El testamento del diablo

The first time I ever saw this one, I must have been barely in my mid-teens. And I didn't like it very much (hey, I preferred my horror filled with slimy monsters and lots of blood & gore back then). But some things about this movie stuck with me over the years (especially the infamous 'tracheatomy-scene' did, amongst other things). And I just knew that was a good thing. So you could say I was ready for a more "mature viewing" of this movie. And yes, it's actually pretty good! I didn't mind it was a bit slow during the first half, because it builds up a good atmosphere wrapped in a fine mystery. Some people in their user-comments called it a "haunted house movie", but that couldn't possibly be further from the truth, as far as I'm concerned. It's a film about the supernatural, yes, but the only 'haunted house'-related thing it does have, is indeed one big, creepy looking mansion on an isolated location on UK grounds. Margaret Walsh (played by a beautiful looking Katharine Ross) is summoned to the UK for an architect-assignment. Her friend Pete (Sam Elliot) accompanies her. Circumstances lead her to the aforementioned mansion, where she is obliged to stay the weekend. Then 5 other guests arrive and they all seem to know why they are there, but Margaret doesn't. It's up to her and Pete to find out, because it doesn't take long before the guests start dying one by one. And something inside the mansion isn't willing to let her go... That's really all you need to know before going into this movie. The death-scenes aren't particularly gory, but they were sort of original at the time (1978), and there's even a catch to them... Very happy I did finally re-watch this film, as I seem to have slightly misjudged it in my teen-days.

Enjoyed this film though I've seen this story before. Most of the acting was good, especially Elliott, Ross and Daltrey in a small role. Charles Gray though plays the same role in every part he plays and Hildegard Neil is criminally underused. In all a decent effort.

I like this potboiler. There's a soft spot in me for this story, even though it features the occasional lapse in narrative logic, and the special effects--while serviceable--don't guarantee it will leave much of a cinematic impression in many people's memory, years down the line. The Legacy is passed down by a moribund multi-millionaire, Jason Mountolive, to a group of inheritors (most of them European) who have travelled from afar to reunite for Jason's last 'will and testament.' Maggie Walsh and boyfriend Pete work together in Los Angeles as interior decorators (what's the likelihood of that?). They are hired sight unseen by a British client and, soon, 'accidentally' meet Jason, and are invited to stay at his home. At Ravenshurst mansion, the inheritors drop like flies, and Jason begins to get a little warmed over--he appears to be melting, cataracts appear, and he's definitely in dire need of a manicure. Clearly, this horror film was inspired by The Omen and, likewise, features a few Rottweilers that help take care of impending 'business' matters... Time to feed the dogs!!!

Interior decorator Katharine Ross and boyfriend Sam Elliot are offered a plum assignment in England. When they are run off the road by an enigmatic millionaire, he invites them to stay at his family castle while their motorcycle is repaired...and then the fun begins. The film can be taken as either a straight horror film or an Agatha Christie-style supernatural mystery. There is not much in the way of genuine surprises, but it is interesting figuring out which of the guests at the English estate will be the next to go and how. Ross and Elliot play their roles believably as a suitably bewildered American couple, who cannot understand how they got stuck in this predicament and how the heck to get out of it. The cast is made up of solid, familiar British actors and the cinematography lends a polish that helps this film rise above the usual dreck in this genre. While not edge-of-your-seat, the film moves along briskly and there is just enough gruesomeness to add to the atmosphere. Aside from the leads, Margaret Tyzack is particularly effective as a sinister nurse. Richard Marquand's direction is above-average and he deftly showcases the English countryside, the stately manor and Sam Elliot's birthday suit (THANK YOU, RICHARD!) with equal aplomb.

Based,as users have pointed out ,on the "and then there were none "aka "ten little Indians" aka "Ten little n...." model which had already begun to be thread-bare at the time (although "mindhunters" recently used it relatively smartly), "the legacy" was mainly a Katherine Ross vehicle ,whose hair is really beautiful.The rest of the cast is faceless,although they hired Roger Daltrey to attract the rock audience:he has five or six lines to say.

"They have all done something wrong in their life and they have not been punished" discovers the heroine,in the grand Christie tradition.this is not only a thriller,it's also a horror flick with some gory scenes .The mixture is stodgy .The ending does not make any sense .

"Nothing works in this f.... country!" yells the hero after a hot shower and a drive in the English country.