CALIFICACIÓN DE IMDb
6.5/10
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TU CALIFICACIÓN
Un astronauta del siglo XX emerge de 500 años de animación suspendida hacia un tiempo futuro donde la Tierra está amenazada por invasores alienígenas.Un astronauta del siglo XX emerge de 500 años de animación suspendida hacia un tiempo futuro donde la Tierra está amenazada por invasores alienígenas.Un astronauta del siglo XX emerge de 500 años de animación suspendida hacia un tiempo futuro donde la Tierra está amenazada por invasores alienígenas.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
John Dewey Carter
- Supervisor
- (as John Dewey-Carter)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Originally made as a TV movie pilot, Universal and producer Glen Larson followed the pattern they'd used for 'Battlestar Galactica' and released it theatrically first. It proved to be a modest hit (raking in $21 million), and thus NBC commissioned it to be turned into a weekly series.
It starts off with a rather Bondian opening title sequence, featuring several lovely ladies wriggling and writhing their way around, over and under a sleeping Buck Rogers (Gil Gerard) as a vocalized version of the 'Buck Rogers' theme plays. I found this to be the highlight of the movie.
The rest of the film plays like a discount 'Battlestar Galactica' (even recycling many of its props and sound f/x), keeping logic at arm's length while testing the lactose tolerance of the viewer. The Über masculine Gerard gives a charming performance as Buck and Pamela Hensley deliciously vamps her way through her scenes, but they're the equivalent of two chefs attempting to make a gourmet meal out of store brand ingredients.
It starts off with a rather Bondian opening title sequence, featuring several lovely ladies wriggling and writhing their way around, over and under a sleeping Buck Rogers (Gil Gerard) as a vocalized version of the 'Buck Rogers' theme plays. I found this to be the highlight of the movie.
The rest of the film plays like a discount 'Battlestar Galactica' (even recycling many of its props and sound f/x), keeping logic at arm's length while testing the lactose tolerance of the viewer. The Über masculine Gerard gives a charming performance as Buck and Pamela Hensley deliciously vamps her way through her scenes, but they're the equivalent of two chefs attempting to make a gourmet meal out of store brand ingredients.
I happened to catch a 16mm print of this last weekend at a sci-fi movie marathon, and to my surprise, I really enjoyed it. Granted, I grew up watching the TV show, but hadn't seen it in years and had never seen the film.
Perhaps it's that sense of nostalgia that clouds my thoughts on it. The plot is decent, the sets need a lot of work and the effects are top-notch... for 1979. Still, I guarantee you that you will laugh and smile repeatedly, and find it hard to dislike this honest effort.
If you're in the mood for ridiculously cheesy 70s sci-fi, dancing robots and gorgeous women, then you really can't go wrong with this. If you're like me and trying to relive one's youth, by all means, go find a copy. By the way, would it be so hard for Universal to give this a DVD release? Please?
Perhaps it's that sense of nostalgia that clouds my thoughts on it. The plot is decent, the sets need a lot of work and the effects are top-notch... for 1979. Still, I guarantee you that you will laugh and smile repeatedly, and find it hard to dislike this honest effort.
If you're in the mood for ridiculously cheesy 70s sci-fi, dancing robots and gorgeous women, then you really can't go wrong with this. If you're like me and trying to relive one's youth, by all means, go find a copy. By the way, would it be so hard for Universal to give this a DVD release? Please?
If that phrase puts you in the mind of Gil Gerard, Erin Gray and lots of "Star Wars"-derived FX, you already know where a movie like "Buck Rogers" is coming from.
If not, then let me enlighten you.
Most everyone familiar with sci-fi know Buck's story (frozen astronaut from 20th century is revived in the 25th century, must learn to re-adapt). This was old news as far back as the '40s.
But in the '70s...well.... Let's just say that it looks new. For the '70s.
Gil is game as Buck, shooting laser guns and cracking wise and making a good space-age hero. And Gray's Wilma Deering is both stern and soft as the Earth's military leader. Felix Silla makes a good impression as Twiki (with a more-than-equal assist from Mel Blanc's voice wizardry) and as Princess Ardala, Hensley gives what must be the most sensual performance from an alien up to that point in time.
But the special effects are clearly from the '70s, as is the music (disco music in the 25th century? Someone must have unearthed Studio 54.) and the set design: its glittery, shiny look may have been futuristic then, but now it just looks more '70s than anything else.
Yes, it's a dated future.
But is it entertaining?
Pretty much. No one went into this thinking they were making "2001", but are spots here and there where it looks like everyone was having a good time with the material. Especially Gil, who just plain has fun with his role as the 25th century's loosest guy.
Too bad they cut out Wiseman's work as King Draco. Some of his best stuff since "Dr. No".
Six stars. Here's to futures past.
If not, then let me enlighten you.
Most everyone familiar with sci-fi know Buck's story (frozen astronaut from 20th century is revived in the 25th century, must learn to re-adapt). This was old news as far back as the '40s.
But in the '70s...well.... Let's just say that it looks new. For the '70s.
Gil is game as Buck, shooting laser guns and cracking wise and making a good space-age hero. And Gray's Wilma Deering is both stern and soft as the Earth's military leader. Felix Silla makes a good impression as Twiki (with a more-than-equal assist from Mel Blanc's voice wizardry) and as Princess Ardala, Hensley gives what must be the most sensual performance from an alien up to that point in time.
But the special effects are clearly from the '70s, as is the music (disco music in the 25th century? Someone must have unearthed Studio 54.) and the set design: its glittery, shiny look may have been futuristic then, but now it just looks more '70s than anything else.
Yes, it's a dated future.
But is it entertaining?
Pretty much. No one went into this thinking they were making "2001", but are spots here and there where it looks like everyone was having a good time with the material. Especially Gil, who just plain has fun with his role as the 25th century's loosest guy.
Too bad they cut out Wiseman's work as King Draco. Some of his best stuff since "Dr. No".
Six stars. Here's to futures past.
It may be set in the 25th Century, but this 1979 version of the old Philip Francis Nowlan story is totally and unconditionally a product from the "Star Wars" era. Gil Gerard is a handsome block of wood playing Captain Buck Rogers, an American astronaut launched 500 years into the future and finding himself in the middle of a space war. Pamela Hensley is the sultry villainess Princess Ardala while Erin Gray is the no-nonsense Colonel trying to get Rogers out of her way (he seems more interested in loosening her up than flirting with the seductive princess). The action sequences were lifted from TV's "Battlestar Galactica", but the low-budget effects aren't really the problem, it's that the movie is so under-populated and blandly comical. This underachiever makes even "Logan's Run" seem like a sci-fi masterpiece. The robot Twiki is a cool creation, far outshining the humans, but even he couldn't save this from the ratings-basement once it became a weekly TV series. *1/2 from ****
If you like "Battlestar Galactica", you will love this movie, at least if you can sit through the incredibly cheesy and silly title sequence. Based extraordinarily loosely on the classic early 1900's sci-fi novel, this is a story of an American astronaut frozen in crygenic sleep for a deep-space exploration mission in the late 20th Century who returns home and awakens in the post-nuclear 25th century. He finds an Earth ravaged by nuclear war (the scene in bombed-out Chicago is particularly amusing to me, as a life-long Chicago native, even if the sets look NOTHING like State Street)but with survivors carrying on in underground cities.
Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.
What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.
Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.
However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.
Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.
What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.
Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.
However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.
¿Sabías que…?
- TriviaThe 90 minute theatrical movie was the pilot for the television series Buck Rogers: El aventurero del espacio (1979), but was shown in theaters several months before the series aired. The movie made over $21 million in North America alone.
- ErroresWhen Wilma Deering gets into her fighter on board the Draconia, her helmet is marked 'Col. Deering' on the right side. In the subsequent shots during the fight, it's unmarked. A similar thing happens again close to the movie's ending: When picking up Buck Rogers, Theo and Twiki on the Draconia, there is one shot of her with her helmet being marked 'Col Deering' - this time on the left side - whereas in all other shots the helmet is clean.
- Créditos curiososPamela Hensley and Erin Gray appear as "dream girls" alongside their names in the original (theatrical) credits. After the traditional credits, the vintage Universal Studios logo with "The Entertainment Center of the World" and image, "When in Hollywood, visit Universal Studios" with a tourist trolley on a movie set. Also seen at the end of El último guerrero espacial (1984) and Colegio de animales (1978). The latter added "When in Hollywood, ask for Babs", a character in the movie.
- Versiones alternativasTo obtain an "A" classification, a groin kick got deleted from the original 1979 UK theatrical release of Buck Rogers in the 25th Century (1979)
- ConexionesEdited into Fuerza Arturian (1991)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Buck Rogers in the 25th Century: Awakening
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,671,241
- Total a nivel mundial
- USD 21,671,241
- Tiempo de ejecución1 hora 29 minutos
- Mezcla de sonido
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