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IMDbPro

Yashagaike

  • 1979
  • Not Rated
  • 2h 4min
CALIFICACIÓN DE IMDb
7.0/10
1 k
TU CALIFICACIÓN
Yashagaike (1979)
FantasíaRomance

En las afueras de un pequeño pueblo de Japón, un misterioso estanque está habitado por criaturas míticas. Su historia es una historia de venganza, tragedia y el poder del amor. Un cuento clá... Leer todoEn las afueras de un pequeño pueblo de Japón, un misterioso estanque está habitado por criaturas míticas. Su historia es una historia de venganza, tragedia y el poder del amor. Un cuento clásico que se traduce maravillosamente al cine.En las afueras de un pequeño pueblo de Japón, un misterioso estanque está habitado por criaturas míticas. Su historia es una historia de venganza, tragedia y el poder del amor. Un cuento clásico que se traduce maravillosamente al cine.

  • Dirección
    • Masahiro Shinoda
  • Guionistas
    • Kyôka Izumi
    • Tsutomu Tamura
    • Haruhiko Mimura
  • Elenco
    • Tamasaburô Bandô
    • Gô Katô
    • Tsutomu Yamazaki
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    1 k
    TU CALIFICACIÓN
    • Dirección
      • Masahiro Shinoda
    • Guionistas
      • Kyôka Izumi
      • Tsutomu Tamura
      • Haruhiko Mimura
    • Elenco
      • Tamasaburô Bandô
      • Gô Katô
      • Tsutomu Yamazaki
    • 13Opiniones de los usuarios
    • 22Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 3 nominaciones en total

    Fotos56

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    Elenco principal32

    Editar
    Tamasaburô Bandô
    • Yuri…
    Gô Katô
    Gô Katô
    • Akira Hagiwara
    Tsutomu Yamazaki
    Tsutomu Yamazaki
    • Gakuen Yamazawa
    Hisashi Igawa
    Hisashi Igawa
    • The Carp
    Fujio Tokita
    Fujio Tokita
    • The Crab
    Hatsuo Yamaya
    Hatsuo Yamaya
    • The Villager Yoju
    Dai Kanai
    • Village Headman
    Kôji Nanbara
    Kôji Nanbara
    • Priest Shikami
    Tôru Abe
    Tôru Abe
    • Leader of the Village Assembly
    Yatsuko Tan'ami
    Yatsuko Tan'ami
    • Nurse
    Shigeru Yazaki
    • Village Teacher
    Jun Hamamura
    Jun Hamamura
    • The Shadow…
    Hitoshi Ômae
    • Furosude Kotori
    Fudeko Tanaka
    Fudeko Tanaka
    • Old Woman
    Toshie Kobayashi
    • Village Woman
    Maki Takayama
    • Yoju's Wife
    Yumi Seigan
    • Yoju's Daughter
    Megumi Ishii
    • The Camellia
    • Dirección
      • Masahiro Shinoda
    • Guionistas
      • Kyôka Izumi
      • Tsutomu Tamura
      • Haruhiko Mimura
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    7.01K
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    Opiniones destacadas

    8pyamada

    stunning

    This film has shown in the United States as Demon Pond. One part ghost story (with echoes of the Japanese classic, Ugetsu), one part a distinctly Japanese version of a "weird tale", and one part drawn from Japanese fairie tales and children's stories, much of the action is a vehicle for Bando, perhaps the most accomplished actor/female impersonator in Japanese theater and kabuki in the last 30 years. It is virtually impossible to tell that he is a man, playing a female role. More theatrical than scary, the film is still sometimes creepy and very imaginative visually. For those who are interested in Bando, Daniel Schmid made a "documentary" about him, The Hidden Face, which is well worth seeing. In all, this is an excellent example of superior recent Japanese film that has more aspirations to entertain than to be art, but entails both.
    10rebeccachamberlain-33354

    One of my favorite films of all time, along with Cocteau's Orphee.

    I am on a quest to find American distribution of the Japanese film, Yasha-ga-ike (1979) Demon Pond, by Director, Masahiro Shinoda.

    Summary: It is an extraordinary and beautiful cinematic experience. It was artistically, emotionally, and imaginatively powerful. I was drawn into the film, like the main character is drawn into the magical realm of the "Lady of the Lake." It is a transcendent adventure story and romance, that evokes the relationship between humans and the natural world, and everyday life and the life of the imagination. I was transformed by the magic of the film.

    I rate it as one of my favorite films of all time, along with Cocteau's Orphee.

    I saw the film in the 1980's,in the Toyo Theater (a Japanese Theater) in Seattle. The Toyo Theater no longer exists. I have looked a number of times, but I can't find the film anywhere. I know that it played in Seattle again at an Art Museum in the 1990's, but I wasn't able to see it then.

    I would also like to show Yasha-ga-ike to students, and perhaps combine it with Ugitsu, or Orphee.

    I would love to see the film again. Does anyone know where or how to find it in America?
    5I_Ailurophile

    Earnest value is gravely diminished by perplexingly slow pacing

    I fully admit that I sat to watch with a double disadvantage. For one thing, not being from Japan, I assume there are ideas herein that would bear much more significance for someone who is, and therefore I might well be missing something from my viewing experience. Secondly, I was so exhausted as I sat to watch that I actually passed out for several hours all told, and what should have been two hours became more like eight or nine. Then again, it's hardly as if this is the first Japanese film to be firmly rooted in Japanese folklore or culture, and I've enjoyed many others immensely. And while a middling or bad film might put an alert person to sleep, a good film usually has the effect, in my experience, of rousing me when I am drowsy, and that didn't happen here. And beyond these secondary or tertiary considerations, it must be mentioned as the foremost criticism that the single most defining trait of 'Demon pond' is a laboriously slow pace. I speak partly to Shinoda Masahiro's direction, if not also to Ikeda Zen and Yamachi Sachiko's editing, for the pacing within individual scenes as they are executed is all but reduced to soporific slow motion. However, I do also speak to the plot development, for not a lot actually happens over two hours, and even as scenes and the plot are written it is with a certain sense of lethargy.

    I'm not familiar with Izumi Kyoko's play, and in the strictest of terms I can't speak to this as an adaptation. I can only judge the picture on its own merits, and to that end, Tamura Tsutomu and Mimura Haruhiko give us a story that's quite compelling once it meaningfully picks up. It is also, however, a story that reserves all its drama and hearty if recognizable themes for the back end; in turn, it is a story that probably could have seen fair portions omitted such that it would have comfortably fit into a feature that was shorter by between thirty and sixty minutes. The acting is earnest and commendable, the sets and lighting are lovely, and a lot of hard work went into the costume design, hair, and makeup. I deeply appreciate the practical effects that are employed. Yet apart from the slothful pacing, what most catches my attention is the original music of Tomita Isao, an airy, synth-driven soundtrack of somber ambience that quite recalls Tangerine Dream's flavorful dalliances with fantasy. I do also like the narrative, yes, but in all earnestness this is so meagerly paced that it is considerably longer than it needed to be or should have been. If 'Demon pond' had been as rich, engaging, and judiciously rendered for its full length as it was in the last forty-five minutes or so, I can guarantee that my evening would have looked much different.

    I think this movie is fine. It's also plainly flawed, though, and those flaws are easily discernible in how the writing, direction, and editing treat the material, severely diminishing its strength. All that was necessary was for the same vitality we see toward the end to have been applied throughout. As that is not what happened, I find it difficult to offer an especial recommendation. It's still duly worthwhile, perhaps, on account of what it does well, but I couldn't begrudge anyone who finds the initial deliberation so off-putting that they stop watching and never see the value that this does have to offer.
    10Constable-Plod

    First Major Japanese Film I Translated

    Others here have described the film more than adequately, all I have to add is that of Feb 2021, Shochiku have announced that it will be digitally remastered and re-issued. I hope I get a chance to rework the subtitles!

    Back in those days, when videotape wasn't readily available, we sat in a screening room, watched the film, made notes and received an audio tape of the dialogue to work on back at home - using audio cassette player, the original (often uncorrected) Japanese script and a typewriter. As you can imagine, it was difficult, if not impossible to remember all the actions and nuances that must be addressed to make the subtitles work seamlessly, especially since Japanese can be very vague at times, often leaving out the subject, or the object of a sentence, so he/she, or here/there, that/this must often be guessed at. It was always a painful experience to watch the complete subtitled film, surrounded by the producers and usually the director, continually wincing at what must have looked like simple translation errors.

    Anyway, I hope you enjoy the remastered masterpiece by often underrated genius of Japanese cinema, Shinoda Masahiro.
    7Chesnaye

    A unique and sensual fantasy, definitely worth discovery

    "Demon Pond" is an wonderfully and stylishy presented allegorical fantasy. Its sudden (conscious) transition to artifice will catch you off guard, and may ruin things for those who are accustomed to more realistic narrative. But those willing to drift into a world of crab-humans, "mud people," and other admittedly Roger Corman-esquire creatures will enjoy this film's lush images. When critics refer to Ang Lee's gravity-defying romance/fantasy "Crouching Tiger, Hidden Dragon" as "the reason we go to the movies," they could very well use "Demon Pond" as another example. Despite its theatrical nature at times, it's full of otherworldly sensual pleasure that you could only get from a film. The mise-en-scene is exquisite, the eerie soundtrack unlike anything you've heard in a movie. The special effects at the end are breathtaking if you've escaped from your seat and managed to float into the world of the film...and don't let the occasionally silly subtitling ruin this two-hour fantasy. On top of it all, there are metaphors and themes to be uncovered everywhere. See this one on 35mm if you can!

    Argumento

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    ¿Sabías que…?

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    • Trivia
      Two female characters are played by a male actor.
    • Errores
      There are people watching the flood approach. In the next scene they begin to flee. The camera pans out and the three individuals (mannequins) are standing still.
    • Citas

      Diet Member: Do you take the side of the humans?

      The Camellia: How could I take the side of the moneys without a tail?

    • Conexiones
      Referenced in 42nd Street Memories: The Rise and Fall of America's Most Notorious Street (2015)
    • Bandas sonoras
      La cathédrale engloutie
      Written by Claude Debussy

      Performed by Isao Tomita

      [Heard during opening credits]

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    Preguntas Frecuentes15

    • How long is Demon Pond?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 20 de octubre de 1979 (Japón)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • Demon Pond
    • Productoras
      • Shochiku Eizo Company
      • Shochiku
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 4min(124 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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