Steiner - Das Eiserne Kreuz, 2. Teil

Shoddy, shoestring budgeted alleged sequel to Peckinpah's "Cross of Iron" notable solely for the troika of superb actors who don't seem to care.

Burton as the war loathing Sgt.Steiner is simply too old. Dead-eyed and sunken cheeked, he growls a German accent that slips more readily than a stricken panzer retreating in the Russian winter. Steiger has barely three scenes but exhibits his customary late period bipolarism, roaring from rage to serenity in seconds with little in between. Mitchum is made of teak, reacting to the death of his only pal, the jeep driver, as if he had dropped a grocery receipt.

Every aspect of this accidental comedy is anaemic and threadbare; the implausible plot, emaciated script, jagged cutting and even the celluloid seems to have been dipped in coffee. Perhaps the creme de la cack is the score which seems to feature an orchestra of two.

1944, Nazis are suffering a crushing defeat,Richard Burton commands a group of misfit soldiers for a dangerous mission .This is a rugged WWII Actioner concerning about the experienced Sergeant Steiner, he's assigned by Colonel Nazi (Curd Jurgens)to contact enemy for a treaty of peace . The Nazi commando turns out to be a rag-tag, oddball and motley gang (a largely cast formed by Klaus Lowitsch, Werner Pochath, among others), under command Sergeant Steiner . The commando led by Steiner get a chance to redeem themselves by execute a risked mission. The picture stars Robert Mitchum as American Colonel who is saved by heroic German Sergeant. Then the mission is suspended when the Nazi authorities (Gunter Meisner) thwart an attempt on Hitler's life, the famous event ,¨the 20 July plot¨ designed by Claus Von Stauffemberg. Later on, they are sent on yet another new mission by staff command (Major Nazi played by Helmut Griem and captains performed by Joachin Hansen and Horst Janson) . Later its cancellation they must participate in suicidal missions, the first to wipe a French village and prepare an assault over a strong position located on the hill where are the Allied tanks led by General Rogers (Robert Mitchum) and assistant (Michael Parks). Finally the American infantry, artillery and tanks enter on the village at some spectacular scenes.

This tiring wartime movie about the heroics of weary German soldiers results to be a following to ¨Sam Peckimpah's Cross of Iron¨ .This dull war film of marginal interest packs frantic thrills, perilous assignments, relentless feats,and buck-loads of explosive action and violence.The noisy action is uniformly bad-made, only deserving of mention the rip-roaring final scenes on the impregnable village. Like most Warlike movies , there is some of action-packed , but that alone can't help the worn-out argument or usual clichés.Serious and rough Richard Burton is average as leader of the motley pack together thwart the the Nazi schemes, as well as the largely secondary cast with special mention to Rod Steiger as vociferous general. This is is a wartime typical vehicle and inferior into the warlike commando genre, which also belongs the classics from the 60 as 'Dirty dozen(Robert Aldrich), 'Where eagles dare(Brian G. Hutton)' and 'Kelly's heroes(again Hutton)'. The motion picture is badly realized by Andrew V McLagen, son of the great actor Victor McLagen. He's a warlike expert , such as proved in several films(Return to Kwai,Wild Geese, Dirtdozen: the next mission,Sea wolves). However director McLagen proved had lost the touch that made ¨Devil's brigade¨, ¨Sea wolves¨ and specially ¨Wild Geese¨ such memorable films. ¨Breakthrough¨ cannot be called great and did not received , deservedly, much acclaim when released. Certainly a lousy work done by one of Hollywood's more skill director, a real craftsman.

This film is a sequel to Sam Peckinpah's CROSS OF IRON (1977) which I have not seen. The lead character, Sergeant Steiner of the Wehrmacht, is played by an aging Richard Burton who, despite only being 54 at the time, looks more like 74 because of his dissolute private life. He only had five more years to live. The story of the rebellious German sergeant who does not support the Nazis, has twice refused promotion as an officer and wishes to assist an anti-Hitler general make peace with the Allies in Normandy against the wishes of Berlin is intriguing. The fact that Burton looks so old and 'past it', and is so wooden and stiff in the role, actually makes it more believable. After all, such a man could convincingly be at the limit of what he is prepared to put up with, and might really rebel against his own side in this way. In contrast to the comatose Richard Burton, Robert Mitchum, aged 62, seems twenty years younger than Burton and has all the energy and verve of a twenty-something as he big-shoulders his way through his scenes with all of his usual aplomb and confidence, as an American colonel who meets up with Burton and tries to facilitate a 'deal on the side' to break peace early. Unlike Burton, he had another 18 years to live. Curd (or Curt) Juergens is superb as General Hoffmann, who is part of the plot to kill Hitler and asks Burton to carry a secret message to a senior officer on the other side of the lines. Rod Steiger is also only 54 like Burton, but he looks, let us say 70, not quite as ravaged as Burton but still pretty ropey. He plays an American Brigadier General, but is getting too fat for it, and has lost most of his fire by this stage of his career. There is not much 'young blood' visible in this wartime tale. There are the usual nasty Nazis and gum-chewing Yanks. The result is a mediocre film which has never been issued on DVD, so that I watched an ancient video of it. It's just interesting enough not to switch it off, but not interesting enough to seek out and watch.

This is a sequel to the very under rated Peckinpah classic CROSS OF IRON . You remember it don't you ? James Coburn as Sgt Steiner getting on the wrong side of Maximillian Schell's Captain Stransky on the Soviet Eastern Front in 1943 . BREAKTHROUGH as it's known in Britain is a film trying to market itself as a sequel and I'm afraid if it resembles anything it probably resembles a plot device in DOCTOR WHO called regeneration where a Timelord can turn in to the same character with a completely different physical appearance and personality . In the case of Steiner he was last seen as being a cynical character with a strong resemblance to James Coburn who suddenly looks like a much respected stage actor from Wales who's slumming it in a not very good movie . Strangely enough Captain Stransky is also a Timelord . I suppose that's an advantage if you've got several million soldiers in the Red Army who want payback for having their families strung up with piano wire

There are a couple of good battle sequences at the start of BREAKTHROUGH but if you've seen CROSS OF IRON you'll instantly know where these scenes were stolen from . You also can't help noticing a bizarre lack of continuity to these scenes . Steiner you remember was a soldier's soldier , he might be fighting for a murderous regime but his loyalty was to his men not to the regime and for some strange reason he is now wearing a dress uniform on the front line and these's not even a speck of dust on his uniform . Maybe his clothes can regenerate after every battle with the Soviets ? You can't fail to notice how crap he is in a battle either . He's given an order to blow up a tunnel . Arrives at he tunnel , staggers down the tunnel no doubt looking for the nearest drinks cabinet , staggers alongside a Soviet tank , drops a grenade in the tank , and gets back in to his truck looking for the nearest bar . All he had to do was connect a wire to a plunger and blow the tunnel up which seems beyond his capabilities . In fact if this is the standard of the average Wehrmacht soldier the Soviets must be glad they didn't have to fight any Italian conscripts

I'm being very kind here because I awarded BREAKTHROUGH four out of ten on its own merits - not as a sequel to CROSS OF IRON in which case it would have been awarded minus points . It is a totally disjointed film especially where editing is concerned where the story jumps around from location to location with little rhyme or reason with the big name cast realising they're just doing it for the money . It says a lot when its predecessor was directed by someone suffering from intense substance abuse and was a hundred times better than this

I expected rubbish, and that´s what I got. Compared to this, Andrew McLaglen´s Wild Geese is actually pretty classy, and the original Cross of Iron definitely shines! Richard Burton can be pretty awful if needed. His version of Steiner expresses his hatred of war by staring like a madman and looking generally sick. It is also funny to see the two surviving actors from the Cross of Iron (didn´t the other one die?) playing dull, diluted versions of their former selves. The single most annoying element of the film, however, is the score by Peter "Raumpatrouille" Thomas. At his best Thomas is a genius. But here the music is irritating, gimmicky, and totally unsuitable for the film´s style. At one scene a German soldier sits in a hut with a radio, listening to some weird space-age Peter Thomas Singers. 1944, yeah. A fanatic lover of war films MAY want to check this out.