Sette uomini d'oro nello spazio

This is the third "Al Bradly" movie I have watched in the last couple of weeks and like the other 2 (Cosmos: War of the Planets and The War of the Robots) uses many of the same sets, costumes, cast and effects shots. And like the other two it is total and unmitigated crap from start to finish. The weirdness start in the credits when after the "Stars" the rest of the cast in listed in "Alphabetical Order". I don't know what kind of scary arsed alien alphabet they were using but it wasn't the ABC I was taught at school.

The plot is straight out of a 1920s pre Hugo Gernsback Scientifiction pulp with strutting heroes, mentally superior super-scientists (complete with beautiful niece), cute robots, an alien overlord intent on enslaving the human race etc. etc.

The Alien overlord shows his superiority over the puny humans by unleashing a short montage of Black and White footage of buildings being destroyed in World War 2 - a bit alarming coming in the middle of a colour SF movie. Meanwhile the Earth Government suppress the news that entire cities are being wiped off the face of the planet and turn to the only man who can stop the aliens reducing the earth to radioactive doo-doo and enslaving all the black people he can find.

That isn't a joke on my part - the only shots of aliens enslaving people has them rounding up some "African Natives" - though the translators, probably conscious of this blatant bit of racial stereotyping, do go out of their way to get characters to tell each other that other races are getting lifted in vast numbers too.

So confident are the powers that be in their chosen Super-scientist saviour he has to illegally assemble his team of Super-scientist helpers by stealing spaceships and springing them from Jail.

Even weirder is the sequence about three quarters through the movie in which three scenes that should have been at the start of the flick turn up in no apparent order (Though this may just be on the DVD copy I own -part of a 20 movie box set called Space Quest) when we see the gambler hero in the casino, the auction where "Sol 3" is bought by the Alien, and a scene in the Human control room where the High Command take a break from their "who has the gayest moustache" contest long enough to realise that the Earth is utterly screwed.

Aimed at a target audience of retarded 7 year olds.

"A race of aliens is en route to Earth with the intent of enslaving the human race. The world turns to a top scientist in the hopes that he, and the team he pits together, can come up with a plan to drive off the extraterrestrial invaders. Is there enough time for our hero and his companions to prepare for a fight the will decide the fate of the entire planet?" asks the DVD sleeve's synopsis.

Man's first contact with an alien race turns sour when they want to take over the planet, and make us futuristic slaves. "Star Odyssey" (in English) is a another cheap attempt to cash-in on the "Star Wars" success; although it doesn't really steal much story, and attempts some of its own cheesy style. The title and advertising graphics must have lured fewer victims this time around, as there was no follow-up.

Gianni Garko (as Dirk) and Yanti Somer (as Irene) manage to keep straight hero and heroine faces. This had to be difficult with lovesick robots "Tilt" and "Tilly" wandering around. The promise to alter their parts, so the mechanical couple would be able to consummate their relationship, is never shown on screen. Alas, it might have made the movie more than a complete waste of resources.

* Sette uomini d'oro nello spazio (10/26/79) Alfonso Brescia ~ Gianni Garko, Yanti Somer, Malisa Longo

The film begins with what might be the crappiest electronic music in the history of movies! Is this is shade of things to come? You betcha! "Star Odyssey" is an Italian film that features really bad acting and amazingly low production values for a sci-fi movie. I saw a dubbed version and perhaps the original was a bit better--but it's still filled with weird and cheap costumes as well as bad camera-work and these are obvious no matter the language. Additionally, the sets look like very simple rooms adorned with just a few trinkets to make it look 'space-agy'. And, one of the few outdoor sets was in a junkyard! The net effect is a film that just almost always looks really cheap--almost like an amateur production (though I did like the villain with the face that looked like a waffle). My favorite bad special effect were the weird glowy eyes--you just have to see them to believe 'em.

The plot involves some intergalactic baddie coming to attack the earth with his silly looking robots. Much of the plot frankly confused me--probably because it was so silly and dull I had difficulty staying awake. Plus, I think the film lost a bit in translation.

Out of boredom, my friends and I decided to have ourselves a "worst movie marathon". Among the titles we rented were "la guerre de l'espace en l'an 3000", "La soupe au chou", " Como rubare la corena de Ingleterra" and "Space Oddysey (english title of this movie)". Although all the movies were disgusting and hard to watch, this one had to be the worst...

Here are a few things that stood out...

• A male and a female robot ( she has metal eyelashes) in love!

• A woman scientist working in a tight leather "swim suit"

• A gymnast fighter ( we dubbed him "mr exercise" ) who jumps around during the movie

• A hero who walks around like he is constipated

• An army of evil "droids" with blond wigs and silver suits

The characters are not developed, ( some seem to come out of thin air) and the villain is laughable.

The thing that got me the most, though, is the fact that this movie has no end, literally; Music covers the dialog in the last scene, were everything unfolds.

Really, this is something you should try to find at your local videostore.

-1,5 * :)

I remember when my great great grandfather was on his deathbed he said these words to me 'son, whatever you do, never watch an Italian sci-fi movie'. After receiving this sage advice I sadly turned away, only for him to weakly call me back and say 'especially if it is an Alfonso Bescia space opera, those are particularly crap'.

I have subsequently watched several Italian sci-fi films over the years, four of which have been Alfonso Brescia efforts. I should have followed my great great grandfather's advice as watching all four Brescia films has been as much fun as being hit full on the face with a bag full of broken glass. This one like all of them feature space wars in which the villains are androids who look like Brian Jones of the Rolling Stones circa 1968. In this one we have an evil despot called Kress who uses his android army to enslave mankind; he is opposed by a small group of stereotypes and robots, who save the day. The date of this film should give you a clue that it is surfing the wave of Star Wars and to that end there is a light-saber battle where the Brian Joneses fight our heroes. Well, I say 'light-saber' but given the origins of this film, it should be no surprise to learn that technically it is a 'cardboard swords painted with fluorescent paint' battle. Interestingly the technology magazine Popular Mechanics reviewed this movie back in the day declaring it a 'dreadful trashpile'. A final note for film academics, the title this one went under in West Germany was 'Metallica'.