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IMDbPro

Comes a Horseman

  • 1978
  • PG
  • 1h 58min
CALIFICACIÓN DE IMDb
6.3/10
3.8 k
TU CALIFICACIÓN
Jane Fonda, James Caan, and Jason Robards in Comes a Horseman (1978)
A brave and proud woman struggles for her land, finding help and something more in unexpected way.
Reproducir trailer2:50
2 videos
32 fotos
Contemporary WesternDramaRomanceWestern

Una mujer valiente y orgullosa lucha por su tierra, encontrando ayuda y algo más de forma inesperada.Una mujer valiente y orgullosa lucha por su tierra, encontrando ayuda y algo más de forma inesperada.Una mujer valiente y orgullosa lucha por su tierra, encontrando ayuda y algo más de forma inesperada.

  • Dirección
    • Alan J. Pakula
  • Guionista
    • Dennis Lynton Clark
  • Elenco
    • James Caan
    • Jane Fonda
    • Jason Robards
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    3.8 k
    TU CALIFICACIÓN
    • Dirección
      • Alan J. Pakula
    • Guionista
      • Dennis Lynton Clark
    • Elenco
      • James Caan
      • Jane Fonda
      • Jason Robards
    • 34Opiniones de los usuarios
    • 27Opiniones de los críticos
    • 41Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 5 premios ganados y 4 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:50
    Official Trailer
    Comes A Horseman: I Don't Want To Have To Ruin You
    Clip 3:00
    Comes A Horseman: I Don't Want To Have To Ruin You
    Comes A Horseman: I Don't Want To Have To Ruin You
    Clip 3:00
    Comes A Horseman: I Don't Want To Have To Ruin You

    Fotos32

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    Elenco principal15

    Editar
    James Caan
    James Caan
    • Frank
    Jane Fonda
    Jane Fonda
    • Ella
    Jason Robards
    Jason Robards
    • Ewing
    George Grizzard
    George Grizzard
    • Neil Atkinson
    Richard Farnsworth
    Richard Farnsworth
    • Dodger
    Jim Davis
    Jim Davis
    • Julie Blocker
    Mark Harmon
    Mark Harmon
    • Billy Joe Meynert
    Macon McCalman
    Macon McCalman
    • Hoverton
    Basil Hoffman
    Basil Hoffman
    • George Bascomb
    James Kline
    • Ralph Cole
    James Keach
    James Keach
    • Kroegh
    Clifford A. Pellow
    • Cattle Buyer
    Allan Baker
    • Pall Bearer
    • (sin créditos)
    Antonino B. Garcia
    • School Kid
    • (sin créditos)
    Cary Huff
    Cary Huff
    • Army Bugler
    • (sin créditos)
    • Dirección
      • Alan J. Pakula
    • Guionista
      • Dennis Lynton Clark
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios34

    6.33.8K
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    Opiniones destacadas

    thylacine-16436

    Some of you people

    Really shouldn't be allowed to review film.

    Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32.
    7ma-cortes

    Twilight and romantic modern western with fine interpretations , striking scenes and wonderful landscapes

    Good and gripping modern western imbued with a deep nostalgia for a vanished world , set in the ranchlands of Montana 1945 , dealing with an old-fashioned cowboy on horseback , an Anzio war veteran resistant to the modern times , called Frank Buck (James Caan) . He is a free-spirited man out of sync with the contemporary age . Buck reluctantly attempts to help and joins forces with a single woman , Ella Connors , (Jane Fonda , who holds an uncanny resemblance to her father Henry as well as her brother Peter and her personality dominates the film) pitting wits against the world progress , oil-rich proprietaries and a nasty land baron (Jason Robards as her previous incestuous cousin) in an attempt to hold their dream of pioneering spirit and freedom . Buck and Connors are supported by a local old timer called Dodger (Richard Fansworth) . Meanwhile , a powerful banker (George Grizzard) attempts to take all the oil rich lands surrounding the wealthy owners . An the end takes place and exciting and moving climax when the main conflicts developing throughout the movie come alive .

    Romantic , compelling , elegiac and marvelously acted Western with an extreme feel by that time and period . Sorrowfull essay on civilized progress and exploitation of nature , including two main characters out of step with the modern world . The message of Dennis Clark's screenplay is often a little too heavily underlined buttressed by some rather obvious symbols . The film turns out to be rebellious as well as respectful with classic Western mythology , including ordinary set pieces : saloon fights , go riding , rodeo , close range , stampedes and final gun-play , adding some Fordian touches . Although the flick is more interested in the sensitive love story between Fonda and Caan than battles and western action . This ¨Comes a horseman¨ bears certain resemblance to ¨Lonely are the brave¨ by David Miller with Kirk Douglas , Walter Matthaw , Gena Rowlands ; both of them are misfit modern Westerns , share similar issues : ranchers' conflict , open range , confrontations and resistance to the modern ages . ¨Comes the horseman¨ results to be an elaborately designed Western with a slow-moving and persuasive treatment of Western familiar themes such as : brawls in a bar , cattle chase , war range , shootouts , and including a blazing conclusion brings this thrilling picture to a highly satisfactory final . Very good acting from a great cast . As Jane Fonda as the spinster banshee woman who fights off relentlessly cattle baron , she is mercilessly struggling to make it on her own to not have to sell out her lands . James Caan is really convincing as the cowboy who feels empathy and finally love for Fonda . Both of whom are really faced off a villain owner , masterfully played by Jason Robards as a cattle baron attempting to gobble up all Montana land , whose affair with her as a teenager has marked to her father . And special mention for Richard Farnsworth as a Walter Brennan-style old times who steals the show as the veteran who wants to die with boots on .

    Pakula directs with aplomb and eloquent feeling for landscapes , making magnificent use of outdoors and adding a wonderful cinematography by Gordon Willis who gives a visually superb lighting . Furthermore , it displays a rousing and thrilling musical score by Michael Small . This intriguing picture was compellingly directed by Alan J. Pacula , though being slowly and deliberately realized . Pacula made a lot of nice films , such as : All the president's men , Sophie's choice , The Parallax view , Starting over , Presumed innocent , Pelican brief , The devil's own and this one : Comes a horseman .
    6Lejink

    Slightly plodding (sorry!) Pakula drama

    I'm a fan of the late Alan J Pakula's naturalist style of direction, low on action but high on character, particularly his earlier contemporary political thrillers "The Parallax View" and of course "All The President's Men" and so came to this low-key out-west drama set during the second world war, (not that you'd know from the storyline itself). With an A-list acting cast boasting James Caan, Jane Fonda & Jason Robards you just know there's going to be a fair bit of intensity on display. In fact Fonda, despite being on screen from pretty much the start takes ages to utter her first line and it's fair to say that the director employs the "say more with less" approach throughout.

    The plot, characters and indeed cinematography recall to mind classic films of yore, like Hawks' "Red River", Stevens' "Giant" and even a touch of "Gone With The Wind" with the fire at the conclusion, but the action is a little laboured, with, to these ears slow-talking, drawling dialogue quite often proving fairly difficult to decipher. The camera however picks out some wonderful scenery in natural clear light and throughout there's a sympathetic musical soundtrack adding shading to the pictures up front.

    Back to the plot, which is a little melodramatic, I fear, with its casual slaughter of various individuals and depiction of Jason Robards as the smouldering resentful villain of the piece - I found all this much harder to swallow in its mid-40's settings than if it had been set in the old west. Ditto in fact all the other main characters - if it wasn't for the appearance of the oil derricks, light aircraft and contemporary cars, this story could have happily slotted into a mid 1860's time-line.

    Of the acting, it's obvious that Pakula is going to get his handsome leading couple romantically involved although when it's done it's at least done without preamble, subverting the romantic courtship ritual of every other western since the year dot. Caan is fine as the strong-willed individual well able to look after himself (he early on dispatches a couple of Robards' thugs in short order in one of the few action scenes in the film), at least willing to consider adapting to the present-day, while Fonda is probably a bit too mannered in her portrayal of the independent single woman being driven to sell up her ranch by a combination of failing resources and Robards' machinations. She overplays occasionally with her eyes acting more than the rest of her, especially when she swears her "Damn your soul" oath against Robards. Robards himself, late of "All The President's Men", of course, does moody and stolid throughout, with sometimes variable results.

    In summary then, a slow-moving but reasonably involving tale of the new old-west, which could have stood more enlivening in my opinion.
    9jmh2350

    Bad Movie Title, Excellent Movie

    The title is kind of dumb for this movie that is very good. Dumb title, because it's not about a horseman coming -- it's about 3 cattle ranchers in Montana (though at least some filming was done in Northern Arizona). Jason Robards is the heavy, as the rancher who owns the most and wants to regain control of the other 2 ranches, which his family once owned. One of the other ranches is owned by Jane Fonda, who gained control of it when her father, a cousin of Jason Robards, died, and whose only help running it is an old cowhand played by the late Richard Farnsworth (for which he received an Academy Award nomination). The other cattle spread is owned by James Caan, recently released from the Army near the end of WWII. Inside Fonda burns a deeply rooted and awful hatred of Robards, for which we gradually learn the reasons. She and Caan form what is at first an alliance of need and indebtedness, which as you might correctly assume develops into something deeper (and nicer, I might add). Throw into this mix a rich oilman played by George Grizzard, who wants to get oil out of the land wherever he finds it, regardless of whose land it is, and who exerts some mighty strong leverage against Robards. What makes this movie good is an interesting plot, made more interesting by the actors -- Fonda and Caan in particular play their roles as authentic western ranch types, as people of relatively few words, with easy-going outward appearances, but strong emotions underlying those facades and hard-edged attitudes attained through a rugged life of hard work. This was one of 3 movies in 1978 for Jane Fonda, one of which being "Coming Home" for which she won an Academy Award. A comparison of her acting in that movie vs. this one, is that this role required more nuance and subtlety, to hold her character's emotions in (which of course she in turn must convey to us, the audience), as she had to completely become a stoic western rancher and horsewoman...which also required greater physical (including facial) control and physical agility. Regardless of which of these 2 major starring roles one might prefer her in that year, it seems obvious that she was at the top of her form. Also to be admired in this film are the cattle herding, roping, and round-up sequences, and one major sequence of chasing and gaining control of stampeding cattle -- the scenes look real, and were obviously done by some professional cowboys. There's also the big, open feel of the country provided by the beautiful cinematography of Gordon Willis, whose movies include "The Godfather" films and Woody Allen's fabulous 1979 black-and-white masterpiece "Manhattan". So, plenty of good reasons to watch this one.
    8wcb

    Who said they don't make real villains any more?

    Jason Robards plays such a slimeball character in this that you know the ending from about the fourth minute. Nevertheless, it's a good story, with lots of hidden secrets to reveal. Caan plays a believable laid-back love interest for tough, gutsy Jane Fonda. The best thing is the photography, however-- in particular the dance scene, in which the camera follows Fonda and Caan as they move through a crowded outdoor dance floor without every losing either focus or the stars. Breathtaking. Some great mountains somewhere in Wyoming come close to stealing the show.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Stuntman Jim Sheppard was killed when a horse that was dragging him veered from its course and caused him to hit his head on a fence post. The scene appears in the movie, although it was cut right before Sheppard's fatal accident.
    • Errores
      When Ewing is shot and falls off of his horse, his foot slips THROUGH the stirrup. When the horse gallops away, the foot of the stuntman doubling for Jason Robards is TIED to the stirrup by a long strap that can be safely released.
    • Citas

      Frank 'Buck' Athearn: You know lady, you got balls the size of grapefruits.

    • Créditos curiosos
      Our thanks to the Forest Service for allowing us to film in the Coconino National Forest
    • Conexiones
      Featured in Sneak Previews: Paradise Alley, Magic, Midnight Express, Watership Down, Comes a Horseman (1978)
    • Bandas sonoras
      Get Along Little Dogies
      Cowboy cattle song

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    Preguntas Frecuentes20

    • How long is Comes a Horseman?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de octubre de 1978 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Comes a Horseman Wild and Free
    • Locaciones de filmación
      • Coconino National Forest, Arizona, Estados Unidos
    • Productora
      • Chartoff-Winkler Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 10,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 9,585,769
    • Total a nivel mundial
      • USD 9,585,769
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 58 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.39 : 1

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