Coma

From now on I'm staying away from hospitals, no matter how cute the nurses, and especially if they stick something up my nose. The movie may be a one-track screenplay, but it's a first- rate thriller accelerating suspense by the minute. So what the heck is going on at this prestige hospital where too many folks are collapsing into comas after ordinary procedures. From the marquee, you'd expect Michael Douglas (Dr. Mark) to be the heroic bloodhound. But he's not. Instead, it's a she, sweet looking, little Bujold (Dr.Wheeler) who takes all the risks from climbing into the clouds to burying assassins in a pile of cadavers—an unforgettable scene. Underneath the riveting suspense, this is really a sneaky feminist-type film.

I really like the way we can never be sure about Douglas. Sometimes he's helpful and affectionate, but then there are the darker fleeting moments that add a good unsettling note. At the same time, the great Richard Widmark (Dr. Harris) is suavely slimy as the head doctor. And what about that Jefferson Institute. It may be the most sinister looking modern building I've seen, more like a futuristic prison, which I guess it is. Anyway, there are a number of unforgettably imaginative scenes that, along with a riveting screenplay, make this a first-rate nail-biter.

As a squirrelly doctor at a Boston hospital who smells a rat when her best friend mysteriously goes into an anesthesia-related coma during a routine operation, Genevieve Bujold proves once again what a dynamic presence she is on the screen. Cool-headed one moment, hysterical and running-in-all-directions the next, she's instantly identifiable to us. As a mystery-thriller that is so filled with continuity errors, gaps in logic and a final act that gives the audience the satisfying release it needs but at the risk of all credibility, "Coma" shouldn't work (and, indeed, many fans of Robin Cook's wordy book didn't think it did). However, as a one-box-of-popcorn melodrama, the film is very enjoyable and suspenseful. Not the least of the reasons why it's so good is Bujold; handling herself like one of the best crime detectives ever concocted, she is gutsy, feisty, nosy and infectious. You never tire of her spirit. *** from ****

Man, I had no idea what a good time I was in for with this one. Chrichton, a young Douglas, Tom Selleck in a minor (but important!) role, and I believe that's a very young Ed Harris playing a morgue attendant/medical examiner. His line about his wife is one of the funniest in the film. But seriously, this is very good and very overlooked. Tight construction, buildup, excellent characterization, swift and unpredicatble plot turns and visually striking scenes. I don't know how they created the "Institute's" main "storage facility". If you think about the actors involved in that one, you have to be impressed. And as another comment points out, the chase scene that ends in the freezer room is excellent; creepy and visceral. The killer , who is really just a hit man for whoever is behind 'the conspiracy' is suitably athletic, anonymous, and menacing. His sole line : "They told me to make it look like an accident" is extremely scary and effective - when coupled with his actions during the maintenance man scene. Good writing, Michael. Ane the suspense during the finale, well they just don't make'em like this anymore. Very enjoyable.

Based on Robin Cook's novel, the story goes that Dr. Susan Wheeler (Genevieve Bujold) a resident in the Boston Memorial Hospital suspects something is wrong when too many patients come out in a coma after minor surgery. When nobody takes her seriously she starts an investigation of her own and then realizes she is on dangerous ground for someone is trying to stop her even if she has to die.

Michael Crichton takes the most from Cook's book and assembles a most enjoyable thriller with tension all along, intrigue and an impacting ending too. Among the shocking and powerful sequences this movie offers there's the chasing of Wheeler by a hired killer that lasts in the hospital's morgue full with dead bodies hanging from the ceiling in transparent plastic bags in a sort of subrealistic scene; her visit to the mysterious Jefferson Institute where coma patients are held; the "accidental" death by electrocution of a cleaning employee of the hospital that knows to much; and the final discovery by Wheeler of how things are and who is behind them.

Genevieve Bujold gives a fine performance as the stubborn Wheeler and Michael Duoglas is alright too as her work partner and lover (not a very demanding role anyway). Rip Torn (the surgery chief) and Elizabeth Ashley as a sinister nurse credit the supporting cast. And there's finally Richard Widmark very convincing as the Medical Center's Director who shows sympathy for Wheeler although he believes she's just a trouble maker that could ruin the Hospital's reputation.

A great thriller that constantly improves as the film goes on. You can't miss it if you like real suspense in movies.

"Coma", as well as other mid-to-late 70's films, was one of the reasons I became a filmmaker myself. In terms of the suspence, tension and general spookiness of such a "normal and everyday" subject as hospitals, doctors, etc., was very influential in how I perceived the things around me. The great thing about the film, and the book - of course, was that we put our trust in people like doctors, policemen, goverment officials, and the like - and most of the time that trust is "blind faith". Dr. Cook and DR. Crichton are masters at this genre - Making the incredible credible. Even though this film is a bit dated, It is almost becoming a reality. In China, prisoners are "harvested" for their organs so others can benefit. Technology, like in the film, can now sustain life for as long as the machine(s) and/or computers can function. It was Sci-Fi in 1978 - now an all-to-real reality. Back to the film itself, I thought Dr. Crichton did a wonderful job on the directing and the screenplay. The material he had from Dr. Cook was first-rate. The cinematography, done by A.S.C. President Victor J. Kemper was outstanding. The technique of keeping the images at the hospital as cold, sterile and clinical as possible was brilliant. Mr. Hirschfield's "Jefferson Institute" sequences were also fantastic. Dr. Crichton's editing pace was also a stroke of genius. All editing was done with straight cuts. No zooms and very few dolly /pan shots. This was keep with the theme that YOU, THE VIEWER, are in the hospital and the "cuts" are as impersonal and precise as the doctor's scalpel. The cast was also well thought out. Ms. Bujold, even though she speaks with a thick French-Canadian accent, was the perfect protagonist. You do not have to be an Amazon Woman to be strong and independent. Mr. Douglas was a bit "sleepy" in his role, he just needed more to do. Mr. Widmark was perfect as the Chief, as was Mrs. Ashley as the Institute's head matron. Look for Tom Selleck and Ed Harris in their first movie roles. Also, in the "Jefferson Institute" sequence, you will see a young Christopher Reeve as a hapless victem of the movie's plot. All in all, "Coma" is one of those films that, even though had moderate success at the box office, is really a forgotten gem in the MGM vaults. It proves that you do not need blood guts, or special effects to make a great movie. Gee, kind of like Mr. Hitchcock.