El tambor de hojalata

For me, this was definitely a hit-and-miss film, but luckily, most of the good things about this movie are also quite memorable. This is a weird movie, for better or for worse, but because it is so strange, there is absolutely no way that you will find this predictable. In fact, if you know little or nothing about this movie, keep it that way so that you can appreciate each odd twist when you watch it for the first time. I found the movie to be somewhat overlong, and the best parts of the story tended to be earlier in the film, but much of this picture is top-notch. I think most people would agree that love it or hate it, this is certainly a film that you won't soon forget.

Having read the greater-than-life novel by Günther Grass, this film is an interesting viewing for many reasons. Reason number 1: the most important reason is of course, how on earth did they manage to get anyone to play Oskar? The director has shown us a stroke of geniosity by casting a 12-year old boy as Oskar, who besides is a brilliant actor (I wonder whatever became of him). Reason number two: how could anyone ever visualize the grotesque and chaotic scenes in the book? Once again the director comes up with something brilliant, he makes the scenes as graphic as possible, he doesn't care about the MPAA, he doesn't care about movie-watchers with heart problems, and he's not afraid of overdoing anything. He puts as much force and effort in the scenes as possible, and they come out brilliantly. Reason number 3: How does he capture the moods of the multi-layered book? He simply stays very faithful to the books text and uses camera angles, lighting effects and music perfectly to accompany the visions of Günther Grass. Those are the most apparent reasons and because of those, the film is brilliant. The only flaw is leaving the story unfinished (although, the ones who never read the book, won't notice that). Altogether, an interesting, stylish and rewarding film experience.

Die Blechtrommel, based on the highly acclaimed German novel by the same name. Oscar is 3 years old. For his birthday he gets a tin drum. He sees how grown ups act, (this is during the rise of the Nazi Party) and he decides to stop growing.

The film is filled with moral ethics and symbolism. The tin drum Oscar always drums on is a symbol of his protest against the cruelty that grown ups create, not to mention the rise of Nazism. Die Blechtrommel even has large scenes that are only for symbolism. It is probably one of the most important German films since WW2. Somehow, the German make the best films that decipher Nazism and WW2 (like Stalingrad and the new Der Untergang) which very clearly shows their self awareness. I think Die Blechtrommel is one of the finest examples of this.

It is often quite absurd this film, one of the most memorable scenes is when Oscar watches a Nazi rally. As an officer is marching through the crowd, the orchestra is playing a march. Oscar starts playing his drum, and make all the musicians play false, and after a while they all start to play "An der Schönen blauen Donau" and the crowd starts to dance.

Die Blechtrommel is one of the most memorable films ever, whet ever you liked it or not. Some scenes are very sick, and i do not encourage people who don't have a stomach for strong films to see this. For other film lovers though, this is one of the greatest films ever.

Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II.

This is very much a fantasy film. IMDb says it is a war drama, which is true enough, being set in the place and time that it is. But this is less about the war and more about Oskar, which I think makes it a fantasy film. His imagination is incredible, or perhaps more incredible is the idea that none of this is his imagination at all. His ability to alter the world around him is quite interesting.

The idea of a tin drum as a symbol of protest makes sense. It becomes even more interesting when put in the hands of a small child, protesting against life itself. Such an action is unheard of.

"That day, thinking about the grown-up world and my own future, I decided to call a halt. To stop growing then and there and remain a three-year-old, a gnome, once and for all"

Goodness, what a marvel this film is! It is certainly the greatest film from Germany that I have seen yet. Winner of the 1979 Academy Award for Best Foreign Language Film, "The Tin Drum" follows the life of a boy named Oskar. After seeing how ludicrous adults act, Oskar decides to stop his growth, and stay three years old forever by falling down the stairs. He succeeds, and the fall has stopped his growth. Aside from the hault of growth, the fall eqips him with two special powers that he regularly manifests. The lesser of these two powers, is repeatedly pounding his tin drum, which he absolutely refuses to let go of. Oskar's undeniable power is to let out a high pitched shriek that will shatter any glass he directs it at. Does it sound strange? Well, the film is much stranger, but also much more beautiful than my description.

The film follows our little Oscar over a period of around two decades, through World War II in Germany. We follow Oskar through his many sexual, emotional, tragic, funny, and beautiful exploits. An absolutely important credit must be given to actor David Bennett, who plays young Oskar. He portrays Oskar as an infant, as a three year-old, as a six year-old, as a twelve year-old, as a 16 year-old, as a 21 year-old...well, you get the picture. Bennett was only 11 at the time, and his performance is very impressive.

I haven't seen very many German films from the last thirty years, but most of the ones I have seen (the excellent "Vanishing," and the immensely mediocre "White Rose") haven't had very good scores. "The Tin Drum" has a very slight, but very servicable, score by the famous Maurice Jarre. The score has an emotional theme played in only a few scenes (notably, the ending), it also has an innocent little music box theme, and surprisingly a cool waltz for scenes involving members of the circus (a big part of the second-half of the film). A very good score. To my knowledge, it was released on LP when the film was released, and on a CD pressed in Japan sometime in the 90's. I read that the (sadly out of print) Kino DVD includes the isolated score as an extra.

It's an excellent film that I strongly connected with, but I can see many people not liking it, it is VERY strange, but I am somebody who has always found VERY strange things extremely beautiful, and "The Tin Drum" is no exception. Over-all, I consider this film a classic, and I'll once again state that it is certainly the greatest film from Germany that I have seen yet.