Zero to Sixty

Ladies and gentlemen, I present to you the second greatest repo man movie of all-time! Darren McGavin stars Michael Nolan, a man in desperate need of a job following his recent divorce. He quickly finds one when his car is repossessed. New to the repo game, Nolan teams up with 16 year old "Larry" (Nickerson), a smart mouthed tomboy stolen straight out of THE BAD NEWS BEARS. As the duo cruise around town looking for their wares, a series of madcap encounters ensue including everything from mobsters to a sly vixen (Collins).

That plot synopsis may sound a bit thin and there is a reason for that. ZERO TO SIXTY basically has no plot. What makes the film enjoyable is the energy of Darren McGavin as the put upon husband turned repo man. Had any other actor filled that role, the film would not be as agreeable as it is now. McGavin brings that manic Kolchak liveliness to this character and it makes him awfully hard not to like. There is also pretty good chemistry between McGavin and young Nickerson, who is probably best remembered as Violet Beauregarde in WILLY WONKA AND THE CHOCOLATE FACTORY (1971).

This brings me to the film's only really odd point. For the most part this is a breezy 70s comedy that, like the aforementioned BAD NEWS BEARS, teams up an older man with a young girl. The only difference here is that "Larry" actively tries to seduce McGavin's character! Needless to say, it creates some really odd moments. The filmmakers cover themselves by having McGavin shack up with sexier (and older) Joan Collins at one point in the film, but the weirdness returns when McGavin confesses to having thought about "getting it on" with "Larry" at the film's conclusion.

With such a thin plot, the film resembles a television show rather than a theatrical feature. It makes sense when one inspects director Don Weis' filmography; he did episodes of nearly every major 70s TV series from "Happy Days" to "CHiPs" to "Baretta" to "The Man from Atlantis." Actually, this would have been a pretty good ensemble series a la TAXI. Sylvia Miles co-stars as the repo shop owner who is constantly flirting with every man she sees. And 70s comedy/music trio The Hudson Brothers provide some Three Stooges inspired gags and the film's songs. You will definitely be humming the theme by the end because it is extremely catchy and pops up every time the smallest bit of action occurs on screen. Sharp eyed viewers will catch cameos by Dick Martin, Lorraine Gary and Lyle Waggoner. There are also a few nifty car stunts courtesy of Paul Baxley backed by son Craig Baxley (went on to become a successful stunt coordinator and film director in his own right).

I like this movie although I am not sure why. I saw it more than 20 years ago on cable and thanks to OnDemand, I had the chance to see it again. No real plot to keep up with, but lots of crazy car chases and a script loaded with banter between Darren McGavin (who does way to many scenes in his underwear) and the young lady who played Violet in "Willy Wonka and the Chocolate Factory." I always wondered why McGavin wasn't a bigger star and why he was relegated to B-movie material like this. He manages to save the film with his comic timing. Likewise, the young lady, whose name escapes me, is pretty funny too. As many of the posters have indicated, this is a fairly uncomfortable movie. After all, the teen-age lead wants to bed the significantly older (at least 50!) McGavin!??! Very weird! There's little chance this movie would get released today with such a premise. In any event, "Zero to Sixty" is fast-paced enough to be interesting and entertaining. Watching it will definitely bring back memories of those numerous Saturday afternoon matinées featuring mindless PG B-flicks loaded with profane scripts and plenty of car wrecks. Enjoy.

Having read the other comments here *prior to* watching this movie, I didn't go in expecting much. Yeah, there's no deep plot here... just a simple one about loony circumstances leading to a friendship and a love based not on pure nothingness (as in many movies) but upon that friendship and sticking up for one another. A simple movie just about that simple concept... with a lot of car chase scenes thrown in.

I didn't realize Denise Nickerson as Violet Beauregarde, but her acting really stood out for me as quite genuine in this movie -- I think it held up against modern day standards for this type of spunky character... and I'm someone who thinks that most 70's movie acting bites a big one. That, and she reminded me of an ex girlfriend almost to a tee, personality-wise. McGavin played very naturally as well... the two obviously had fun working together and stood way above the rest of the cast -- which WAS typically 70's in their performances.

I like this movie.. and might keep it as a nostalgic link to simpler, far more naive, times.

I just picked up this movie on the internet and after watching had mixed emotions. There really is NO plot line here. Darren McGavin has lost everything and seems like a wishy washy kind of turd in the punchbowl. Someone tries to Repo his ex-wife's car and that's how gets involved with the inept ring of repo guys, headed up by the tough as nails Sylvia Miles. McGavin's character Mike is teamed up with a 16 year old juvy who takes him in and falls in love with him. He doesn't feel the same(does the word statutory rape ring a bell???) but she wants to bang him anyway. Mike is too interested in banging some of the women who's cars are wanted by the bank and he ends up doing them too. There's not much to see in this film. Gratuitous car chases, goofy performances by the Hudson Brothers who were like the Three Stooges or trying to be like them, horrible fight scenes(though McGavin did know Karate but that wasn't evident here) and one bad love making scene with McGavin and Joan Collins(yes, Joan Collins). But it's fun to watch McGavin, he's a delight no matter what he does. Why did he do this schlock(filmed in Toronto I might add)? It was the pet project of his second wife, the late Kathie Browne. Oh, let me add 2 gratuitous scenes of McGavin's untanned butt. The highlight of the movie(at least to me).

Most of the other previous reviews did a thorough job of covering the nuts n bolts (pun!) of this movie, so I won't bother with all that. I didn't go into watching this with any great expectations of complex plot, in-depth character development, or deep meaning. Primarily because:#1 I have seen more than five movies in my life and #2 I'm not a schmuck. Anyone criticizing this movie because it's lack of the qualities of the great theatrical masterpieces needs to take the time to actually think about what they are about to watch before they watch it. I mean, really, it's a late 70's car movie. C'mon. I happen to be a big fan of this type of movie; the original Gone In Sixty Second being the gold standard. That was good enough get picked up to be remade with the insufferable Dickolas Cage, if you recall. And that movie had essentially no plot either. The necessity of a plot is directly inverse to the quantity and quality of car chases and crashes in a movie. Oh yeah, also the size of the cars. Therefore, any movie from the era of the American made land yacht, the 1965-1979, car almost fore-go a plot altogether! It's a fun, light, easy watch of a flick. Go into it expecting that and you won't be disappointed. Enjoy!