Se ying diu sau

This is Jackie Chan's best film I have seen so far! Miles better than Drunken Master. The guy is supremely fit, which you see in this film, and the skill this guy possesses is second-to-none. There is tons of fighting from absolutely loads of Hong Kong's top martial artists. Apart from Jackie Chan, it's "Thunder Legs" Hwang Jang Lee who stands out, this guy is a supreme kicking machine! If you want to see a classic, then this is it! 10/10

I believe this was Jackie Chan's first widely successful movie freed from the constraints of Lo Wei and working with a different director allowed Jackie to move into a different direction and stop trying to be the new Bruce Lee (as if anyone ever could be!).

Surprisingly the humour translates pretty well and both Jackies cruel martial arts school employer and the kindly martial artist he meets and befriends are well drawn comedic characters. The sometimes bizarre fighting styles all named after animals are a joy to behold and Jackie and all the other martial artists involved show just how skillful they are with some truly memorable twists on the old school kung-fu style fighting. Many of those in this film came together again a year later to make the equally excellent Drunken Master.

I would recommend this film to any martial arts fan as a must see, it's also an excellent entry point if your interested in looking into martial arts action films in general. 8/10

'Snake in the Eagle's Shadow' - Jackie Chan's other breakthrough hit, along with 'Drunken Master'. Both released in 1978, these two movies made the careers of Jackie Chan and director Yuen Woo Ping, and both featured Siu Tien Yuen and Hwang Jang Lee in similar roles.

The plot follows Chien Fu (Jackie Chan), an orphan abused and mistreated by the kung-fu (evil, of course) school he works at. He can't fight until he meets Pai Cheng-Cheh (Siu Tien Yuen), a grand-master of Snake Fist, and last remaining follower of the Snake Fist style. A rivalry between the Snake Fist and Eagle Claw styles has led to the near-elimination of the Snake Fist style, and Chien Fu and Pai Cheng-Cheh find themselves being hunted by Lord Sheng Kuan (Hwang Jang Lee), the master of the Eagle Claw style.

The awesomeness of 'Snake in the Eagle's Shadow' lies in the fact that it really is quite similar to 'Drunken Master', which is also awesome. Again, the plot is a pretty standard kung-fu plot, but any plot which allows for the maximum amount of on-screen kung-fu time is a good plot. The training sequences are entertaining, and the following fight scenes are incredible - Jackie, Hwang Jang Lee and Yuen Woo Ping are all at their best here.

'Snake in the Eagle's Shadow' is an awesome and very funny movie - 10/10, a must see for all Jackie Chan fans.

If you've got a couple hours to spare, and you like light hearted hong kong kung fu, then watch this film. The music and sound effects are really hilarious, and the action never lets up. The final fight scene is somewhat memorable as well.

This along with Drunken Master I (not Drunken Master II which was released in the US as Legend of Drunken Master, which is good but not great) have to be the best of the pure Kung-fu genre. This is just one great fight scene after another. The choreography is breathtaking, especially for two scenes: one where Jackie slides rags under the school master's feet, and the other where the old man doesnt allow Jackie to take his bowl. This is the original Kill Bill, just pure thrilling action. The story is so not a factor that I wont even mention it.

Jackie's Hong Kong movies are a class apart. Hollywood spoiled the martial arts genre. The new Jackie Chan movies and Jet Li etc are insufferable because of Hollywood overdoing things. I dont think there will be action as exhilarating as Hong Kong kung-fu ever again... sadly, technology takes away beautiful things. I'll end with a paraphrase of Roger Ebert's on talent: When you see anyone doing something difficult and making it look easy and *a joy*, you feel enhanced. It is a victory for the human side over the enemies of laziness and timidity.