The Main Event

The Main Event tries to capture some of the flavour of those old '30s comedies in which the main characters were fast-talking, argumentative types who ultimately fell in love with other against all expectations. Barbra Streisand and Ryan O'Neal are re-teamed seven years on from their much-admired What's Up Doc? but this film isn't really from the same league. It is, however, moderately enjoyable and sharply written.

Streisand plays Hilary Kramer, a successful business-woman who runs a perfume corporation. She discovers that her accountant has fled to South America with all her money and all her assets, leaving her ruined. However, the one contract that the accountant forgot to take with him is that of a boxer, Eddie "Kid Natural" Scanlon (Ryan O'Neal). Hilary threatens Kid Natural with breach of contract if he won't fight for her (even though he's barely been in the ring for goodness knows how many years). Eventually, Kid Natural agrees to box again but he turns out to be pretty useless. Undeterred, Hilary fixes up a lucrative fight with one of his old adversaries, but complications arise when she realises that she has actually fallen for him.

Fans of Streisand will undoubtedly enjoy the film. For others, it's a bit irritating. She gets into the role with heart and soul, but her constant fast-talk, put downs and wise one-liners becomes very wearing if you're not an admirer. O'Neal is frustratingly laid-hack and seems to be playing his role with the minimum of effort, but he somehow just about gets across a likable enough performance. The situations and incidents that comprise the plot are nicely thought-out. The only moment which feels wrong is the ending, wherein Streisand does something really crazy to prove her love for O'Neal but what she does would, in actual fact, probably annoy the hell out of him, yet he takes it really well and it all seems somewhat unbelievable. Still, The Main Event is undemanding entertainment and you could do a lot worse.

I have to ask how do you get a job like Ryan O'Neal had. Imagine a promising fighter who injures his hand and doesn't box for four years. But he and trainer Whitman Mayo live on the arm and just show up and hang out at a gym for with all their living expenses paid and are on salary. It's all because perfume tycoon Barbra Streisand is using this as one of many tax dodges set up by her manager.

But said manager has up and fled the country taking his clients assets except for O'Neal. So now O'Neal has to fight in earnest because Barbra is broke and the gravy train is over. Barbra having nothing else to do becomes O'Neal's manager.

Like that old line about 'Ginger Rogers running the Brooklyn Dodgers' from Hollywood Hotel that sums up the comedy in The Main Event which is what Streisand and O'Neal are striving for. She's just a fish out of water. But dare I say it because Barbra hates him, but her character shows a Trump like ability to garner free publicity. And ballyhoo is an integral part of boxing.

Taking up where they left off from What's Up Doc, Streisand and O'Neal have a well meshed chemistry. Have to also give big kudos to James Gregory as the Mike Jacobs like fight promoter who knows box office when he sees it.

Funniest scenes in the film are at O'Neal's training camp where Barbra is trying very hard to fit into this most masculine of worlds. Not an easy fit by any means.

The Main Event is a fun film, the only comedy I can recall about boxing.

I echo the previous viewers comments. When released in 1979, THE MAIN EVENT was an immediate summer hit grossing $66 million in the US and $80 million around the world. The film was popular not only because it reunited the stars of the 1972 blockbuster WHAT'S UP, DOC?, but also because of it's light tone and old-fashioned fun.

The story doesn't really matter, all you need to know is that the chemistry between the stars is fun and exciting and the screenplay gives them plenty of room to inhabit the screen. Streisand is as lovable as ever and O'Neal has rarely been more charming.

As I said before: Good fun! 7/10.

Exceptionally brassy, brawling comedy set mostly in the boxing ring. Barbra Streisand is a perfume executive with the #1 nose for business ("It's the kind of scent a man can give to a woman, a woman can give to a man, a man can give to a man, a woman can give to a woman, have I left anybody out?"). Unfortunately, she's been embezzled against and has lost all her finances, except the contract to a boxer who no longer boxes (he just spends her money). Streisand and Ryan O'Neal eke out some laughs from the groaning dialogue (a really bad joke regarding Patti D'Arbanville's threat to meddling Streisand is the most offensive). The plot coasts along on the amiable chemistry between the leads, though all they seem to do here is argue. It bottoms out in the final stretch, ending with an extremely weak climax which got boos from the theater audience I saw this with in 1979. Barbra looks pretty sexy though and--braless in T-shirts and showing lots o' leg in her short-shorts--don't think she doesn't want us to notice. *1/2 from ****

The real bout in this movie may be between Barbra Streisand's talent and Babs' ego. Can the often-inspiring light comedienne of "What's Up Doc" and "Funny Girl" overcome La Streisand's need to be the center of every scene?

It's a reunion flick between Streisand and "Doc" co-star Ryan O'Neal. She's perfume magnate Hillary Kramer, undone by an embezzling accountant. He's Kid Natural, a former prize fighter who represents Hillary's one asset, if only she can get him in the ring. He'd rather stick to his new career as a driving instructor.

"Do you want my body on your head for the rest of your life?" he asks her.

More than boxing, sex is the main event of the film, from the opening shots of Streisand working out in spandex leotards to the charged byplay between the stars. She teases her ex-husband with pelvic thrusts and dances around the ring with Kid in short-shorts and a halter top with no bra. This is distracting to some extent but helps arouse the movie's one undeniable asset: The chemistry between O'Neal and Streisand.

For an actor made entirely of wood, O'Neal is surprisingly spry and able, taking pratfalls, playing shamelessly off his good looks, and trying to get out of the deal with Hillary by clenching his fists and telling her of his vow to "never again use these, these messengers of death." He lives in a giant glove by a freeway which advertises his driving instructions in neon. He proudly claims it an investment made with Hillary's money.

For her part, Streisand is clearly the more dominant partner in a way she wasn't in "Doc". The movie starts and ends with a big close-up on her, and the boxing part of the story is shortchanged in order to keep her in the frame as much as possible. Howard Zieff directs this as a vanity project, since that's what it is, with soft lighting playing up her russet locks at every opportunity.

But Streisand justifies the spotlight by playing to Hillary's weaknesses as much as her strengths. Hillary has no clue about boxing, but doesn't let that stop her. After the Kid is dinged up in one early match, she announces a new plan: "Better fights with nicer people".

Another early scene of Kramer running her perfume business has her deliver a line that seems a playful nod at Streisand's own famously imperious rep: "I want you to go away to a very quiet place, let your brilliant and creative minds blossom with original ideas, and then bring me back exactly what I'm talking about." It might not be as funny delivered by someone else, but that's a benefit to having Barbra on the job.

There's enough general funniness like that to overcome the defects of too much Barbra and an ending that literally throws in the towel rather than resolves the romantic tension between Hillary and Kid in a fun yet convincing manner. Also on the plus side, you have Whitman Mayo as Kid's cagey manager and one great theme song, a molten disco masterpiece which Barbra sings with all the relish of Shirley Bassey pouncing on "Goldfinger". I think it made the film such a success in 1979, more than the critical notices of the time which were horrible.

So score this one talent over ego, if by points rather than knockout. "The Main Event" is no classic, but it's good enough to make me smile all these years later.