Amor a la primera mordida: los amores de Drácula

Quite incredible this was made the same year as ALIEN. Seems a couple of generations earlier - a real throwback to 50's and 60's "family" movies.

Totally watchable and entertaining flick (which is somewhat MORE than can be said for Hamilton's follow-up, ZORRO THE GAY BLADE). The strength of the film lies in its principals. Hamilton as suave and out-of-the-20th-century-loop Count Vladimir Dracula, Susan St James in what was inarguably her best screen role as NY super model Cindy Sondheim, and ever-funny Richard Benjamin as Dr Jeffrey Rosenberg..a distant relation of Dr Van Helsing no less!

Both are in love with Cindy who is torn every which way emotionally, even allowing for her understandable concern as to the restrictive life of a bat in general. The interplay between Hamilton and Benjamin is often priceless. The film never really aims to be anything more than what it is - a lightweight romantic comedy with bite, and this becomes it well. Particularly cheerful little ending which adds pep!

Always to be remembered for the disco sequence and I LOVE THE NIGHTLIFE which still conjures up for me so vividly those dance-floor scenes. No way a masterpiece - simply a film which holds very pleasant memories for many people I imagine!

Hamilton is genuinely funny in this movie. That is much more than I can say for the next one he did, Zorro, the Gay Blade. It was atrocious. But in this one, he was honestly good, as was Susan St. James. Her success on television in my opinion stemmed from her performance in this movie. MacMillian and Wife was a wonderful series, but she shined brightest in this movie.

The VHS release, however, has one major change I neither understand, nor can stomach. That wonderful climax where the two of them are dancing to the song, "I Love the Nightlife" and he is attempting to use his Vampyric powers on Suntime (St. James), has been negatively altered!

It now no longer contains that memorable song and the soundtrack has been changed to another song for that scene. I was highly disappointed with this change! It degraded the quality of the experience to the point of making it worthless!

If you can find this movie in its original format (before the change, that is) this movie rates an 8.2/10.

After the change, it's not worth a 1.0/10 from...

the Fiend :.

Despite the '70s sleaze and feel to it, this is still a classic comedy with many laugh-out-loud scenes, similar to the Dracula spoof Mel Brooks put out in the '90s (Dracula: Dead And Loving It). Brooks must have been inspired watching this film.

Susan St. James is okay in the female lead role here but almost all the laughs are produced by three guys: George Hamilton IV, Arte Johnson and Richard Benjamin. This has to be Hamilton's best role by far. He excels with his deadpan humor and restrained style as the famous "Count Dracula." Johnson, as "Renfield," still makes me laugh with his stupid laugh in here and Benjamin added a lot of spark to the film the moment he entered, playing the ultra-liberal psychiatrist who knows who Dracula right off and tries in vain to stop him.

Speaking of "liberal," this film is like something discovered out of a time capsule, if you want to see the most Liberal period in American history - the '60s and '70s - with the too-casual attitude toward sex, drugs and anything of moral value. St. James, as model "Cindy Sonheim," gives us Exhibit A of that, with Benjamin close behind.

Since all four of the major characters in here provide tons of entertainment in this hour-and-a-half, this movie always is fun to watch, no matter what era.

Forced out of his Transylvanian castle by government officials, Count Vladimir Dracula and his bug-eating man-servant, Renfield, pull up stakes and land in New York City, where the bloodsucker begins his search for the fashion model he believes is his soulmate. "Love at First Bite" is a sassy, snorting romp, but it isn't crude; it has too big of a heart to be just another vampire spoof. Bram Stoker's infamous Count has been modernized (via the 1970s) as a die-hard romantic with a ticklish side (he amuses himself), and George Hamilton could not be better in the role. Whether seducing flaky sexpot Susan Saint James with some fancy moves on the dance-floor, matching wits with Richard Benjamin as a nutty psychiatrist (and Van Helsing relative!) or robbing a blood bank with Arte Johnson's Renfield in tow, Hamilton never gets pushy with his Dracula incarnation; he's working in a surprising, charming lower key and doesn't resort to hamming for laughs. The movie isn't especially well-produced--the color is gloppy, the continuity is spotty and the third act business is squashed together--but it has a sense of naughty (though not vulgar) playfulness that audiences responded to. Hamilton's obvious delight with this comic-book approach to Dracula is infectious, as well. His Count may not be street-smart or completely self-assured, but he's a flexible vampire, willing to adapt to the times. He's also loyal to the people he loves, and this gives the romance a groovy kick (when this vampire says "I love you," you knows he means it; he swoons a little himself when he says it). Hamilton revels in the fun, and he looks great in the cape. *** from ****

Clever romantic comedy with the always charming Hamilton as a more hoaky and fun Count Dracula. There are plenty of wonderful gags and a witty supporting performance from "Laugh In" alum, Arte Johnson, as Dracula's sidekick.