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Un rebelde trabajador de almacén de Cleveland asciende en la industria de los camiones para convertirse en presidente, pero sus vínculos con el crimen organizado causan su inminente caída.Un rebelde trabajador de almacén de Cleveland asciende en la industria de los camiones para convertirse en presidente, pero sus vínculos con el crimen organizado causan su inminente caída.Un rebelde trabajador de almacén de Cleveland asciende en la industria de los camiones para convertirse en presidente, pero sus vínculos con el crimen organizado causan su inminente caída.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Tony Mockus Jr.
- Tom Higgins
- (as Tony Mockus)
Opiniones destacadas
This is one of Stallone's best performances as an actor! In all the following movies in the 80's and 90's he is more appreciated for his 'presence' and strength as a person, but in this one he portrays a lifestory of a union worker that rose to greatest fame. Don't lose heart if you feel bored in the beginning of the movie, it gets better and in the second half, when many years have past, it gets really good. It is a grand movie-story and definitely a recommendation for anyone who likes movies about the fate of others.
For the most part, this is a good, solid (pseudo)biography of a charismatic labor leader, but towards the end it runs out of steam and loses the clarity and effectiveness of the early sequences. Still, it's worth seeing, with Stallone getting one of his most atypical roles and handling it satisfyingly. (**1/2)
F.I.S.T. is one of the few films out there that illustrate Sly Stallone's great acting talents. Stallone really brings his character, Johnny Kovak, to life and gives one of his most memorable performances. This film shows that, having gone a different route, Stallone could have become a much better actor. After this film, Stallone had a few other good films but the majority were crumby sequels, cliché action films, and poor attempts at comedy. It's really a shame he didn't put his talents to better use like he did in his earlier work like Rocky, and Nighthawks.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
One of the best Stallone films set in the 1930s in which gives a good performance as a worker who joins the Teamsters trade-union in a local factory and being accompanied by a fine supporting cast . It deals with a love between a man, a country, the people he led and the woman he loved . Johnny Kovak (Sylvester Stallone) is an employee who works his way up as organizer and leader of Federation Interstate Truckers . Meanwhile he falls in love and marries a worker (Melinda Dillon) . As he climbs higher and higher thanks his connection with the Mob (Tony LoBianco). As his methods become more corrupt and ultimately senator Madison (Rod Steiger ) begins a campaign to discover the truth about his allegedly greedy practices .
This poignant film packs emotion , thrills , a love story political events and being quite entertaining though contains some ,predictable moments and cliché-ridden . The picture details biographic events about an Union leader , Jimmy Hoffa-lookalike, from his starts until his fall . Jewison cast some largely known actors as Sylvester Stallone , Melinda Dillon , Peter Boyle and a remarkable support cast as Richard Herd , Tony LoBianco , Peter Donat , Kevin Conway, Cassie Yates , Richard Herd and the veteran Henry Wilcoxon and several others . Stallone , also screenwriter along with Eszterhas creates an even more interesting character than Rocky Balboa . Atmospheric musical score including moving sounds by Bill Conti and appropriate cinematography by excellent cameraman Laszlo Kovacs.
The motion picture is well produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He directed successful movies as Fiddler on the roof , Agnes of God , Moonstruck , Thomas Crown and Cinncinati Kid . However , he also got some flops as Bogus, In country , Only you and Other's people money and his last picture titled The statement . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984). Rating : Good, worthwhile seeing for its epic moments and thought-provoking issues .
This poignant film packs emotion , thrills , a love story political events and being quite entertaining though contains some ,predictable moments and cliché-ridden . The picture details biographic events about an Union leader , Jimmy Hoffa-lookalike, from his starts until his fall . Jewison cast some largely known actors as Sylvester Stallone , Melinda Dillon , Peter Boyle and a remarkable support cast as Richard Herd , Tony LoBianco , Peter Donat , Kevin Conway, Cassie Yates , Richard Herd and the veteran Henry Wilcoxon and several others . Stallone , also screenwriter along with Eszterhas creates an even more interesting character than Rocky Balboa . Atmospheric musical score including moving sounds by Bill Conti and appropriate cinematography by excellent cameraman Laszlo Kovacs.
The motion picture is well produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He directed successful movies as Fiddler on the roof , Agnes of God , Moonstruck , Thomas Crown and Cinncinati Kid . However , he also got some flops as Bogus, In country , Only you and Other's people money and his last picture titled The statement . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984). Rating : Good, worthwhile seeing for its epic moments and thought-provoking issues .
This is an unappreciated film, mostly because it's star doesn't exactly have a good reputation as an 'actor'. This film is definately worth catching and it is worthy of repeated viewings. The music too is perfect for the film. It charts the rise of a Union leader from his humble beginnings to his fame. The story sustains the attention of the viewer throughout the picture. Stallone is better in the earlier scenes as a young Johny Kovak. His acting limitations come about as we see him as an older man. All he does his makes his voice a little husky and the make up on him (and other members of the cast) is ineffective. Early in his career, kovak has the dilema of bringing in the mob for help after an unsuccessful strike which results in one of his best men being killed. If he brings them in, he can enforce his will on the big companies and make the union very strong. Without them, he has little chance of the union growing. To the dismay of his best friend, he takes them in. His decision comes back to haunt him. Stallone tailored the script so he can play the good guy, originally Kovak wasn't a nice man. There is a nice scene with him and Brian Dehenny who later would turn up as Rambo's nemesis in first blood. I would certainly recommend fans and non fans of Stallone to catch this movie.
¿Sabías que…?
- TriviaNewly a big star, Sylvester Stallone was frequently hounded, screamed at, and sought out to be touched by fans during principal photography on this picture. Thousands of fans from more than one hundred miles away gathered daily to filming locations in Dubuque, Iowa chanting "Rocky! Rocky! Rocky!" from behind rope and police barriers, and frequently only a block away from the on-set filming. Reportedly, Stallone would make about three pilgrimages a day to the security barriers to shake hands with fans, pose for photos taken with their Instamatic cameras, let some of the more daring kiss him. When time did not allow for signing autographs, Stallone apparently would say: "You'd only lose it. A handshake lasts forever!"
- Citas
Babe Milano: Nobody's 100%... Nobody.
- Versiones alternativasThe original release in theaters ended showing Johnny Kovak getting shot at the top the staircase in his home. Then, in the last scene, the camera pans to show a close-up of a moving truck with a "bumper sticker" that says "Where's Johnny?". The cable release does not show that last scene. Instead, the closing credits are shown over a crowd of truckers with their fists in the air.
- ConexionesFeatured in The Directors: The Films of Norman Jewison (1999)
- Bandas sonorasSanta Claus Is Coming to Town
Written by J. Fred Coots
Lyrics by Haven Gillespie
Performed by Bing Crosby and The Andrews Sisters
Courtesy of MCA Records
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Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,388,920
- Total a nivel mundial
- USD 20,388,920
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