Enigma rosso

I like giallos a lot, and this one was pretty good, but in some ways it could have been better. I still need to see "What Have They Done To Your Daughters" and "What Have They Done To Solange", as I've heard those two entries are a lot better than this concluding entry, which is also known as "Trauma", "Rings of Fear", and "Virgin Terror". It starts out pretty good, with the mutilated body of a teen girl named Angelo being discovered, and Inspector Di Salvo (Fabio Testi) is assigned to find her killer, before he "carves up someone else". Basically, it goes on with him questioning Angelo's friends and family and finding strange clues, such as a diary, a strange cat sketch, a lot of money, as well as many secrets kept hidden by Angelo's friends, a bunch of slutty schoolgirls named Franca, Paola, and Virginia, who call themselves the inseparables. Di Salvo does more digging and recovers many more strange things. There is a funky groovy score by Riz Ortolani, lots of red herrings, good acting, and a fun first half, but then the second half of the film kind of falls apart. The motives of the killer(s) are confused and come off as kind of laughable. Then, there are a few more strange events that lead up to a conclusion that leaves you uttering one single word: "What?". It is basically confusing. I had to rewind the last fifteen or twenty minutes and watch it again. Overall, if you're a hardcore giallo fan, go for it...but for others, you may just be bored. Hopefully the other entries in the series are better than this one!

Even though he only shares a writing credit with five other people, Red Rings of Fear is credited as being the third instalment of Massimo Dallamano's unofficial 'Schoolgirls in Peril' series; the masterpiece What Have They Done to Solange and the disappointing What They Done to Our Daughters being the other two. I went into this film with low expectations after seeing the second part of the 'trilogy', and unfortunately Red Rings of Fear only lived up to those expectations as while it has its moments, the film is certainly no masterpiece. For one reason or another, Dallamano himself hasn't directed this film, and the honour of the director's chair has fallen to the lesser known Alberto Negrin. The film retains the sleazy atmosphere that the first two delighted in, and once again focuses on schoolgirls. Red Rings of Fear starts with the discovery of a young girl's corpse. After being put on the case, Inspector Gianni Di Salvo soon learns that the girl was a part of a school clique known as 'The Inseparables', and a plot revolving around rich men paying them for sex soon unfolds.

The film stars Fabio Testi, who also took the lead role in the far better 'What Have they Done to Solange'. I've seen Testi in a handful of Italian films, and he always impresses me. His chiselled good looks benefit this film as it's easy to see him at the centre of a sleazy plot, and his performance bodes well with the rest of the film. He receives decent backup from a trio of teenage actresses, as well as child star Fauta Avelli, who has worked with the likes of Lucio Fulci and Dario Argento in the past. Any film focusing on teenage girls, murder and loss of innocence is bound to be sleazy; and director Alberto Negrin does well in capturing gritty locations and upping the sleaze quota. However, the plotting isn't very well done and often becomes hard to follow - and the film also focuses too much on police procedure and not enough on the style. There are a few decent murder scenes in the film, but none of them are particularly well executed and it often feels as though the director wants to get them over with as quickly as possible, which is a shame. The resolution to the murders is good, although the killer has become obvious by that point; and I really hated how the film ends entirely. On the whole; Red Rings of Fear is slightly better than What Have they Done to Our Daughters, but nowhere near as good as Solange. I'd like to rate this higher, but it has too many problems.

Far from terrible, but also far from terribly exciting, this Giallo should have had much more bite as its predecessors in the "school girl trilogy", Massimo Dallamo's "Cosa Avente Solange" and "La Polizia chiede aiuto". Blame must go to Alberto Negrin's tame direction and Testi's slow-moving "investigation" that severely dulls the sparse suspense. The are fair scenes where Negrin displays some flair in the film, but it is not difficult to spot the Argento influence, particularly "Cat O' Nine Tails." Apparently Negrin mostly helmed television before "Rosso" which might explain his limited palette. Dallamo's painterly hand is severely missed, but a few intriguing ideas such as the slutty trio of girls "the Insperables" and a hilariously improbable killer make "Enigma Rosso" worth watching at least once if you can find it.

Marginally better than average giallo centres on an exclusive girl's school where the studies include mass orgies, gory retributions and murder. Detective (Testi) is called to investigate the brutal murder of a student and begins to suspect there's more going on at the school than just maths & science. A familiar trail is uncovered, highlighting several likely suspects (ubiquitous Euro horror ex-pat American, Jack Taylor primarily) who may or may not be the actual killer. There's also a neat little twist in the film's double-headed climax, although arguably, it could've been more effectively resolved.

Testi is a likable leading man, his portly sidekick Bruno Alessandro also effective as they use unconventional methods in an attempt to solve the politically sensitive case. Jack Taylor is typically sinister as a sleazy fashion guru (the roller-coaster scene memorable), and Ivan Desny prominent as the police chief. Unusually, the dubbing isn't bad and doesn't detract so much from the film like others of the ilk. There's a fair quota of skin on display here, and the occasional ghastly corpse will heighten the senses.

Director Negrin displays a solid appreciation for the sub-genre and while it's probably not strictly giallo for the puritanical fan, it serves the purpose well and maintains the mystery and suspense through to the dual climax.

This rather obscure giallo is relatively tame in terms of gore, but gets its creepiness from certain plot elements, like the young age of some important characters. The plot has too many suspects to keep track of and is difficult to follow at times, but that's not surprising considering that SIX (!) people worked on the script. Add some high-grade nudity from some VERY beautiful schoolgirls, a bizarre method of interrogation (choking the suspect while on a wild roller-coaster ride!), and a perfectly functional Fabio Testi performance in the lead and you have an uneven but creepy giallo. Too bad I only saw a badly cropped version of it, called "Trauma". (**1/2)