La isla del gran caimán

Surfing on the wave of "Jaws" the cunning Sergio Martino sniffed out a huge niche market in this firstborn "Alligator" that was shameful duplicated by the Americans one year later with Lewis Teagle's Alligator and son on, the production looking by the thematic side is well-done on costumes on the tribe, lavish scenarios, and fabulous landscape at Sri-Lanka, nonetheless who would expect about the plot? Even the latest Jaw were really bad all them without any exceptions became often repeating itself, upon this point of view Martino's Alligator is a copy of Jaw.

How it works in "Jaw" is need a resort to took place all those unfortunate tourists in danger on those calm waters, they find in gorgeous Barbara Bach's angel face an appropriate trophy girl to offer for the giant creature, as really happens on the picture, a young hero in Claudio Cassinelli to save the helpless girl, Martino imposes a superstitious African tribe that believe in a Alligator's God willing to feeding with human fresh, at last the producers and writers put a supposed greedy and heartless man in the body of Mel Ferrer, then we've perfect formula to make the audience going to frenzy.

Aside the mix of foam, latex and cardboard on the innocuous Alligator all the remainder is someway very palatable for the target public, at cavern's sequence made in Italy had a great impact in so wondrous Alligator's skull, when Barbara and Cassinelli meet a hermit father, further the producers didn't retrench the budge sunk a brand new helicopter and renting all real resort at Asia, gorgeous girls in sexy bathing suits, the happy lady and finally that stolen the show the toothless little girl with the amusing smiling, not so bad.

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First watch: 1983 / How many: 2 / Source: TV-Youtube / Rating: 5.25.

For many people this is one of the worst by Sergio Martino, but I really love it. First I gotta say that I love Sergio Martino and for me he is maybe the best exploitation Italian director, better than Di Leo and Lenzi too. Big Caimano River is a real b-movie, and I say that as a compliment: a real b-movie as today nobody do anymore. It's a sort of "Jaws" rip-off, with a big alligator which scares a small village in the forest. The movie is sometime stupid, but is so funny. You can easily see that the alligator is fake, but this doesn't disturb me. Instead, I think it's almost touching: that time is over, the time of the house made fx-effects. The underwater ending sequence is fantastic. Also the truck is fake but, you know, that's b-movie. And that's what I like.

A year after The Mountain of the Cannibal God, Sergio Martino decided to go back into the jungle - although instead of bloodthirsty cannibals, this time he brought with him a ridiculous looking fake crocodile! The influence from this film obviously came primarily from Steven Spielberg's Jaws (which was a big hit among Italian film directors in the seventies), with a bit of the cannibal sub-genre thrown in for good measure. It's safe to say that this film isn't very good - and has nothing on Sergio Martino's more successful films (his Giallo's in particular), but at least the film is fun enough for most of the duration. The plot revolves around a legendary crocodile that lives near a tourist resort in Africa. Unfortunately, the over-sized crocodile is not pleased about the tourists' intrusion and so takes it upon itself to kill everyone! On the land, the natives believe that they are being killed by the tourists and so they take to the lake in a boat...but in the lake, the hungry crocodile awaits them!

Of Martino's three jungle movies (the other two being The Mountain of the Cannibal God and Island of the Fish Men), this one is definitely the weakest, although it's not all bad news as it's still entertaining enough. Naturally, the crocodile looks completely ridiculous but this adds charm to the film and I'd rather see a silly looking and obviously fake crocodile terrorising people than a CGI one. Unlike Martino's other films, this one doesn't feature much in the way of gore, nudity or sleaze which is a shame as I would have preferred more of all three. Like Island of the Fish Men, this film stars Barbara Bach and again she looks absolutely great. Her co-star is Claudio Cassinelli (also from Island of the Fish Men, as well as Mountain of the Cannibal God) and he looks the part as the rugged male lead. The scenery is good and the film is obviously shot on location, which helps Sergio Martino to build the atmosphere surrounding the "mythical" central monster. Overall, The Big Alligator River is silly and fairly poor quality, but it's a fun viewing and therefore isn't all bad.

This film starts with a photographer being flown by helicopter to a hotel/resort in the middle of the jungle, because he has been hired to take some publicity photos for the owner. Once there he is introduced to everyone of any interest (to the viewer anyway) and is given a guided tour of the place (once again more for the viewers benefit than his, a quick and lazy way to set the story up). After this opening ten or so minutes its on with the story, this photographer falls for the owners assistant and tries to chat her up when she is alone, outside. At the same time two locals sail to a nearby island and make love. On their way back they are attacked and killed by a giant alligator, of course the photographer and his soon to be lover hear their screams. The next morning one of the two killed the night before is reported missing, the photographer puts two and two together and along with a broken boat realizes something is not quite right. The hotel owner however is not convinced, and as he has his first guests coming to stay he doesnt want to start a panic. Its now down to the photographer and his girlfriend to prove the great alligator exists. I like all these italian rip off movies from the late seventies and early eighties and this one isnt too bad at all. Sergio Martino is a solid director who seems to make good, handsome, well made movies that are better than their low budgets would suggest, mountain of the cannibal god, A man called blade and 2019 after the fall of new york are a few examples. There is not much gore and the alligator is rarely seen, but the locations are nice as is the camera work. I liked the ending as well. Some may find the film a bit dull and slow but I liked it and recommend it.

This movie has generally been critically lambasted over the years, and quite unfairly. It's generally been regarded as a "Jaws" rip-off even though the only thing it really has in common with "Jaws" is a fake-looking beastie and a guy (Mel Ferrer) who doesn't want to scare off the tourists from the luxury hotel he is operating in an undisclosed Third World jungle location. The giant caiman (incredibly, this movie has even been taken to task by some people over its inaccurate English-language title)may not be just a normal overgrown monster, but may actually be the god of a nearby group of indigenous people (do you remember that from "Jaws"?--I sure don't), who turn out to be even more dangerous to the hapless tourists than the caiman. There is also a mad missionary (Donald O'Brian)living in a cave who might be the Robert Shaw figure, but might just as well have been "ripped-off" from the novel "Heart of Darkness" as from "Jaws".

The hero (Claudio Cassanelli) is a photographer(i.e. not a sheriff)who comes to the resort for a fashion shoot. But then his model gets together with a native to make the beast with two backs out on a river island, after which they're both promptly eaten by the giant beast with one back, so it is up to the photographer and the PR spokeswoman for the hotel (Barbara Bach)to stop the rampage of this enraged "god" before he chows down on more tourists. And they also have the murderous and sacrifice-happy native tribe to deal with. This movie has a real social and environmental message about the developed world exploiting the developing world and despoiling nature. It's pretty muddled (not much more convincing than the ones found in most Italian cannibal films) but it's also very un-"Jaws"like.

This movie has also been unfavorably compared to director Martino's previous cannibal outing "Mountain of the Cannibal God". This movie doesn't feature a naked Bond girl like Ursula Andress (and clothed latter-day Bond girl Barbara Bach is admittedly a poor substitute), but it also doesn't contain tasteless animal atrocity footage (watching people get eaten by a patently fake caiman is a lot more fun than watching a real monkey get slowly eaten by a real snake). It also gives the underrated Claudio Cassanelli a chance to shine, away from the shadows of big international and American stars like Andress or Stacy Keach (there's certainly no danger of Bach upstaging him). Sure the caiman's pretty fake, but this is still infinitely preferable to Tobe Hooper's "Crocodile" or other recent CGI garbage. Watch it and judge for yourself.