabotage the factory for polluting the water which, by the way, also supplies the town with jobs for the locals, but why let cold hearted economics get in the way of touchy-feely enviro-marxism. Pete the factory boss is unwittingly aided by the monster when he has sex with his ex-girlfriend on the beach, tells her that he is seeing the mayor's daughter Juanita and it's over between them, then she is promptly eaten that night. A little side action without the evidence. My hat is off to you Sir. John Carradine rounds out the cast as a priest that believes the monster is sent by God to punish sinners. You can see the contempt he has for being in this movie in his face. Might as well filmed him running to the local currency exchange to see if his check didn't bounce.

Supposedly based on a true story, so much so they say it twice in the opening credits, this film is awful on all fronts. Filming began in 1971 and was abandoned until eight years later when Kenneth Hartford put his foot on the throat of Monster by adding his two annoying children as new characters, even putting his daughter, Andrea in top billing with Mitchum and Carradine. The sound quality is nonexistent and most of the scenes seem as if someone smeared tar over the camera before filming. This is made even more tedious during the many scenes done at night. The monster itself is laughable as it rears its ugly rubbery head for the anticlimactic ending. James Mitchum along with his brother Chris are proof that nepotism in the acting industry needs to be curtailed. Utterly unwatchable dreck. Shame on you John Carradine.

This movie is one of the WORST films I have EVER seen!!! While I was watching it... I wanted so bad to turn it off and throw it away but I wanted to watch the rest of it so that I could tell off of you folks just how bad it is. It all starts out with it being described as being a TRUE story!!! Give me a break!!! I rubber monster swimming in a lake grabbing people like in "Jaws" and where did he get the feet or the fin's to come up on shore in the jungle and do the same thing!!! Other than that.... it had fake acting, fake props and a large amount of no-name actors that we have never heard of or that we never will in the future. This film is so bad, it deserves a 0!!!