Chapter Two

Autobiographical comedy/drama by Neil Simon. In it a recent widower George Schneider (James Caan) meets and falls in love with a recent divorcee Jennie MacLaine (Marsha Mason). He marries her quickly, but realizes he hasn't gotten completely over his first wife. Is her love for him enough to see them through?

This was based on the real troubles Simon had when he married Mason in the early 1970s. He got over them (not completely though--they divorced in 1981) and wrote "Chapter Two" for the stage. I never saw it on the stage but I remember seeing this movie up the theatre back in 1980. I loved it (with reservations) back then and I still love it (with reservations) now.

The dialogue is virtual non-stop one-liners--real people don't talk like that but it is fun and entertaining to listen to. The dramatic sequences work well especially with Mason giving her all to what must have been a very difficult role for her to play. She's just tremendous (and drop-dead gorgeous) and was understandably nominated for an Academy Award for Best Actress for this role (she lost to Sally Field for "Norma Rae"). The film looks beautiful, moves fairly quickly and there's nice strong support from Joseph Bologna and (especially) Valerie Harper...but there's one big problem. James Caan. He's a wonderful DRAMATIC actor...NOT comedic. He seems very uncomfortable playing a mild-mannered grieving man, and the poor guy has no comedic timing and doesn't know how to tell a joke--most of his lines fall flat.

With a better leading man I might have given it a 10. As it is this is a strong 9. Worth catching...especially for Mason.

Sappy adaptation of the Simon autobiographical play with Caan horribly miscast in the Simon character (played by Judd Hirsch on the stage). He lacks the timing and precision for comedy. Mason is splendid in an Oscar nominated role as Caan's new love interest who tries to give Caan a sense of hope and deep love. Bologna and Harper add flavor to their key supporting roles.

I cannot believe the review I just read about this movie. It makes me want to be in a relationship. I think Neil Simon's writing for this movie is full of great lines and the speech Marsha Mason gives is so wonderful and she really pulls it off. I have played that part over and over and told several people about it who haven't seen the movie. And I thought the chemistry between Caan and Mason was pretty good and they were believable as a couple. I also thought the supporting actors played good roles--the brother (Bologne) and the friend (Harper). It had some good scenery too. The music score wasn't so good. The move is a little slow--a romance--a chic flic, I guess. I loved the ending.

In short, a classic example of an effort where the dialogue runs the film, not special effects, sex, or some other 'popular' innovation. The repartee is bright, witty, and hilarious. Reminds me of the Walter Matthau-Glenda Jackson films.

The main characters' initial phone exchanges are phenomenal and hilarious. Later, the two supporting characters (played by Joe Bologna and Valerie Harper) have a meaningful exchange after being interrupted during a daytime tryst. Great dialogue. Well worth the two hour running time!! Enjoy.

This agonizing comedy-drama got surprisingly sterling reviews upon its release in 1979. I remember opening the movie-section of the L.A. Times and looking at a 2-page advertisement for "Chapter Two" filled with glowing captions like: "Better than 'The Goodbye Girl'!" and "Neil Simon does it again!" What does Neil Simon do? He takes an autobiographical situation (remarrying too soon after the death of a beloved spouse) and makes it rusty, unpleasant and--worst of all--unfunny. James Caan plays Neil--er..that is, George--a writer who can't seem to get back into life after losing his wife; enter spirited Marsha Mason (real-life Mrs. Simon...soon to be ex-Mrs. Simon) who attempts to love George despite his moods and general melancholy. Mason is very appealing here and might've saved the day were it not for Caan's indifference (not to mention a sub-plot concerning painfully-thin, blonde Valerie Harper which brings the proceedings to a screeching halt). I liked Mason's outburst at the end ("I am wonderful! I am NUTS about me!"), but I saw no happy ending for these two people...and time proved me right. ** from ****