Lin Shi Rong

Magnificent Butcher is one of those classic Kung Fu movies - the ones with all the camera zooms and overly emphasized hitting sounds like sound like twigs breaking. Sammo Hung is Butcher Wing, a somewhat clumsy and confused butcher...who also happens to know Kung Fu. Through plot machinations worthy of a daytime soap opera, it is Butcher Wing who must defend his dojo and the baseless accusations against him.

There's far more Kung Fu in this movie than actual movie. This is a good thing. The fights are amazingly choreographed and never "cheat" like so many movies of its kind do today. In other words, instead of seeing flashes of action which are cut together to make a fight scene, the entire scene is played out in a master shot where you can watch these athletes in action.

For the fan of the classic Hong Kong kung fu movie, this one is just plain fun. Sammo Hung is comic, fierce, expressive, and a joy to watch in action. Yuen Biao is conniving, devious, and mean. The action is wild, the kung fu is fast and furious, the stunts are convincing, all in all a great chop-sockey type movie. If you enjoy this sort of thing, give it a try!

A great film. Sure it's a 70's kung fu film, but this one seems somehow to rise above many of its ilk. It starts quickly and from there, it feels like there's never 10 minutes go by without a cracking fight scene. And that's just the thing - ALL the fight scenes are cracking... even the ones you would expect to be minor throw-away scuffles are awesomely executed, filmed and edited! As a 70s Hong Kong Kung Fu film, it still has some fairly broad humour, but it feels more hit than miss. The pantomime style farcical elements here don't seem as forced or as protracted as in many movies of this type. It has some genuinely moving moments and the plot, although straightforward and formulaic, is also refreshing in that it doesn't deviate too much with irrelevances. Nor does it get too tied up in itself. However, there is enough plot there to keep interest in the brief bits between fights.

And this film IS about the fights. There is some awesome kung fu with just the right mix of reality-grounded martial arts, and odd touches wire-assisted flair. Sammo, as with many of the main players, is clearly at his peak, and with his input, the fights can be pretty brutal at times. They are fast, lengthy, hard, and fast and are just starting to move away from the stilted nature of the 70s films. Yuen Biao gets a great showcase fight too - one that shows his martial arts ability more than his acrobatic prowess. This is a film about the martial arts - there are some impressive acrobatics but they are kind of the run of the mill stuff of these films, rather than the jaw-dropping acrobatics of say Wheels on Meals or Dragons Forever. Sammo pulls out some impressive flips though. As does Beggar So's character.

This is my new favourite 70s kung-fuer... and I found it more enjoyable, even, than... dare I say it... Drunken Master!!! Yes - it's that good!

Bravo, 20th Century Fox, for giving this movie a DVD release in North America! And not only with a gorgeous-looking print, but with the option of watching in the original Cantonese with subtitles, unlike other American distributors (coughcoughmiramaxslashdimensioncoughcough).

I hadn't heard of this particular Sammo Hung movie until tonight, when I spotted it at the video store. I took a chance, and I'm really glad to have done it! Completely entertaining, and never dull for a minute. The fights are "old school", but they are still pretty swift, and the various acrobatics and moves are absolutely amazing. Plenty of comedy as well, pretty low-brow slapstick for the most part, but won't help but bring a smile to your lips several times.

Now, as others have said before, there are some brutal and deadly serious moments, and they will seem out of place to most westerners. But from what I've seen from other Hong Kong movies, this kind of thing isn't that unusual. At the very least, such moments like this just further the ways as to how this movie will be unique to anyone raised on western filmmaking.

Don't think this is the cheap kind of martial arts movie you see on Kung Fu Theater or on public domain video labels - give it a try. You won't be disappointed.

Without the aid of their buddy Jackie Chan, the icons of Hong Kong cinema demonstrates that kung fu comedy exists before and after Jackie appeared on the scene. Magnificent Butcher is one of the many examples of great Kung Fu minus the action superstar, the story follows many strands of the Kung Fu genre with masters and schools coming against eachother, complete with climactic battles and a heavy dose of boys own humour that is the template of this succesful era of kung fu. What makes this one of the greats is its simple charm, Yuen Woo Ping breathes so much life into this movie by treating the audience to a feast of distintly Hong Kong movie ideas.

Only in Hong Kong action could their contain a scene whereby a characters uses the infamous farting technique to shame his opponent, or a blind begger mistakes a water vase being held by Samo as a toilet, and in the same movie contain an attempted rape, knives being plunged into the stomachs and the lead actor smashing his enemies head with a pray stone in extra slow-mo. Only in Hong Kong would a director attempt to gel these distinctly contrasting scenes and attempt to convey a cohesive story. And in Magnificent Butcher we have something close to success, as Samo effectively conveys emotions of comedy and extreme outrage in the blink of an eye. What is strange is how quickly these charaters forget their injustices and gripes which eventually lead to the climactic fight sequence where everything ends in triumpth, as we the viewer dispel with the plot and relish the movies subsequent closing. Magnificent Butcher, or Lin shi rong, is part of the era of Hong Kong movie making whereby anything that makes the audience laugh and cry for its duration was deemed a success, as the emphasis of movies made in this era was fun twinned with an element of truth, and this calloboration between Yuen Woo Ping and Samo sets the precedent for nearly everything that has been great about Hong Kong cinema ever since.

Kung fu comedy at its most shameless, an undeniable classic for fans of Hong Kong cinema.