Rumpole of the Bailey

Over the past decade I've watched The Sopranos, The Wire, Breaking Bad and The West Wing.

Rumpole stands alongside them as classic TV.

Great stories, brilliant scripts and fantastic acting.

It has that mark of a really great piece of drama in that after watching an hour long episode, I'll sit and discuss it for an hour more.

It's amazing to see, almost 40 years later, how much has changed in the UK....and how much hasn't! It may be dated in a few places, but it's universal in many many more....I imagine that it cost less to make EVERY episode of Rumpole (and there are lots!) than it did to make one episode of Breaking Bad or West Wing.

Just go watch it!

It is hard to know who deserves the most credit for this courtroom series; author John Mortimer QC (a noted barrister himself), or actor Leo McKern.

Obviously, the series was written with the benefit of intimate knowledge of the English legal system, but almost every branch of it is portrayed very unflatteringly. Most Barristers are shown as smug and pompous, fencing with each other in Latin phrases while the defendant and jury look baffled; policemen are bent, solicitors are shady and judges are either more concerned with barristers' correct dress rather than the evidence, or sadistic and bigoted.

The seamier side of the profession is also shown; with prestigious barristers having to work from poky "chambers", at the mercy of clerks for their work ("briefs") and undervalued secretaries for their paperwork.

In such a world, a weary and introspective character such as Rumpole dominates the scene. McKern's booming delivery and range of facial expressions make this all too easy. The language is a delight, as Rumpole quotes Browning, Tennyson, Shakespeare at will. Some of the most hilarious scenes occur as lawyers take on their clients' personas and start arguing their cases with each other in the first person, in bars or restaurants.

Rumpole's home life with wife Hilda, "She who must be obeyed", is also shown as quite a caricature, as Hilda Rumpole is portrayed as having few interests beyond her husband's lowly position in the pecking order, and household cleaning agents.

Any one of the episodes makes good viewing.

Rumpole is an endearing character full of vim and vigor, as they say. despite his casual appearance and his well worn hat, he is a master of the courtroom and a defender of peoples rights to the end.

His little monologues in his mind are both entertaining and educational as he dispenses his thoughts as he walks to the Bailey or as he listens to the prosecutor drone on and on. His dry wit is at times so subtle that I occasionally back up the DVD to listen to his comments again. And I enjoy how most of the other characters don't seem to understand him.

While this show is a lesser known show outside the UK and the legal circles, it is worth sitting down and watching. You may find yourself doing the anti-binge watching as we do - doling out 1 episode at a time because we know there is only a limited number to be watched. We are into season 2 now.

Rarely has television fit a role and an actor together as perfectly as Rumpole and Leo McKern. (A couple of other examples would be Vic Morrow in "Combat!" and Derek Jacobi in "I, Cladius".) The singular pleasure these episodes afford is watching McKern act as the mildly cynical, but resolutely libertarian, barrister. It is easy to see why McKern came to loathe playing the part since it is the ultimate case of typecasting. One can less think of McKern sans Rumpole than he can Connery sans Bond. Better to rewatch Rumpole than the colorless blather on Court TV.

The scripts and additional cast are good enough to make repeated watching of McKern worthwhile.

I got into Rumpole when I discovered episodes on tapes I inherited from my grandfather when his hearing started to go and couldn't listen to them anymore. I was so enchanted that I started reading the Rumpole books I found at the library as well. Part of it, for me, is that Rumpole himself was very much like my grandfather-the same dry sense of humor, and the same sense of justice. I can see why he appreciated the stories and characters so much, and it gives me a greater connection to him to watch the show now, long after he's passed away.

The stories are solid mysteries that Arthur Conan Doyle might've appreciated, but what really makes the series special is the characters, both Rumpole himself and the supporting cast. It makes the series more accessible that the stories carry little in the way of political messages. This is because everyone in the show, apart from Rumpole himself, is an absurdity, regardless of their political leanings. Both left and right wingers are portrayed this way. Rumpole alone sees how ridiculous everyone in his life is, from his fellow barristers to his wife, and isn't afraid to comment on it. He is single-minded in his mission to carry out justice for his clients, which is refreshing.