Effects

Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.

There are two things about this film that keep it interesting all these decades later. One is the abundance of George Romero-connected people involved: Tom Savini, John Harrison, Joseph Pilato, Pasquale Buba, Nancy Allen (but not THAT Nancy Allen) and others. Filming took place in 1978, around the time that "Dawn of the Dead" was made; it seems that many involved in "Dawn" were making their own film on the side.

The other interesting historical note is how this film for many years just never existed. Although it was shot in 1978 and seems to be copyrighted in 1980, virtually no one saw it in the 1980s or 1990s. Due to a distributor bankruptcy problem, the film never received a theatrical or home video release. It never aired on television, or got passed around as bootlegs either. The October 2005 Synapse Films DVD was the film's first official release anywhere in the world. The American Genre Film Archive (AGFA) is now (2017) releasing a Blu-Ray of the film mastered from a rare 35mm print that was made before the distributor backed out, so it can be discovered by a new generation.

Perhaps due to this film's misfortunes, Dusty Nelson did not return to directing until the "Tales From the Darkside" episode "The Unhappy Medium" (1986). Others involved (Savini and Harrison in particular) achieved great success in its wake. How such a movie went hidden for so long is something of a mystery. If its existence was known, it would be widely sought after. The film was such a secret, we never see it mentioned in interviews or even within in-depth books such as Joe Kane's "Night of the Living Dead".

The most logical reason it would fade into obscurity would be if it was an awful film. But, on the contrary, it actually happens to be quite good. While not the era-defining classic that "Dawn of the Dead" is, it is far better than many other independent horror features of its time. Heck, it even blows away Romero's early works (especially "There's Always Vanilla"). The film-within-a-film is creepy and effective. Dusty Nelson could have been somebody!

A historical footnote: The first known use of the term "snuff movie" is in the 1971 Ed Sanders book, "The Family: The Story of Charles Manson's Dune Buggy Attack Battalion". He alleges that the Manson Family was involved in making such a film in California to record their murders. His allegations were, for the record, false. The idea caught on, however, and we received the film "Snuff" in 1975, as well as this film. The most interesting thing about snuff films is not how they have captured the imagination of people who spread urban legends… it is that they don't exist. While it would be nearly impossible for such a thing to exist as an industry, it seems plausible that at least some killer would record their exploits and at least some of those tapes would get traded on a bootleg market. But apparently not.

The AGFA Blu-ray comes out August 22, 2017, featuring a new 4K scan from the only surviving 35mm theatrical print. We get an archival commentary track with John Harrison, Dusty Nelson, and Pasquale Buba covering their memories of a bygone era. These should be enough, but wait… there is also a "Beastie" short film by Dusty Nelson and a "Ubu" short film by John Harrison. Heck, we even have the "After Effects" documentary with optional commentary track!

Effects is based on quite a clever idea - maybe even too clever for a slasher flick. The title, of course, refers to special effects - and that's essentially what the film is about. Effects is a slasher flick based on a bunch of people making a slasher film. The director seems obsessed with blood and gore and a cast member starts hallucinating - although that particular cast member had just been smoking weed. The director later shows his crew a film that may or not be a snuff film, and then the cast start getting picked off, though there's doubt over whether it's real or 'effects'. It really does seem that this idea was too clever for this film because it doesn't pull it off. A potentially interesting idea is turned into a snooze fest thanks to far too much talking by dull characters and a plot line that really doesn't ever get to the point. This film was apparently lost before someone resurrected it for DVD. The last 'lost' slasher film that I saw was A Night to Dismember, and like that film; this one shows that lost slashers really needn't be brought back. The most notable thing about 'effects' the fact that Tom Savini appears and does the effects, although he has had better days in both departments. We don't really get what we came for until the final third of the film and by then I was pretty bored of it. Overall, Effects is a pretty dismal slasher and I definitely don't recommend it.

A low-budget horror film is being shot in a secluded mountain area by a hard-working crew and a cast of bewildered actors.However it soon becomes apparent that another crew is shooting the making of the horror film and their intentions are evil.They intend to make the ultimate horror film with real victims,real blood and real death-a genuine snuff movie."Effects" is pretty hard movie to recommend.There are plenty of dull moments where nothing interesting happens.The acting is fairly decent and there are some memorable moments including the director showing 8mm snuff film to his crew,the hunt for Dominic in the woods and startling final twist.It's a shame that the pace of the film is so sluggish.Worth a look for fans of snuff phenomenon.

I am or was when I watched this, quite pleasantly surprised. The production values may not be the best (low budget and all), but the story of a movie being shot and the suspicion being there might be something real to the violence going on ... well while this may not seem like revolutionary or even new if you think about movies you've seen, but I would assume it was back then.

And it aged quite well, which has to do with quite the tight script. Some dialog and acting exercise may not feel "real", but it can be easily excused if you let yourself enjoy the movie for what it is and what it's supposed to represent. Horror movies could and did try to shock in more than one way ...

A skeleton film crew travels to a woodsy lodge in rural Pennsylvania to film a low-budget horror film. Said crew includes easygoing cinematographer / special effects man Dom (Joseph Pilato, the original "Day of the Dead"), who is none too pleased to learn about the little side project that dictatorial director Lacey (John Harrison, composer for "Creepshow" and director of "Tales from the Darkside: The Movie") has going on.

Although scripted (by director Dusty Nelson, based on a novel by William H. Mooney), this likeable if modest indie genre flick has a loose, good-natured, improvisational feel to it *until* the final 21 minutes, when, as the saying goes, the excrement hits the fan, and Dom must run for his life. Some people may feel that the film is just a little *too* low-key, however, and find it boring. Personally, I found it reasonably interesting and entertaining, with typically solid effects work by Tom Savini, who also plays the key supporting role of the obnoxious Nicky. Nelson & company *do* have fun with the whole idea of "Where does 'reel world' end and 'real world' begin?".

The film is most noteworthy for the fact that, due to a major distribution problem, it never saw the light of day in either theaters *or* on home video. It finally got released on DVD in 2005, and now there is a Blu-ray release as well. It always is of some interest to finally see movies such as this that become "lost" for a long time. Genre buffs can also hardly fail to notice how many of the players are connected to George A. Romero and his filmography.

It's worth seeking out if you enjoy discovering more obscure films. At the very least, it's a decent little picture that didn't deserve its fate.

Six out of 10.