La isla del gran caimán

This movie has generally been critically lambasted over the years, and quite unfairly. It's generally been regarded as a "Jaws" rip-off even though the only thing it really has in common with "Jaws" is a fake-looking beastie and a guy (Mel Ferrer) who doesn't want to scare off the tourists from the luxury hotel he is operating in an undisclosed Third World jungle location. The giant caiman (incredibly, this movie has even been taken to task by some people over its inaccurate English-language title)may not be just a normal overgrown monster, but may actually be the god of a nearby group of indigenous people (do you remember that from "Jaws"?--I sure don't), who turn out to be even more dangerous to the hapless tourists than the caiman. There is also a mad missionary (Donald O'Brian)living in a cave who might be the Robert Shaw figure, but might just as well have been "ripped-off" from the novel "Heart of Darkness" as from "Jaws".

The hero (Claudio Cassanelli) is a photographer(i.e. not a sheriff)who comes to the resort for a fashion shoot. But then his model gets together with a native to make the beast with two backs out on a river island, after which they're both promptly eaten by the giant beast with one back, so it is up to the photographer and the PR spokeswoman for the hotel (Barbara Bach)to stop the rampage of this enraged "god" before he chows down on more tourists. And they also have the murderous and sacrifice-happy native tribe to deal with. This movie has a real social and environmental message about the developed world exploiting the developing world and despoiling nature. It's pretty muddled (not much more convincing than the ones found in most Italian cannibal films) but it's also very un-"Jaws"like.

This movie has also been unfavorably compared to director Martino's previous cannibal outing "Mountain of the Cannibal God". This movie doesn't feature a naked Bond girl like Ursula Andress (and clothed latter-day Bond girl Barbara Bach is admittedly a poor substitute), but it also doesn't contain tasteless animal atrocity footage (watching people get eaten by a patently fake caiman is a lot more fun than watching a real monkey get slowly eaten by a real snake). It also gives the underrated Claudio Cassanelli a chance to shine, away from the shadows of big international and American stars like Andress or Stacy Keach (there's certainly no danger of Bach upstaging him). Sure the caiman's pretty fake, but this is still infinitely preferable to Tobe Hooper's "Crocodile" or other recent CGI garbage. Watch it and judge for yourself.

For many people this is one of the worst by Sergio Martino, but I really love it. First I gotta say that I love Sergio Martino and for me he is maybe the best exploitation Italian director, better than Di Leo and Lenzi too. Big Caimano River is a real b-movie, and I say that as a compliment: a real b-movie as today nobody do anymore. It's a sort of "Jaws" rip-off, with a big alligator which scares a small village in the forest. The movie is sometime stupid, but is so funny. You can easily see that the alligator is fake, but this doesn't disturb me. Instead, I think it's almost touching: that time is over, the time of the house made fx-effects. The underwater ending sequence is fantastic. Also the truck is fake but, you know, that's b-movie. And that's what I like.

In THE GREAT ALIGATOR, Joshua (Mel Ferrer) is the owner of a tropical island resort, which he runs with help from his assistant, Alice (Barbara Bach). Among the fun activities offered is the tossing of squealing piglets into the water to entice the local crocodiles.

In order to create this beautiful island oasis, the surrounding ecosystem was destroyed, upsetting the natives to no end. They fear that the gods have been angered. Soon enough, the reptilian horror of the title arises to avenge the disrespected deities.

CHOMP!

While several deaths occur, the lengthy interludes between croc attacks are dull enough to cause cranial blistering. The fact that disco dancing plays an integral part in this movie does bring a few chuckles, especially the floating disco dance floor! A boogie buffet! Now, that's a brilliant idea!

CHOMP! CHOMP! CHOMP!

Don't miss the mindless, JAWS-like non-finale! Now, that's comedy!...

Some kids bathtub toy goes on a killing spree. I mean, some ancient jungle god (in the shape of a Giant Alligator!) gets offended by a resort being built in the heart of the jungle. Then a supermodel sleeps with a native and REALLY cheeses him off! Actually, I suspect it might have been the incredibly irritating "bocka-ch-wocka" disco music that plays relentlessly through the entire film that drove the reptile to kill in the first place. The Great Alligator goes on a boring munchfest, eating more innocent natives than guilty white people and requiring that soaking wet and barely dressed shapely women be tied to rafts and offered as a sacrifice. Yeah, okay. Poor Richard Johnson plays some weirded out prophet who lives in a cave and looks like the guy from Monty Python. I kept waiting for him to run up to the camera and croak out: "It's!" at any given moment. The alligator is silly, bobbing back and forth and looking like a big rubber toy. This was obviously "Jaws" inspired, and sadly, imitation is NOT always the sincerest form of flattery. Stick with Piranha. This movie makes "Eaten Alive" look better than I originally gave it credit for.

Surfing on the wave of "Jaws" the cunning Sergio Martino sniffed out a huge niche market in this firstborn "Alligator" that was shameful duplicated by the Americans one year later with Lewis Teagle's Alligator and son on, the production looking by the thematic side is well-done on costumes on the tribe, lavish scenarios, and fabulous landscape at Sri-Lanka, nonetheless who would expect about the plot? Even the latest Jaw were really bad all them without any exceptions became often repeating itself, upon this point of view Martino's Alligator is a copy of Jaw.

How it works in "Jaw" is need a resort to took place all those unfortunate tourists in danger on those calm waters, they find in gorgeous Barbara Bach's angel face an appropriate trophy girl to offer for the giant creature, as really happens on the picture, a young hero in Claudio Cassinelli to save the helpless girl, Martino imposes a superstitious African tribe that believe in a Alligator's God willing to feeding with human fresh, at last the producers and writers put a supposed greedy and heartless man in the body of Mel Ferrer, then we've perfect formula to make the audience going to frenzy.

Aside the mix of foam, latex and cardboard on the innocuous Alligator all the remainder is someway very palatable for the target public, at cavern's sequence made in Italy had a great impact in so wondrous Alligator's skull, when Barbara and Cassinelli meet a hermit father, further the producers didn't retrench the budge sunk a brand new helicopter and renting all real resort at Asia, gorgeous girls in sexy bathing suits, the happy lady and finally that stolen the show the toothless little girl with the amusing smiling, not so bad.

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First watch: 1983 / How many: 2 / Source: TV-Youtube / Rating: 5.25.