CALIFICACIÓN DE IMDb
4.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Leer todoSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Warren J. Kemmerling
- Police Captain Speer
- (as Warren Kemmerling)
Bill Derringer
- Herman Burmeister
- (as William Derringer)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
There's a creature. It kills people. Then the film ends.
Yup.
This is one of those movies that makes absolutely no impression on the mind. People talk to each other, occasionally there's a killing of some sort, people talk some more, then it all wraps up without the slightest interesting event occurring. William Devane is wasted in his role, he's excellent at playing sinister characters in other contexts, but here he's squandered.
I'm honestly unsure why this movie exists. It might be the biggest "sci-fi horror" film that doesn't have a single reason to exist. It says nothing. Nothing happens. It accomplishes nothing. Nothing nothing nothing.
The end.
Yup.
This is one of those movies that makes absolutely no impression on the mind. People talk to each other, occasionally there's a killing of some sort, people talk some more, then it all wraps up without the slightest interesting event occurring. William Devane is wasted in his role, he's excellent at playing sinister characters in other contexts, but here he's squandered.
I'm honestly unsure why this movie exists. It might be the biggest "sci-fi horror" film that doesn't have a single reason to exist. It says nothing. Nothing happens. It accomplishes nothing. Nothing nothing nothing.
The end.
The first smartest being Texas Chainsaw Massacre. Contrary to what other commenters say, this was not supposed to be a quasi sci-fi horror entry until AFTER initial screenings were sour. Then the producers decided to cash in on the ALIEN bonanza by adding prologue and epilogue and the laser-beam eye blasts. Devane was excited thinking he'd be working with Hooper, but with Hooper's leaving, he barely walks through the motions, Cathy Lee is only a little better. Wynn and Jaekal do well to hold things together, and John Bloom is perfectly cast once again as the lumbering creature. The best thing to be said about this is that it looks, sounds and feels like a 1970s ABC TV movie of the week, and why not? Just look at who wrote it and what else he has written. If you watch it thinking that it should have been made for TV, it's more enjoyable because your expectations might not be too high, and it comes off as fairly average. Actually, replace Devane with Darren McGavin, Wynn with Simon Oakland, make KFVI a newspaper, keep Richard Jaekal as Kolchak's nemesis, add a lot of Kolchak wit and cut it down to 50 minutes, and it's a good Night Stalker teleplay. Of course, don't forget the funky horns that announce Kolchak on the go.
I first became aware of this film because of the William Devane factor. Unfortunately Devane's character is extremely "boorish". All is not lost however because of the eclectic cast. The story is a mish-mash of "Jack the Ripper" and sci fi, with neither angle very impressive. What I do like is the quite sharp and often darkly amusing dialog. Overall the acting is acceptable, with Jaquelyn Hyde giving a standout supporting performance as a "medium" who can predict where the monster will strike next. You might remember her as "Mrs. Blair" in Woody Allen's hilarious "Take the Money and Run". With Richard Jaeckel, Keenan Wynn, and Cathy Lee Crosby also contributing, "The Dark" is almost saved from being a "bomb", but not quite. - MERK
The Dark (1979)
* 1/2 (out of 4)
A former convict turned reporter (William Devane) sees that his daughter has been brutally mutilated so he sets out to try and find the killer as does a detective (Richard Jaeckel) working the case. It turns out that a space alien has landing on Earth and is doing the brutal murders.
THE DARK has an interesting production history that is actually a lot more interesting than the film itself. Originally Tobe Hooper was to direct this film and he got several days into the production when he either quite or got fired. The somewhat notorious John 'Bud' Cardos took over the production and the end result is a rather tame sci-fi picture that's biggest problem is the fact that it lives up to the title.
I say that because this film was shot way too dark and often times you can't even tell what's going on. I mean, I'm all for movies keeping the monster in shadows and what not but the problem here is that whenever the alien goes on the attack it's so dark that you can't see anything. Or, at least, you can't see anything too clear. The other big problem with the picture is the fact that it drags so slowly that the 90-minute running time seems double that. There are non-stop scenes of people talking and fighting yet none of it is very entertaining.
It's really too bad that the film is so lame and doesn't feature that good of an alien or gore effects because the cast is actually pretty good. Devane is always worth watching and he turns in a nice performance here. Jaeckel is also very good in his role as is Jacquelyn Hyde and Keenan Wynn in their small roles. You can also look quick for Casey Kasem and Vivian Blaine. Who knows what might have happened with the film had Hooper stayed on but as it stands, THE DARK isn't a very good movie and it's not nearly the best "alien run amok" movies from this period.
* 1/2 (out of 4)
A former convict turned reporter (William Devane) sees that his daughter has been brutally mutilated so he sets out to try and find the killer as does a detective (Richard Jaeckel) working the case. It turns out that a space alien has landing on Earth and is doing the brutal murders.
THE DARK has an interesting production history that is actually a lot more interesting than the film itself. Originally Tobe Hooper was to direct this film and he got several days into the production when he either quite or got fired. The somewhat notorious John 'Bud' Cardos took over the production and the end result is a rather tame sci-fi picture that's biggest problem is the fact that it lives up to the title.
I say that because this film was shot way too dark and often times you can't even tell what's going on. I mean, I'm all for movies keeping the monster in shadows and what not but the problem here is that whenever the alien goes on the attack it's so dark that you can't see anything. Or, at least, you can't see anything too clear. The other big problem with the picture is the fact that it drags so slowly that the 90-minute running time seems double that. There are non-stop scenes of people talking and fighting yet none of it is very entertaining.
It's really too bad that the film is so lame and doesn't feature that good of an alien or gore effects because the cast is actually pretty good. Devane is always worth watching and he turns in a nice performance here. Jaeckel is also very good in his role as is Jacquelyn Hyde and Keenan Wynn in their small roles. You can also look quick for Casey Kasem and Vivian Blaine. Who knows what might have happened with the film had Hooper stayed on but as it stands, THE DARK isn't a very good movie and it's not nearly the best "alien run amok" movies from this period.
An alien lands in Los Angeles and proceeds to decapitate humans using its laser-beam eyes.
A change of director mid-production (Tobe 'Texas Chain Saw Massacre' Hooper replaced by John 'Bud' Cardos) and a last-minute alteration to the plot (the original script's zombie replaced by a nasty extraterrestrial) undoubtedly contributed to The Dark's failure as an effective horror movie. But the worst thing about the film is the fact that it more than lives up to its title by being extremely dark, making it a real strain on the eyes throughout.
It's a shame, because there's a fun film in there trying to get out: Cardos isn't a 'great' director, but he's more than capable of delivering an entertaining B-movie as evidenced by his Kingdom of the Spiders and Mutant. The cast is also pretty good for this kind of fare, with William Devane and Cathy Lee Crosby making affable leads, and Richard Jaeckel suitably stoic as the beleaguered cop on the case Det. Dave Mooney. Also surprisingly good is Roger Kellaway's soundtrack, with dischordant music and eerie whispering voices providing plenty of atmosphere.
4.5 out of 10, rounded up to 5 for the pew pew alien eyeball police massacre at the end.
A change of director mid-production (Tobe 'Texas Chain Saw Massacre' Hooper replaced by John 'Bud' Cardos) and a last-minute alteration to the plot (the original script's zombie replaced by a nasty extraterrestrial) undoubtedly contributed to The Dark's failure as an effective horror movie. But the worst thing about the film is the fact that it more than lives up to its title by being extremely dark, making it a real strain on the eyes throughout.
It's a shame, because there's a fun film in there trying to get out: Cardos isn't a 'great' director, but he's more than capable of delivering an entertaining B-movie as evidenced by his Kingdom of the Spiders and Mutant. The cast is also pretty good for this kind of fare, with William Devane and Cathy Lee Crosby making affable leads, and Richard Jaeckel suitably stoic as the beleaguered cop on the case Det. Dave Mooney. Also surprisingly good is Roger Kellaway's soundtrack, with dischordant music and eerie whispering voices providing plenty of atmosphere.
4.5 out of 10, rounded up to 5 for the pew pew alien eyeball police massacre at the end.
¿Sabías que…?
- TriviaFrom the screenplay stage and all the way through to production, La oscuridad (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien, el octavo pasajero (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- ErroresThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Citas
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- ConexionesEdited into The Dark (2018)
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- How long is The Dark?Con tecnología de Alexa
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- USD 2,700,000 (estimado)
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By what name was La oscuridad (1979) officially released in India in English?
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