Shalimar

Let's not beat around the bush: this is a bad film.

The storyline is frankly weird, the pacing is choppy, the cinematographic style is erratic, and the film generally bears all the hallmarks of the Asian film genre - that is, it was obviously produced for an uncritical audience.

All the same, there is something oddly appealing about it. The sheer awfulness of the acting and the script fade into the background as one is dragged, almost against one's will, into the film's Dungeons-and-Dragons-like storyline.

Camp, curious, captivating. I can't help but like it, in spite of myself.

Here it is, India's first and greatest cult film! It's a great film no doubt but it has some really bizarre stuff that has to be seen to be believed!! The tribal dance by the sea is a real treat! The resurrection of Colombo is incredible! The songs by the incomparable R.D. Burman are fabulous and so is the haunting background score, some of which is available on the CD release of the music. The roles of John Saxon and Sylvia Miles are unforgettable. The film itself suffered badly at the box office when it first came out due to over-hype and the fact that the main theme of the film didn't connect with the masses - lack of nativity. Folks, do yourself a favor right now! Rent this film and watch it. It is unlike any Bollywood film you'll ever see.

I am so awfully sure that for anyone caring for the art of cinema in its qualities of western standards or the overall universal technical values, this movie is an example of "A guide of what NOT to do for a respectable movie"... But its charm (as one commenter puts: "..It's a bad movie but I can't help liking it...") lies somewhere else.

I must say I was surprised to find out that it didn't do well in India when it hit the theaters but that flopping may happen to any "big budget" movie anywhere anytime.. I also agree that Dharmendra and especially Zeenat Aman could have been performing much better or the Holly-Bolly partnership could be taken to a more qualified level. But this movie is like a showcase of what could be done within limits of a status-quotic cheesy-commercial cinema and utilising what's at hand in high quality. Despite its flaws, each and every moment is fun and as with all "bad but great" movies, technical or artistic flaws actually add rather than deduct from the film's value! It's one of my faves from 70s Bollywood and from many points, it really has its great moments. Never approach with cinematic excellency of Western values; nor it is too much typically Bollywood'ish either. Somewhere between the lines and hauntingly captivating and fuuuuun!

The Entire movie there seemed to be only 1 actor with proper emotions & that happens to be of Dharmendra. Rex Harrison who is a Hollywood big wig was no where near Dharmendra's ability, even a "C" grade villain of Bollywood would have acted better, Deepak Shirke would have acted better. Poor Shammi Kapoor was wasted, Zeenat had not much role, John acted as a dumb man so his ability to express was cut off. The countess's role whoever played was the worst of all.

When Bollywood actors act in Hollywood movies they easily overshadow the famed Hollywood actors because the facial expressions are lot more & the ability to give dialogues is also better. Dharmendra has not won any filmfare award in India is because he is himself a 2nd grade hero, had it been the Mighty Amitabh Bachchan or Rajesh Khanna this movie would have been even more watchable & it would have been a big hit too. The entire movie would have been even one sided against the Hollywood stars.

I would start saying, it was a film too ahead of it's times, when released in India. It was what we have today as Ocean's 11 or 12 or the Italian job. For the fact it flopped in India, is because the majority of the audience saw it go over the top and there was no connectivity with this film.Caper films have never been a forte in 'bollywood', so shah's western influenced ideas did not really go well with the native masses who were more interested in revenge melodramatic dramas, 'dakus','mujras', and 'angry young men'. Looking back, it's definitely a cult film and the Gen today would appreciate shah's efforts more than the Generation of '78.