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One of the most entertaining aspects about NLAH is reading the naysayer reviews. Reviews are certainly subjective, but unfortunately the hilariously bad reviews come from viewers who simply don't get it. Especially the viewers who saw it on TV. They probably are not a lot of fun at parties, either.

This reviewer gives the film an eight for comic relief and for hurting some feelings.

If you have only seen this movie on TV, you have not really seen this movie. One of the best movie experiences of my life was seeing this movie in the theater with a full house of college students. I have never heard an audience laugh so hard, and I was laughing with them. That experience can never be recaptured. I don't know why this movie doesn't make the midnight movie tour in college towns. That way it might have some of the same impact. Also when it came out in 1978 it is hard to explain how big John Belushi was unless you were there and saw it first hand. It's still funny on the small screen, but only if you see it uncut. Never watch it on a network, they cut out most of the jokes!

Tasteless, politically incorrect and absolutely laugh-out loud hilarious, with a cast that's a Who's Who of later stars, including Peter Riegert, Tom Hulce, Tim Matheson, Karen Allen, Kevin Bacon, etc.

It's bittersweet watching the brilliance of John Belushi in this, his finest hour. Every twitch of his beady eyes, every jiggle of his mighty beer belly, every line of dialogue delivered with just the right amount of bluster or sneering sarcasm -- this guy was a bona-fide comic genius. He was taken from us far too soon.

Director John Landis orchestrates the escalating hi-jinks with masterful comedic precision, Elmer Bernstein contributes a very funny mock-grandiose score, and veteran character actor John Vernon provides a wonderful arch-villain as the toweringly evil Dean Wormer.

There are almost too many comic highlights; pick your own favorite. My candidates: Bluto's rousing speech about the Germans bombing Pearl Harbor, Pinto's Good & Bad Consciences battling over whether he should take advantage of his passed-out date, and Otter picking up the dean's wife in the supermarket vegetable aisle.

Watch for co-writer Doug Kenney as 'Stork', suspected of brain damage. Another Saturday Night Live alumnus, along with Belushi and Harold Ramis, he died in a hiking accident in Hawaii not too long after the movie's release. Heartfelt thanks to him and Belushi, as well as everyone else involved in this classic, for providing us with so many laughs.

You'll have to excuse me and some of the other proponents of 'National Lampoon's Animal House' if we seem a little defensive about the movie. That's because it's often not recognized as the superior comedy classic that it is. Instead, too often it is lumped in with the multitude of inferior films that it inspired, which is totally unfair.

Some of the conventional wisdom about 'Animal House' is absolutely right, though. John Belushi does give a bravura performance that is reminiscent of the great comics before him like Chaplin, Keaton (Buster, not Michael), the Marx Brothers, etc., and he does it with a wonderful economy of words. His character of "Bluto" Blutarsky is often emulated and imitated but many times the persons doing so have no idea what it was that made him and his performance so great.

Tim Matheson as "Otter" and his other frat house buddies were also prototypes that were much imitated too, and again often without success. Otter was the quintessential smooth talker, always working an angle on everybody, especially the ladies. When a woman tells him that his lovemaking wasn't that great, he cocks his head, points a finger at himself and mouths the words, "not great?" in mock disbelief. Before Tom Hanks got "Big" he made a career out of playing this character. Also John Vernon set a standard for straight men with his portrayal of the beleaguered Dean Wormer, plagued by his "zoo fraternity."

Not all of the movie's humor aims low, by any means; some of it is quite sophisticated. (Yes, you read it right.) The screenwriters and director John Landis did a great job evoking Kennedy-era America and they found a lot to laugh at. This comedy is an unqualified classic by the simplest definition-- it makes you laugh, long and loud.

Animal House is not my favourite comedy or anything, but I like it very much. I do like comedy, I like John Landis and I like John Belushi, so naturally I thought yeah I think I'll like this film. And I did. While light on plot and quite vulgar strictly speaking, it is still hugely enjoyable thanks to the performances. Animal House is beautifully filmed, has a good soundtrack and John Landis does a great job directing, while the sight gags are smart and the script has enough hilarious one-liners to keep you chuckling. As for favourite scenes, I have two specific favourites, the food fight and the wonderful rallying speech. The acting is very good, while Kevin Bacon, Tom Hulce, Peter Reigert and Donald Sutherland give great performances, it is John Belushi's film all the way as he gives one of his best ever performances in this film. In conclusion, very good film and funny. 8/10 Bethany Cox