Ashanti

Beverly Johnson and Michael Caine as an interracial marriage of doctors try to help some African kids when the woman is abducted by a ruthless slave hunter (Peter Ustinov). Seeing that the local officials are not too willing to do anything about it, Caine decides to take the justice into his own hands and starts chasing Ustinov across the vast deserts of Maghreb.

Despite all the warnings, not that bad movie. The pace is somewhat slow, and the acting somewhat absent (though both Malik and Ustinov try to do their best), but generally, an acceptable filler on a rainy afternoon. The high points are the shots of North African desert and the Omar Shariff's short appearance.

Beverly Johnson is pretty chick, but she's seen only periodically (still she has one scene of full frontal nudity, although very brief). And the grimy subject definitely deserved a better treatment. All in all, not a definitely bad movie; just nothing really memorable, exceptional and shining here. 5/10.

With "Ashanti", Richard Fleischer,one of the most talented (and underrated)American directors hit rock bottom.Was it the same man who made "Clay Pidgeon" and "Follow me quietly" (early period) ,"Violent Saturday" and "the Vikings" (middle) and finally reached a breath-taking maturity with "The Boston Strangler" "10 Rillington Place " or "Solyent green" (which contains what might be the most moving scene in the American movies of the seventies:the death of E.G.Robinson)."Solyent green" was also Fleischer's death as an artist;there's simply not one movie worth seeking out afterward:"Mandingo" "the Don is dead" (A poor man's "Godfather" where Fleischer met up with Quinn he had already directed in his remarkable "Barabba" ) "Conan" or "Amytiville (3D!) are dreadful stuff.

"Ashanti" is no exception in Fleischer's dismal final years.The slave trade which still exists today was a good subject though;after "Mandingo" why not "Ashanti"?But James Mason could not save that movie ;Both Ustinov and Caine ,two veterans of the English cinema ,cannot save "Ashanti.Peter Ustinov gives a tongue in cheek performance,knowing that the only way to deal with such a screenplay is not to take it seriously.Even Omar Sharif comes to the rescue (so to speak).It seems the one mistake that the slave trader made is to have abducted an educated woman (a doctor!).

Too bad a subject so serious should be botched that way.

A woeful lack of pace and equally thin if thankfully minor roles for some notable actors (Harrison, Holden and Sharif) could perhaps be excused if the story was told well enough for us to care about the main events. Despite the inclusion of strong language, violence, cruelty, and even some great acting, this film comes across as an insipid, mediocre and at times almost lighthearted look at the 20th century slave trade. Ustinov plays his role as the evil Suleiman with so much relish, you can't help but like him as one of the few characters with any real depth. Caine works tirelessly to try to pad out his matchstick thin role, but is let down again and again by weak plotting, tedious dialogue and non-existent direction. Is anyone convinced that the child slaves in the desert are as bothered about their situation as he is? Is he really as worried about his wife's situation as Harrison, Holden and Bedi? There are a lot worse films, but few with such a potentially stirring story handled so feebly.

Not as interesting as the original Figueroa's novel, but a well done and entertaining movie anyway, with a beautiful photography by Vittorio Storaro, a nice soundtrack, and an all-star cast. Peter Ustinov is impressive in the role of the slave trader Suleiman, Kabir Bedi is perfect and intense as the lone warrior Malik, Beverly Johnson is very beautiful and acts decently (considering that she is a model, not an actress), and Michael Caine does his job even though with not much enthusiasm. He said that this was his worst movie and he did it only for the money: he probably forgot "The Swarm" or "Jaws 4: the Revenge" (where he courted Captain Brody's widow, chased by a vindictive shark... with said shark roaring out of the water multiple times in the final sequence...), not to mention "Austin Powers Goldmember"... Maybe Caine was envious because in "Ashanti" he had to share the scene with much sexier actors like Kabir Bedi and Omar Sharif... It's true anyway that a more profound approach to the slavery theme, and a bit more insight into the main characters would have helped the story, but the main goal of the movie is obviously to entertain, therefore the potential of the talented cast looks a bit wasted: Rex Harrison and William Holden only make small appearances, nothing memorable, Bedi and Sharif would have both deserved more space and even Caine looks a bit confined in his character; only Ustinov has room and lines enough to express his talent an he really rules the story. Also the supporting actors are all good and right for their roles.

This is a film about modern day slavery and slave trade. At the same time it is a tale about love and how a person would go to all lengths to get back their loved one. Inter-racial marriage may be a touchy issue for some, but I found that it worked perfectly here. Dr. Anansa (a black woman) is kidnapped, and her husband ( a white man) spares nothing to get her back). When I watched the horrors that the captives endured it reminded me of the horrors that African captives endured over the centuries. This film brought out my emotions as I despised the human injustices portrayed. At the same time I could feel the love that the Linderby's had.