El aficionado

Filip buys an eight-millimeter movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie-making also leads to domestic strife and philosophical dilemmas.

"Camera Buff" explores censorship in Communist Poland and its repression of the individual's expression of his observations. Filip also confronts the consequences of a man who discovers new possibilities and finds his former world, which had been so fulfilling before he'd discovered filmmaking, rendered dull, old, and limited.

The story is interesting solely because of the Communist aspect. If it was just a story of man who becomes obsessed with making movies, it would be just another story about movies told in the form of a movie. But the Communist aspect? If one man in town has a camera, it suddenly becomes a tool for the entire city. It's interesting. This could be beautiful or ugly, depending on who happens to be in power.

I found this film enthralling and revealing about a man gradually discovering his purpose in life and the effect it has on those around him as well as the obstacles he now has to face. He must now face the political as he takes a stance on social issues in his life and his town. His naiveté is warming and it demonstrates what a great actor Stuhr is that the film chips away at this slowly as he awakens to the new realities of his life. From a man who had everything at the beginning he has now shattered his domestic life but gained something some would say far richer and more permanent for his soul, a purpose. One that helps him to 'understand what this shitty life is about'. The final shot brings the film full circle as we see a man in the grip of his obsession.

I really liked this film because it dared to be different and it was an excellent study of psychology. This movie was about a Polish man who scraped together his money in order to by an 8mm camera to film his new baby. However, shortly after getting the camera and beginning filming his wife and child, he gets really hooked on making his little films--and seems to film almost everything around him. At first, it's fun, but then it becomes an obsession. In the process, instead of LIVING and EXPERIENCING life with his little family, he is filming them in a very detached way. However, he is so into the filming that he hardly recognizes his wife's growing anger over that ^&@#*^@! camera! Then, when his boss sees him filming and asks him to make a film for the company, his problem grows by leaps and bounds. He seems to see himself as the next great documentary maker and begins to enter competitions and send his films to the television network. To his wife's chagrin, he receives positive reviews and by this point she's lost him--they have no real life together. Where the film goes from there I will leave for you to watch. It is a fascinating psychological study of a man and his obsession--as well as the impact this ultimately has on others around him. An excellent film.

A Model of the Man as a Young Artist

One of the best things in the world is to take someone you love deeply and trace them back in their histories, back back before you knew them. Back until you see all the butterflies that nudged each other to produce what you need and feed.

And before the shape was mature. Yes, then you can see the structure, the limbs before they flowered and even surprise yourself a bit.

I'm in love with Kieslowski. Oh he isn't my favorite filmmaker, and not the one I spend time with when I need to learn and grow. But he is someone to have tea with, a friend who has his own way of fluffing air with apparent lovely slight fogs but when you encounter them you find them informed, nourishing, psychotropic. More than lovely. "Heaven," though not all his, is something I wish on every soul and every vehicle he had driven until then carried him there.

This is Kielsowski's first feature. It was before he entered into that odd writing partnership where some external force (Piesiewicz) created some sort of conventional frame on which our artistlover could drape his folds, lace and knives. Before that clever partnership that hid the mechanics.

Here you can see his favored machine, the simple fold: a movie about movie-making and love, and all the related dimensions he knew at the time: intellectual, death, rutting, wistfulness, justice. Passions all. Urges all. At the end, it loops upon itself, the ladder complete to start again at the beginning of the next.

It isn't particularly profound or satisfying by itself. But if you are a lucid mind today, chances are you think about narrative flows and how you and the world use them to wind around and buffet each other. And almost certainly you have had tea with Kieslowski.

If so, you'll find this model of his younger self will tell you something about yourself in an odd, indirectly magical way. If you do, check out the trigger for passion here: Chopin.

Ted's Evaluation -- 3 of 3: Worth watching.

Jerzy Stuhr buys an 8mm film camera to film his newborn daughter. The manager of the plant he works at hears about it, and tells him to shoot a film about the plant's 25th anniversary. Stuhr figures out the basics of editing, but the director suggests changes he doesn't like. Ignoring this, he takes the film to an amateur festival and wins a prize. As his obsession with film grows, his wife, Malgorzata Zabkowska, suffers postpartum depression, exacerbated by the realization that the things he had once wanted -- her, a daughter, a quiet life -- are no longer his goals.

Krzysztof Kieslowski's third feature is a meditation on the power of film and the inability of a finite work of art to accurately reflect the infinite world, or even the myriad complications of a small town. As Stuhr's skills and connections grow, he comes to see everything through an imaginary camera lens, not seeing anything outside his self-imposed frame. Beautifully shot by five cameramen, dialogue by Stuhr, make this a fine journey of self-discovery.