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The Wild Geese surprised me in the theater back in the late 1970's. As a former U.S. Army Airborne Ranger and Vietnam vet, I had mixed feelings about it. But I keep watching it every couple of years and it has become one of my favorite films.

Yes, it's a fanciful story, romanticizing the boring, grubby, dangerous lives of the very few mercenary soldiers in the world. But its daring small-unit tactics are actually pretty good, and they do illustrate the chaos and devastation a well trained special ops force can cause in an enemy's rear area. It also illustrates the ease with which such a small unit can be wiped out if the enemy can locate it and bring real forces to bear against it.

And, interestingly, it shows very clearly the effectiveness of even a single small, armed airplane against an infantry unit unequipped with anti-aircraft capability. So whoever wrote and advised on this film had some genuine experience. There are many examples of true combat reality in various parts of the film.

However, there are also some of the usual war-movie-making gaffes and there were some really silly, amateurish attempts at special effects in the theatrical release, most of which have been edited out in the cable movie versions. So it's still a mixed bag but overall very effective.

The other aspects of this film are universally wonderful. It has a plausible enough story line once you've decided to accept the premise, and from there it progresses nicely indeed. Several of the subplots are intense and very moving, some are a little comical and some are downright funny. Burton's last line to Emile, "Let's talk about your father." is as fine a line as can be written.

The depth of the cast is remarkable: dozens of very good actors, some speaking only one or two lines, but so well delivered! (There are also some awkward lines that just don't work at all. As I said, this film is a mixed bag.) Even in the small rolls, Jock, Tosh, Esposito, the village priest, Jesse and others, the quality just shines.

The movie doesn't shy away from the unglamorous, gut-wrenching realities of the consequences of mercenary operations, either. There are some very troubling scenes about the responsibilities of leadership in such a unit.

There is not another movie like The Wild Geese.

I couldn't end without saying this one last thing. The theme song "The Wild Geese," sung by Joan Armatrading is simply marvelous. It is worth the price of admission, and is played in its entirety during the closing credits. I recommend that you close your eyes and just listen.

Africa has been the background setting for many an exciting film. In this story a powerful, but arrogant English lord and wealthy financier, (Stewart Granger) Sir Edward Matherson, hires, a professional Mecernary, Col. Allen Faulkner, (Richard Burton) to fly into Africa and rescue a popular but imprisoned African leader Julius Limbani. (Winston Ntshona) This action will threaten and force a ruthless, but established dictator to sign over his country's lucrative copper mining rights. To help Faulkner with his dangerous task, he calls on close military friends. Lt. Shawn Fynn, (Roger Moore), Capt. Rafer Janders (Richard Harris) Lt. Pieter Coetze, (Hardy Krüger) and Sagarent Major Sandy Young. (Jack Watson). Together, they plan, organize, train and secretly fly into the heart of enemy country. What they don't know is that Sir Edward Matherson will expect the dreaded and merciless "Simbas" to be more efficient than his hired men. Rarely does a dramatic, action packed film contain a simple subliminal message; that men of war can also be men of conscience seeking common bond and family life. A superb vehicle for Richard Burton. ****

Imagine a film with three major stars put together with a good script and some fine action and what do you get: The Wild Geese. With the unlikely combination of Richard Burton, Richard Harris & Roger Moore plus a well-written script coupled with spectacular action sequences this is a rip-roaring action / adventure and a top-notch film.

The three main leads are the main attraction of this film. It's hard to believe that actors of the caliber of Burton, Harris and Moore would either have chemistry or even be in the same film together. But put the three of them together as mercenaries and you get a truly explosive combination of three terrific actors. None of them fail in their roles and they actually share quite a bit of chemistry between them especially in the final scene between Burton and Harris.

The rest of the cast is not a let down either. Harvey Kruger does well in his role as the mercenary Pieter Coetze as do Kenneth Griffith, John Kani and Jack Watson among the other members of the Wild Geese. Frank Finlay, Winston Ntshona and Stewart Granger all make welcomed appearances in the film in their supporting roles.

The film's script is a well-written action film with political overtones. While the politics of the film are dated now, the message for the times is still evident in the film. Outside of the political overtones the dialouge of the film is well-written and in some scenes is even touching especially in the final scene.

The action in the film is another highlight. The air drop into Africa, various raids by the Wild Geese and the final battle at the airstrip complement the story and never overwhelm the story and plot. Thanks to some good editing by editor John Glen (who had edited three Bond films and would go on to direct five more Bond films)the action is never dull and keeps the pace constant.

With a top-notch leading cast, a good supporting cast, a good script and spectacular action sequences, The Wild Geese is one of the better action films you can see. Despite being somewhat dated the film still packs quite a punch and could easily go up against any recent action film. A must see for action film fans.

It is not often a producer has the chance to thank his critics in this form. I do so now. The blood-sweat and tears that went into the making of THE WILD GEESE is all forgotten. Appreciation of one's endeavors of some 25 years ago, thanks to DVD, is gratefully received. The Zone 1 version is yet to appear, the lateness due to sloppy distribution. To answer questions about the film's very limited theatrical release in the United States and Canada in 1978, this was due solely to the financial collapse of its distributor, Allied Artists. Chapter II was applied and, to my disgust, it failed to reach many theaters. However, the NBC Network and HBO aired the movie with great success. Euan Lloyd.

What makes this movie the classic it is, is the chemistry between lead- and supporting actors, all among the finest of their time: Roger Moore essentially plays his cool James-Bond-persona in camouflage (indeed, the jovial manner in which he offs his opponents while chomping a cigar makes one believe he still owns a "licence to kill"). Burton convinces as boozed-out, aging and fallen out of fortune mercenary, Harris as his reluctant buddy and Krueger (although his sudden conversion from racist Afrikaner to moderate is more than a little sudden and implausible), Krueger plays the redneck Boer with a heart to a tit.

The rest of the cast is similar formidable: Stewart Granger, although generally known for his dandy-roles, is suitable unlikeable as aristocratic, double-dealing employer, Frank Finlay excellent even in a tiny role as missionary, one cannot help but like Kenneth Griffith as gay comedic-sidekick-cum-hero, Ian Yule, all makes a perfect cast for this Film. And of course the great, late Jack Watson as aging trainer, who at all times looks like longing for the battlefield while trimming his garden in England, while longing for his garden when sitting in the training-camp, eating what surely must have been beans and sausages. Watsons "training" and cuss-tirades are among the highlights of the film.

As for the accusations of being racist (having been filmed in South-Africa), even today, decades after the apartheid-regime has ended: I highly doubt that filming added much financially to the then-government. If anything it put some money in the pockets of the locals involved. The leading African cast other than the enemy-soldiers of course, namely John Kani and Winston Ntshona, is generally portrayed positive and amiable and as for accusing the film for showing African countries as either tribal and backward or run by military despots and juntas – well, one needs only look toward the country that was back then called Rhodesia today or perhaps at Uganda, one of the more "stable" countries in Africa, where they're considering a bill that will make homosexuality a crime punishable by death, at the time I'm tipping these words. A negative reputation usually doesn't come from nowhere.

A final word about the „controversial" theme-song by Joan Armatrading: As with most things, it's really a matter of taste and for me personally the inability of the singer to hit a correct note rather soured my teeth. Other than that, I found this opening schmaltz ballad about as appropriate for a mercenary-film as if one had used "My heart will go on" to open the movie "300" (but that's just my subjective opinion).

8/10