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IMDbPro

El día de la mujer

Título original: Day of the Woman
  • 1978
  • C
  • 1h 41min
CALIFICACIÓN DE IMDb
5.7/10
33 k
TU CALIFICACIÓN
POPULARIDAD
3,096
130
Camille Keaton and Meir Zarchi in El día de la mujer (1978)
Version 2 trailer
Reproducir trailer0:48
4 videos
99+ fotos
B-HorrorHorror sangrientoTerrorThriller

Una aspirante a escritora es violada repetidamente en grupo, humillada y dejada muerta por cuatro hombres a quienes persigue sistemáticamente para vengarse.Una aspirante a escritora es violada repetidamente en grupo, humillada y dejada muerta por cuatro hombres a quienes persigue sistemáticamente para vengarse.Una aspirante a escritora es violada repetidamente en grupo, humillada y dejada muerta por cuatro hombres a quienes persigue sistemáticamente para vengarse.

  • Dirección
    • Meir Zarchi
  • Guionista
    • Meir Zarchi
  • Elenco
    • Camille Keaton
    • Eron Tabor
    • Richard Pace
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    33 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,096
    130
    • Dirección
      • Meir Zarchi
    • Guionista
      • Meir Zarchi
    • Elenco
      • Camille Keaton
      • Eron Tabor
      • Richard Pace
    • 405Opiniones de los usuarios
    • 158Opiniones de los críticos
    • 19Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados en total

    Videos4

    ISOYG 1978 HD
    Trailer 0:48
    ISOYG 1978 HD
    4K UHD I SPIT ON YOUR GRAVE
    Trailer 0:22
    4K UHD I SPIT ON YOUR GRAVE
    4K UHD I SPIT ON YOUR GRAVE
    Trailer 0:22
    4K UHD I SPIT ON YOUR GRAVE
    CLASSIC HD ISOYG 1978
    Clip 2:50
    CLASSIC HD ISOYG 1978
    MEIR ZARCHI & CAMILLE KEATON CLIP
    Clip 0:31
    MEIR ZARCHI & CAMILLE KEATON CLIP

    Fotos158

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    Elenco principal12

    Editar
    Camille Keaton
    Camille Keaton
    • Jennifer
    Eron Tabor
    • Johnny
    Richard Pace
    • Matthew
    Anthony Nichols
    • Stanley
    Gunter Kleemann
    • Andy
    Alexis Magnotti
    • Attendant's Wife
    Tammy Zarchi
    • Child
    Terry Zarchi
    Terry Zarchi
    • Child
    Traci Ferrante
    • Waitress
    William Tasgal
    • Porter
    • (as Bill Tasgal)
    Isaac Agami
    • Butcher
    • (as Isac Agami)
    Ronit Haviv
    • Supermarket Girl
    • Dirección
      • Meir Zarchi
    • Guionista
      • Meir Zarchi
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios405

    5.733.1K
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    10

    Opiniones destacadas

    6Stay_away_from_the_Metropol

    Strengths and weaknesses, controversial for a reason

    I am honestly kind of surprised by the lack of reviews in the 4-6 out of 10 range. To me, that's exactly the range this movie belongs in.

    First of all, I'd heard of how controversial this film was since I was in high school (around the year 2000) but never quite had the urge to seek it out considering it was commonly described as being mostly just rape, I suppose. Finally, in 2019, I felt it was the right time - and, it lived up to it's legend, in the sense that the majority of the movie really was just one long, extended rape scene. 2/3 of the film basically revolves around that, I'd say. I definitely haven't seen that in any other movie, ever, which does give this film it's own identity. But, as one would assume, it's not pleasant. It's also not impressive in the sense of realism, or in any sort of artful manner. So, instead, you're just choosing to watch an hour of gritty, artless, trash film rape. Since this is the majority of the film, this is what loses it the most points. I seriously doubt I will ever watch it again.

    I think the movie is a bit long for what it is. If it were hyper-realistic, the grueling pace would make more sense, but since the acting is schlocky, it would have made more sense to move things along quickly. I really think this film would have served a lot better as a 80-85 minute feature rather than a 100+ minute one. Those 15 minutes of cuts could make a world of difference.

    The complete lack of soundtrack also gives the film a lot of it's own unique character. While a haunting score is generally one of my favorite elements of vintage horror, I ended up admiring this movie's complete lack of one. The sound of the motorboat coming really does become I Spit On Your Grave's "theme song", and it's pretty effective in that regard.

    On the plus side, Camille Keaton really does bring a lot to the role. This was a very brave performance on her part and the shift from battered victim to sly vengeance seeker is actually believable and satisfying. Though the final act wasn't enough to redeem the movie much as a whole, I did find the acts of vengeance to be quite satisfying and memorable in comparison to a lot of forgettable horror deaths throughout history. I also enjoyed the cinematography for the most part - as often stated, it has a very real element of amateurism and also voyeurism to it, which adds a lot to the gritty surrealism of it. All the distant, out-on-the-water shots really did create quite a bit of an out-in-the-middle-of-nowhere ambiance.

    This is a controversial cult classic for a reason. If you're a fan of gore, exploitation, or movies that push things as far as they can go, then yes you should absolutely see this. If not, don't even think about it!
    6Gafke

    Brutal

    I tried to watch this film once before and made it up to the second rape scene before leaving the room, believing I was seriously about to throw up. I finally forced myself to watch it all the way through recently, and I'm glad I did.

    Jennifer Hill is a young, hip, free-spirited woman of the 70s, who leaves her home in New York City for a long vacation in Connecticut, where she plans to write her first novel. Jennifer soon attracts the attention of four lowlife scumbags as she sunbathes in her bikini. The semi-evolved thugs kidnap Jennifer, drag her into the woods, rape her, beat her, sodomize her, beat her some more, follow her home, rape her again, kick her when she's down, make fun of her manuscript, rip it to shreds, rape her with a bottle, beat her up one last time and leave her, bleeding and unconscious on the floor of her vacation home. Damn. They send the retarded Matthew back into the house with a knife and instructions to kill her, but Matthew can't bring himself to do it. He tells the guys that he has killed her, and they stupidly believe him and leave. But Jennifer is alive, and as she heals from her hideous wounds and recovers her strength, she plots revenge against her rapists.

    Roger Ebert called this the worst film ever made and feminists damned it to hell for all eternity, but you know what? I'm a woman and I liked it. Jennifer is no weak, whimpering, helpless little victim. She tries her best to fight back. When threats and violence fail to work in her favor, she uses the only other weapon she has: sex. The men are all stereotypical slobs, disgusting pigs who are clearly already emasculated and use Jennifer as an outlet for their frustration and rage. The rapes have nothing to do with sex and are portrayed most realistically - they are ugly, brutal, violent, nasty and completely devoid of eroticism. The sodomy scene was the one scene that horrified me the most, as Jennifer emits the most bloodcurdling scream of pain ever heard. It is very difficult not to flinch from that sound. Jennifer's revenge is every bit as bloody and painful, and nowhere is it more sadistic than in the infamous "bloodbath" scene. These guys all get what's coming to them, and Jennifer makes sure that the punishment fits the crime, turning the men into the helpless, pleading victims and feeding their own sadism right back to them.

    Okay, so not all of the plot points make sense, and not everyone is going to agree with Jennifer's decision to kill the men, but it's still a powerful film. It's told primarily from Jennifer's point of view but it never takes sides. It simply tells the story and lets you decide - is Jennifer an insane psycho-killer who ought to go to jail for her crimes, or is she an angel of vengeance delivering poetic justice?

    Scaredy cats like me might prefer to watch this film with the audio commentary by Joe Bob Briggs turned on. Joe Bob provides a lot of interesting information about the making of this film, and also supplies some much needed comic relief throughout.
    5AngelHonesty

    Hard to Watch

    The entire movie can be summed up into rape and death. There's not much more to it. I'm currently trying to watch all the horror classics. And I was hesitant on this one. Being a woman, and watching it, I had to look away for most of the rape scenes. They are extremely graphic with nudity. And very long. Just as you think its over, it keeps going.

    The first quarter of the film is setting up the scene. The next two quarters of the movie is the never ending rape. And the last quarter is the revenge. It felt like they didn't spend enough time on the revenge killings. They were too quick. The movie does have a strong message in trying to dish out where the blame lies. Which felt strongly unneeded. There really is next to no acting skills or script in the film. And there's no music track.
    fertilecelluloid

    A pearl in this maligned genre

    I SPIT ON YOUR GRAVE is a straightforward rape/revenge drama with the tone of a documentary.

    The coverage is plain, there is no music, there are no "stars", there are no concessions to a mainstream audience.

    The exploitation film audience may be served, although the rape sequences are neither dynamic nor stylish.

    Camille Keaton (Buster's granddaughter), a writer, drives to the country to stay at her house on the river. Local losers stalk her and rape her and rape her again.

    The rest of the film details the victim's bloody revenge.

    Labeled rubbish by the ignorant, this is very restrained exploitation that is often perversely effective and confronting.

    The rape sequences are nasty and ugly, not enhanced by camera moves, rich sound effects or lurid angles.

    On the other hand, the revenge sequences are more cinematically manipulative and poorly executed.

    An intriguing document of merit.
    6lastliberal

    That's what I like in a woman - total submission.

    This is a hard flick to watch. When it was shown in theaters, people walked out after seeing certain scenes. Rape and castration are not everyone's cup of tea.

    Revenge flicks are hot right now with The Brave One and Death Sentence. Of course, there is the Death Wish series that defined the genre. I originally saw this film after it came out on VHS. I've seen it many times, but that is a long story. I decided to revisit it after not seeing it for 17 years.

    The rape scenes are brutal, especially the one on the rock. The revenge scenes are also harsh, but satisfying in a vengeance sort of way.

    Arkansas native Camille Keaton, who is a grand-niece of Buster Keaton, gives a stirring performance as the victim. She even won a Best Actress award at the Catalonian International Film Festival. The rest of the cast only have this one film in their resume.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      All four male actors asked to appear naked in the film, to remove awkwardness or embarrassment about their own nudity, and to show solidarity for Camille Keaton who spends much of the film nude.
    • Errores
      When Jennifer runs away in the woods and stops to throw the wooden tree trunk at the two men chasing her, a female crew member can be seen on the far left of the screen.
    • Citas

      Jennifer Hills: [about to kill Stanley] Suck it, bitch!

    • Versiones alternativas
      The BBFC passed a cut version of this film as an 18 certificate in November 2001 after removing 7 minutes from the 3 rape scenes. An alternate version - re-framed by the distributors and featuring the rape scenes though in a more obscure and off-screen way - was submitted in 2003, though the BBFC cut 41 seconds from the 2nd 'rock' rape because much of the errant thrusting was still visible. The uncut version was resubmitted for DVD in 2010 and, although some previous cuts were waived, 2 mins 54 secs of cuts were again made to the rape scenes.
    • Conexiones
      Featured in Sneak Previews: Women in Danger: Friday the 13th, Halloween, I Spit on Your Grave, Silent Scream, When a Stranger Calls, Don't Answer the Phone (1980)
    • Bandas sonoras
      Sola Perduta Abandonnato
      from "Manon Lescaut"

      by Giacomo Puccini

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    Preguntas Frecuentes

    • How long is I Spit on Your Grave?Con tecnología de Alexa
    • What are the differences between the British BBFC 18 Version and the Uncut Version? Is the Re-Release Version uncensored?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de noviembre de 1978 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • I Spit on Your Grave
    • Locaciones de filmación
      • Kent, Connecticut, Estados Unidos
    • Productora
      • Deja Vu (IIc)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 650,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 41 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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