Ojos de Laura Mars

Sure.... Compared to the thrillers of today - it just can't compare. It seems low budget and 3rd world in quality. But it's got so much more beneath the surface.

The plot is simple - a 'High Fashion' photographer (Laura Mars) begins to have visions of brutal murders - both when sleeping and while awake. Some of these visions begin to seep into her work and her images. But soon, the visions begin to include many of her friends, acquaintances and co-workers. A homicide detective (John Neville) assigned to the case begins hanging around and trying to solve the case, including the murders involving Laura's friends. Many of Laura's friends & acquaintances get killed along the way, leaving her emotionally bereft and open to Neville's advances. I won't blow the end of the film (as others may) by giving away the twists and turns.

There are a few decent performances in the movie - including Rene Auberjunois as Laura's 'flamboyantly flaming' manager, assistant and best friend. And, how he can wear a dress....

This stylish & sometimes sexy thriller is an 8 of 10 when the age of the flick comes into consideration. Decent plot, decent acting and decent twists. And, I am sorry, but Barbara Streisand's opening song still stands as one of my all time favorite songs.... Speaking of the opening, the opening credits of the film are kinda creepy and chilling. Go rent it and decide for yourself!

"Eyes of Laura Mars" is a slow, flabby thriller that could have made MUCH better use of its intriguing (if not original) initial idea. Director Kershner shows some style and flair, but this movie needs tighter storytelling. I found the script, co-written by John Carpenter, clever and quite unpredictable (unless you're trying to find the identity of the killer strictly by guessing), and there are OK performances by the entire cast, but this film is ultimately defeated by its uneven, meandering pacing.

This 1978 chiller directed by Irvin Kerschner (RoboCop 2) and based on a story by John Carpenter, has Faye Dunaway as a fashion photographer who suddenly discovers that she has the ability to "see" through the eyes of a serial killer. All her premonitions of the murders are very accurate, and the victims are all people she knows. Soon it becomes apparent the killer is coming after her. Tommy Lee Jones is great as the police lieutenant/love interest (back when his face wasn't pockmarked with age), and the supporting cast (Raul Julia, Brad Dourif) is excellent. The movie's depictions of the murders were quite shocking for it's day, and it manages to keep us scared and in suspense throughout, though some of the scenes border on grotesque. Direction by Kirschner is tight, music is suitably eery, and the performances are overall impressive. A winner

I saw Eyes of Laura Mars a few years ago and just watched it again very recently. I remembered it as being fantastic but upon watching it again I was a little disappointed. It's a solid film, by no means bad, it's just nothing all that special.

For the past 3 years or so I've been totally hooked on giallo's and this film plays in a lot of ways like an homage to those Italian thrillers. Touches here and there remind you of Dario Argento (obsessive mirror imagery, Laura's visions etc.), Lucio Fulci, Sergio Martino and Mario Bava, such as the model settings and murder scenarios. While this film scores heavy on style (and music, though I find this soundtrack a bit hokey, but generally OK) it just lacks the magic that the best giallo's seem to have. The plot, while intriguing enough, is not nearly played out to it's full potential. There are gripping scenes here to be sure, but the film drags quite a bit and nothing virtually happens for a long period of time.

For seasoned giallo fans, we know the killer is most definitely gonna be the most unlikely one, and for a lack of suspects, I didn't find it hard to figure out who was guilty, but there's pretty much no logic to support it (but that's a giallo trademark, a pro rather than a con actually). For me, the problem is that this film doesn't have the same trashy feel and atmosphere as the best Italian thrillers it seems to be imitating. In a lot of ways I like this film, certain scenes are truly gripping but there's simply something lacking. Being a huge fan of John Carpenter, I can't help but think what he could have done had he directed this. He came up with the story and shares the credits as the writer of the screenplay and what's more, he loves the Italian giallo films as well. His own homage to the genre; Someone's Watching Me, the little known TV film was terrific and you could see that he definitely had the feel for the genre and could easily translate it to American settings. I don't feel that Kershner, as good a director as he is, has the same love for the genre as Carpenter.

I recommend watching it, it scores on a number of levels.

This movie was around for twenty years before I saw it. I recall it as not having the best of reputations. But I found it to be suspenseful and it could be considered a forerunner of today's erotic thrillers.

Faye Dunaway is Laura Mars, a fashion/glamour photographer whose work is controversial in that some say it glorifies both sex and violence towards women. (Sounds like a pretty contemporary theme, doesn't it?) She becomes troubled by frightening visions she has of killers-eye views of murders. When a killing she has just "seen" turns out to have actually happened nearby she tells the police. She then finds out that a detective (Tommy Lee Jones) has already been investigating some cases where murder scenes closely resembled her photos.

Dunaway is always consistent in delivering good performances and this one is no exception. It was refreshing not to see Jones in his "Mr. Intensity" character he's played so often since 'The Fugitive.' Although some will doubtless find flaws to point up here and there, I found the film to be very enjoyable. Brad Dourif, Rene Aberjonois and Raul Julia also star. Irvin Kershner's direction is stylish and John Carpenter is responsible for the story and co-wrote the script.