Zero to Sixty

Perhaps best known as Carl Kolchak and the Old Man character from A Christmas Story, Darren McGavin, who also wrote the screenplay, (under his real name, W. Lyle Richardson) stars as Michael Nolan, a middle-aged loser, whose wife divorces him and leaves him for broke, and screwed over by his slimy attorney (Dick Martin). He eventually befriends Larry (Denice Nickerson), a street-smart teenager, who has a job repossessing cars. Larry is determined to take back a silver Pontiac Trans Am belonging to sexpot socialite Gloria Martine (Joan Collins), who Michael is immediately turned on by. Of course, there's plenty of car chases and crashes and supporting parts from Sylvia Miles as the wacky agency owner, Dick Martin as a slimy divorce attorney and The Hudson Brothers as a trio of morons, who also work at the agency as repo men.

Ladies and gentlemen, I present to you the second greatest repo man movie of all-time! Darren McGavin stars Michael Nolan, a man in desperate need of a job following his recent divorce. He quickly finds one when his car is repossessed. New to the repo game, Nolan teams up with 16 year old "Larry" (Nickerson), a smart mouthed tomboy stolen straight out of THE BAD NEWS BEARS. As the duo cruise around town looking for their wares, a series of madcap encounters ensue including everything from mobsters to a sly vixen (Collins).

That plot synopsis may sound a bit thin and there is a reason for that. ZERO TO SIXTY basically has no plot. What makes the film enjoyable is the energy of Darren McGavin as the put upon husband turned repo man. Had any other actor filled that role, the film would not be as agreeable as it is now. McGavin brings that manic Kolchak liveliness to this character and it makes him awfully hard not to like. There is also pretty good chemistry between McGavin and young Nickerson, who is probably best remembered as Violet Beauregarde in WILLY WONKA AND THE CHOCOLATE FACTORY (1971).

This brings me to the film's only really odd point. For the most part this is a breezy 70s comedy that, like the aforementioned BAD NEWS BEARS, teams up an older man with a young girl. The only difference here is that "Larry" actively tries to seduce McGavin's character! Needless to say, it creates some really odd moments. The filmmakers cover themselves by having McGavin shack up with sexier (and older) Joan Collins at one point in the film, but the weirdness returns when McGavin confesses to having thought about "getting it on" with "Larry" at the film's conclusion.

With such a thin plot, the film resembles a television show rather than a theatrical feature. It makes sense when one inspects director Don Weis' filmography; he did episodes of nearly every major 70s TV series from "Happy Days" to "CHiPs" to "Baretta" to "The Man from Atlantis." Actually, this would have been a pretty good ensemble series a la TAXI. Sylvia Miles co-stars as the repo shop owner who is constantly flirting with every man she sees. And 70s comedy/music trio The Hudson Brothers provide some Three Stooges inspired gags and the film's songs. You will definitely be humming the theme by the end because it is extremely catchy and pops up every time the smallest bit of action occurs on screen. Sharp eyed viewers will catch cameos by Dick Martin, Lorraine Gary and Lyle Waggoner. There are also a few nifty car stunts courtesy of Paul Baxley backed by son Craig Baxley (went on to become a successful stunt coordinator and film director in his own right).

I just picked up this movie on the internet and after watching had mixed emotions. There really is NO plot line here. Darren McGavin has lost everything and seems like a wishy washy kind of turd in the punchbowl. Someone tries to Repo his ex-wife's car and that's how gets involved with the inept ring of repo guys, headed up by the tough as nails Sylvia Miles. McGavin's character Mike is teamed up with a 16 year old juvy who takes him in and falls in love with him. He doesn't feel the same(does the word statutory rape ring a bell???) but she wants to bang him anyway. Mike is too interested in banging some of the women who's cars are wanted by the bank and he ends up doing them too. There's not much to see in this film. Gratuitous car chases, goofy performances by the Hudson Brothers who were like the Three Stooges or trying to be like them, horrible fight scenes(though McGavin did know Karate but that wasn't evident here) and one bad love making scene with McGavin and Joan Collins(yes, Joan Collins). But it's fun to watch McGavin, he's a delight no matter what he does. Why did he do this schlock(filmed in Toronto I might add)? It was the pet project of his second wife, the late Kathie Browne. Oh, let me add 2 gratuitous scenes of McGavin's untanned butt. The highlight of the movie(at least to me).

This awful movie purports to be a comedy, but the only way to tell is from the "wacky" music that plays during the supposed funny parts.

The story is almost non-existent, the characters are annoying and the chase scenes are trite. A car chase through a vegetable market? How unique.

I don't know how this movie got made but it had some fairly big TV stars for its day in the cast. Dick Martin and Lyle Waggoner had cameos. I'm not really sure why Darrin McGavin made this and he probably isn't either.

The movie is really terrible but it still has some power to make you sit transfixed and acknowledge how bad it is with out actually doing anything about it.

Having read the other comments here *prior to* watching this movie, I didn't go in expecting much. Yeah, there's no deep plot here... just a simple one about loony circumstances leading to a friendship and a love based not on pure nothingness (as in many movies) but upon that friendship and sticking up for one another. A simple movie just about that simple concept... with a lot of car chase scenes thrown in.

I didn't realize Denise Nickerson as Violet Beauregarde, but her acting really stood out for me as quite genuine in this movie -- I think it held up against modern day standards for this type of spunky character... and I'm someone who thinks that most 70's movie acting bites a big one. That, and she reminded me of an ex girlfriend almost to a tee, personality-wise. McGavin played very naturally as well... the two obviously had fun working together and stood way above the rest of the cast -- which WAS typically 70's in their performances.

I like this movie.. and might keep it as a nostalgic link to simpler, far more naive, times.