El francotirador

One of the first films to employ the subject of Vietnam War into its premise, The Deer Hunter tells the story of three young factory workers in Pennsylvania who enlist into the army to fight the ongoing war in Vietnam, only to discover that war isn't a noble venture they imagined but a hellish chaos which in the end, completely changes their entire personalities.

The film is a three act feature in which the first act introduces its three primary characters, their friendships, the women they're in love with & their perspectives on life. The second act is set in Vietnam & covers the brutality they undergo there. And the final act depicts the massive change war has brought into not just their lives but also the society they are part of as a whole.

Michael Cimino's direction is good in parts, camera-work & music are also a plus and the strong cast of Robert De Niro, Christopher Walken, John Cazale, Meryl Streep & others do chip in with sincere performances but compared to the reputation & acclaim this film has enjoyed over the years, the experience of sitting through this snail-paced war drama didn't turn out to be even remotely satisfying.

The Deer Hunter isn't really a war film but a tragic drama that aims to portray the personality change something as gruesome as war can bring in not just those who serve in it but an entire community which I actually appreciate but for the majority of its runtime, this film is a pain to sit through. The film is over three hours long which is strongly felt & filled with characters who are not that interesting anyway.

It opens with a wedding sequence which, for a while, felt like will go on forever. The second act is set in Vietnam is the only part that had my attention & the Russian roulette scene is easily the film's best moment for it is extremely intense & brilliantly filmed. The final act is a disappointment again where we are supposed to draw a comparison with the first act & that's all there is to this feature.

On an overall scale, there are moments of brilliance within the film yet for the most part, The Deer Hunter remains an underwhelming cinematic experience that's awfully boring, is far too long, presents a one-sided view of war, requires its audience to suspend disbelief greatly and, in my humble opinion which you don't have to agree with, is one of the most overrated films ever made.

Eight stars. The seeds of Cimino's downfall were sown in his greatest triumph.

His Heaven's Gate was the disaster that ended the Hollywood auteur era of the 60s and 70s. And one needs look no further than the first act of The Deer Hunter to see why. Maybe Cimino thought he really needed three one-hour acts for some sort of symmetry. I don't know. What I do know is that act one was about twice as long as it had any business being. It dragged. Painfully so.

Now, once we leave Clairton for Vietnam, the film elevates to brilliance. Acts two and three are masterful. Cimino's work here is glorious. And the acting is splendid from the first scene onward. DeNiro and Walken get most of the cred, but Streep and Cazale are both monumental here. Savage and Dzundza also turn in splendid performances. Dzundza's is the easiest to overlook, just as Savage's is the easiest to discount. But his work is needed for the whole tragic tale to hang together. Nick and Steve are both shattered by their experiences. And, for all his love and effort, Mike really can't save them.

This is a great film. If Cimino had cut half an hour from act one, it would be a transcendant one. 14 August 2023.

"The Deer Hunter" is 32 years old. How extraordinary to sit through it now. Walking over the politics that divided , somehow, all of its admirers then. "Great film but..." How silly to think of it now. Michael (a sensational young Robert De Niro) is as extreme a character as Rocco was in "Rocco And His Brothers" His goodness, the one that was always there but that he discovers under the most horrendous circumstances, underlined by Stanley Mayers's "Cavatina" permeates the entire film. I remember thinking, when I saw the film for the first time, that I couldn't or wouldn't spend ten minutes with Michael and his friends, the ones we meet at the beginning of the film but by the end I thought of them as brothers and I loved them. I actually loved them. That in itself is a sort of film miracle. John Savage will break your heart, it certainly broke mine and Christopher Walken is absolutely riveting. How strange to tho think that Michael Cimino, still a young man, is nowhere to be seen. Is still a punishment for "Heaven's Gate" and "Indecent Exposure" or there is something else we don't know about. The Cimino behind "The Deer Hunter" is a true master.

No, this is not the best film about the Vietnam War; it's hardly about Vietnam at all. The vets who don't like it have it wrong, as do the Vietnamese who found it racist. It could be any war, with any combatants. But because the (primary) victims here are recognizable American archetypes, Americans will feel this in their gut more than any other war film I know of. This is one of the very few post-war Hollywood films that shows a sincere reverence for the lives of small town Americans.

After seeing it in a very high quality theater on its initial release, I walked out thinking it was easily one of the best movies I had ever seen - and that I never wanted to see it again. But I looked at it today on cable and found that not much had changed about it, or me. I don't want to see it again...but I want you to see it.

Even now, the Russian Roulette scene (in context, people: watch all that comes before it first) is the single most intense sequence I've seen; it makes the end of "Reservoir Dogs" seem like a cartoon. Best Walken performance, period. Meryl Streep glows, DeNiro has seldom been more affecting. A unique classic...it is not surprising that Cimino didn't have another movie in him after something this wrenching.

Nothing prepares us for a life in the so called modern world but we partake in the traditions passed on to us through family, friends and colleagues, at home, out socialising and in the workplace. It's called culture and, for the most part, it keeps us safe and secure, as the bonds we develop make us feel a part of the fabric but it's still psychologically a challenge to the hunter gatherers mind - increasingly so today.

Put that mind into war, battles, conflict, abuse, threat and it's anyone's guess what might result. Put that mind into the events portrayed here, albeit quite extreme, and you have the basis for a fascinating insight into the cultural and social destruction that conflict can reap through individuals, as well as entire populations, and continue to do so long after the truce has been declared.

Mix into the portrayal some of the finest actors of their generation, perhaps of all time, and you have a genuinely timeless anti-war reflection that, in itself, should be enough to dissuade the most sabre rattling politico, who genuinely cares about their citizens, to put their swords away and resolve any differences peacefully. Unfortunately, recent history suggests otherwise.