Shao Lin san shi liu fang

for some eight years, Liu Chia Liang worked as martial arts choreographer at shaw bros., especially with legendary director Chang Cheh, from whom Liu clearly learned mise-en-scene, as the french call it - a director's skill in using camera, editing and theme to move from one dramatic episode to another. in turn, Liu tried to show Chang Che the possibilities inherent in traditional kung fu, but to little avail - Chang Che really always thought himself a maker of action-adventure films, not primarily a martial arts director. so Liu began making his own films at shaw bros., and demonstrated what he learned from Chang Che, while developing his own themes concerning the the traditional arts we've come to call kung fu.

one decided difference between Liu and Chang - indeed, between Liu and most of the other shaw bros. directors of the period - is that Liu believed that if the fundamental message of kung-fu - which is really about good health and spiritual growth - is to be carried over to the audience, the arts involved would need to be presented in as realistic a fashion as possible - no wire works, no unnecessary leaping over walls, no mythical 'iron fist' technique of jamming one's hand through someone's chest. and once that decision was made, clearly it would also be necessary to develop plots and characters as equally realistic, or the effort would be for nothing.

Liu's movies are thus 'about' kung fu in the purest sense; they are not about fighting, but about discipline. they are not about revenge, they are about using one's training to get beyond revenge.

although the heavy tone of this film obscures it a little, the fact remains that the characters in this film are all very believably human in a way that Chang Che's characters never were. and they don't learn their skills all that quickly - the time frame of the shaolin episode is at least three years - but by doing the same excersizes over and over again until they are perfectly comfortable with them. at which point, of course, they can perform with almost no show of effort.

by the way, there are documentary films of real performances of real shaolin monks demonstrating real martial arts - Liu is pretty close to the real thing, here.

Liu, by the way, appears to be the son of someone who trained with lam sai wing - aka 'butcher' wing, but in no way the country bumpkin he's sometimes made out to be, as in yuen woo ping's 'magnificent butcher'. lam sai wing studied with the legendary Wong Fei Hong, who was taught not only by his classically trained father, but by a well-known former shaolin monk - in short, the Liu credentials are rock solid.

Gordon Liu, star of the film, is Chia Leung's adoptive brother. he is probably the finest performer of traditional kung fu ever filmed, bar none, and utterly fascinating to watch. he also does a solid piece of acting in this film, as well.

shaw bros. quality, Liu bros. skill - don't ask, just see it.

Anyone familiar with the hip-hop super-group the Wu-Tang Clan knows that "The 36th Chamber of Shaolin" (a.k.a. "Shaolin Master Killer"), directed in 1978 by Liu Chia-Liang, is essential viewing for any martial arts movie fan. This movie started the whole "good-guy-gets-his-butt-kicked-and-undergoes-martial arts-training-to-exact-vengeance" storyline that's been used so many times in the martial arts movies since (i.e., the American "Karate Kid" movies). In it, anti-Manchu patriot San Te (Gordon Liu) is a humble country boy who is cast out of his village when Manchu soldiers (led by the villainous Lo Lieh) slaughter his parents, orphaning him. He manages to make it to the famous Shaolin Temple, where he is nursed back to health by the monks living there, and soon undergoes a rigorous and dangerous regiment of training to master the 35 "chambers" (styles) of kung-fu. In seven years, he completes his training, mastering all 35 styles, invents a brand-new weapon (the three-section staff), and suggests creating a 36th chamber - to spread kung-fu beyond the Shaolin Temple's walls and bring it to the masses. The whole story is pretty formulaic (what martial arts movie from the '70s doesn't have a formulaic plot?), but what gets this movie going is its rousing training sequences. These are not the run-of-the-mill stuff we're used to seeing in these movies. San Te's quest to become a martial arts warrior is a tortuous journey of self-actualization, a kind of virtue commonly lacking in the genre; San Te actually becomes a better person as a result of his experiences at the Shaolin Temple. Most grind-house cinema aficionados love this movie (Wu-Tang Clan co-founder the RZA in "The Wu-Tang Manual" does an entire section on the martial arts movies that influenced his development of the Wu-Tang Clan and much of their underlying philosophy). Finally, I'm glad to see an old-school martial arts movie that has its heart and brain in the right places.

10/10

This is a Run Run Shaw Brothers classic film and widely considered to be one of the greatest Kung Fu flick of all time . Epic imperial and subsequent upheaval during China's Ching dynasty , being spectacular and colorfully directed . The picture starts with an opening credits showing a demonstration of martial arts against an empty backdrop . The anti-Ching rebels , under the guidance of Ho Kuang-Han, have secretly set up their base in Canton , posing as school masters . During a cruel Manchu attack, the patriot San Te or Liu (Chia Hui Liu) arranges to getaway and devotes himself to learning the martial arts at Shaolin temple in order to seek vengeance . In a short period of time he learns the art of fighting , thanks his expert Bhuddist masters . When his learning is completed , he battles the Manchus commanded by his chief , General Tien Ta (Lo Lieh).

This luxurious Kung Fu film was marvelously filmed with good production design , colorful cinematography , a lot of zooms and breathtaking scenes . The flick displays lots of violence, action filled , thrills and fierce combats . This is a colourful, Hong-Kong set and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises ,fierce combats and groundbreaking struggles . Amid the glamour and grandeur of the scenarios is developed an intrigue about nasty Manchues and a learning period at famous Shaolin temple , including betrayal , crime and exploring the dark side of Chinese Ching dynasty . Despite the US title for the film ¨The Master Killer¨, the idea of taking a life would be abhorrent to a real Shaolin or Bhuddist monk . Impressive and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . And hundreds of armored warriors reenacted by lots of extras . Overwhelming attacks and exciting combats very well staged , the result is a strong entry for action buffs . Kung Fu training scenes are a direct reference in ¨Kill Bill¨ by Quentin Tarantino , enhanced by the fact that Gordon Liu stars in both movies . Even the faded colours in this scene match that of the Shaolin movie . The movie was well directed By Chia Liang Liu and won the Best Martial Arts Award at 24th Asian Film Festival and was the 1978 Top 10 Box Office Hits in Hong Kong . Chia Liang Liu or Lau Kar Leung made stunts and directed several Kung Fu movies as ¨Legend of drunk master¨ , ¨Shaolin executioners¨, ¨The invincible pole fighters¨, ¨Seven swords¨ and the following : ¨Return to Shaolin¨ with Gordon Liu and ¨Shaolin 3 : Martial arts of Shaolin¨ with Jet Li .

Most people who watched old Kung Fu movies know this movie simply as "Master Killer". This is one of a select few non Chang Cheh directed Kung Fu movies that I really, really like. This movie is a reference point of the old training kung fu flicks.

This movie is famous for its rigorous training scenes performed by Chia Hui Liu (Gordon Liu). Somehow you get a feel for how being a student in the Shaolin Temple was really like. All of the teachers are Monks and they sport the usual bald heads accompanied with almost mysterious wisdom. Master Killer seems to be a well directed movie so you become engulfed in the students plight.

Noteworthy about this movie is how as a viewer at first you don't take Master Killer seriously as a fighter, he just doesn't look tough. When he struggles with his kung fu as he goes from one chamber to the next it is uplifting as he slowly becomes better. Master Killer starts off as a huge underdog in this movie, and as much as you laughed at him when he first started to learn, you are amazed at his skill as he progresses. This I feel is what makes Master Killer stand out as one of the best training kung fu movies.

There are many memorable training chambers. One chamber tests his sight, there are 2 burning posts on each side of his head. If he moves his head even the slightest, the sides of his head will be badly burned. He watches an object move from side to side, faster and faster, the object is to move your eyes and not your head; eventually Master Killer master all of the chambers.

Before he can leave the Temple he has to fight one of the Head Monks at the temple, initially he is no match for the monk, but Master Killer invents a "new" kind of fighting weapon, and takes on the head monk again and is able to be victorious. The fight scenes with Gordon and this monk are very good. Many different weapons are used as well as hand to hand combat, this is an excellent example of the essence of Shaolin Kung Fu.

Anyone who loves old kung fu flicks will certainly be taken in by Master Killer (also called "Enter the 36 Chambers). I can't explain it but this is certainly Gordon Liu's signature film; he certainly was made to play..... the Master Killer.

Wow, I had no idea. Turns out "The 36th Chamber of Shaolin" is one of the best movies I've ever seen.

A simple man, his friends and his father are victimized by a brutal Manchu dictator and he is run out of town. Injured, he makes his way to the Shaolin Temple where he is determined to learn kung-fu. He starts at the top and works his way down, encountering insane training exercises and rigorous obstacles along the way. He proves to be a worthy candidate and then some in what turns into one of the coolest revenge plots in a movie ever.

Amazing choreography, stunts, violence, fight scenes and much more highlight this wicked cool flick. I recommend seeing it for sure.

9 out of 10, kids.