Taxi

Taxi was, during it's five-year run, the most funny, engaging, memorable, and heartbreaking show on television. The show helped to redefine situation comedies and created a handful of classic characters.

The show revolves around the drivers at the Sunshine Cab company: Alex Rieger (Judd Hirsch) was the good-hearted mensch who finds himself solving everyone else's problems. Bobby Wheeler (Jeff Conaway) is an aspiring actor and ladies man. Tony Banta (Tony Danza) is a struggling boxer who can never seem to win a fight. Elaine Nardo (Marilu Henner) is a single mother of two with dreams of opening her own art gallery. Reverend Jim Ignatowski (Christopher Lloyd) is an absolute space cadet, and Louie DePalma (Danny DeVito) is surely the nastiest, angriest, most miserable boss in history. Thanks to DeVito's charm, he is still somehow lovable.

Besides the great acting in "Taxi," there was the writing- always funny and often bittersweet without ever being maudlin or melodramatic. There are episodes that can make you laugh so hard you cry, and vice versa. Thanks to the genius of director James Burrows Taxi stands as one of television's best shows. And who can forget the haunting theme by Bob James?

If you get a chance to see "Taxi," take it... here's hoping it gets a DVD release in the near future.

Grade: A+

The first season of this classic sitcom started off on the ground running as we're introduced to the down-trodden, brow-beaten denizen taxi drivers of the Sunshine Cab Company, the advice giving Alex Reirger (Judd Hirsh), failed boxer Tony Banta (Tony Danza, failed actor Bobby Wheeler (Jeff Conaway), new immigrant, Latka (superbly played by Andy Kaufman) as well as new cab drivers Elaine and John (Marilu Henner and Randall Carver respectively), and cranky, hateful boss Louie De Palma (Dsnny DeVito, in the role of his career). These people are life losers, but the writing is such that they are NEVER treated as such. All of the characters were highly relatable and one couldn't help but feel empathetic to each of them. We're laughing with these guys, not at them. And it's a very funny, poignant show. Guest stars this season included Former Welterweight Champion of the World Carlos Palomino, Tom Selleck, Jeffrey Tambor, Martin Mull, and Suzanne Kent in a very memorable part as Alex's blind date, the overweight self-pitying Angela who would return next season in a surprising way. The first Season of Taxi was a few outstanding shows, a few funny ones, but not a clunker in the bunch. And you have no choice but to love that theme song.

My Season 1 grade: A

What more can you say about one of the classic situation comedies of all time. Just like many of the classics, this show was a great ensemble. Judd Hirsch may have been the star, but it was the interplay between the cast members that made this show what it was. Tony, Bobby, Elaine, Jim, Louie and, of course, Latka were all great characters and they helped make this show what it was. But, it not only was the characters. The writing made this one of the more intelligent comedies of its era and you could see a lot of what made "Cheers" great in this show. This show deserves a lot of the praise it has gotten over the years and its too bad that that more shows can't follow the example that "Taxi" showed.

Taxi ran for five seasons on television and sadly came to an end when too many of its cast members decided to strike out on their own and most had really successful careers. Can you imagine a show where Danny DeVito, Tony Danza, Andy Kaufman, and Christopher Lloyd all appeared and many times in the same episodes? Getting them at their full market big screen value would cause any studio to go chapter 11.

All of these people got their first big break on Taxi a comedy with only one set for most of the episodes. DeVito was cab dispatcher Louis DiPalma, a bully and a tyrant who reveled in his rule over the lives of his drivers. DeVito had few redeeming qualities other than he was a realist. Part of his realism was stepping on the dreams of others.

People like Tony Danza who drove a cab to pay the rent, but was really a boxer looking for the career path upwards and more than likely missed it drove for DeVito. Jeff Conaway was an actor who drove between gigs as most of the actors I know do something else for a living and dream of becoming stars. John Randall Carver was a young law student who left after a season. Marilu Henner was a divorcée and constantly avoiding the innuendos of DeVito of which there were plenty. She was sexually harassed, maybe the most sexually harassed woman ever to be a television character.

Funniest of all was Christopher Lloyd who was a drugged out refugee of the 60s. He replaced Carver and DeVito's barbs never bothered him because he dealt with them through ignorance. A lot like the way Chico Marx dealt with Groucho in their films.

The only one who could really deal with DeVito was Judd Hirsch who was as much New York as Jerry Orbach on Law And Order. He was a 40 something man who had no attachments and no pretensions, he drove a cab to earn a living and liked his job. He was friend and counselor to all and was one of the favorite characters I liked in all the decades of watching the tube.

Lastly there was Andy Kaufman who sadly did not live long after Taxi finished its run. He was unique to say the least in his comedy. The garage mechanic from some unnamed Eastern European country which allowed Kaufman to develop his own accent for his own country. He drove DeVito and the rest nuts with his nonsequiters in a foreign accent.

Taxi had one of the great ensemble casts in the history of television and incubated many a career still going to this day.

It doesn't happen very often, but from time to time in history the human race has managed to create something so supreme, so perfect and so outstanding that not even does it become a wonder, but it also lifts the entire creativity in man to a higher level and sets a new standard according to what people are able to create and how they evolve. The show Taxi is the result of one of those man made manifestations.

Its real, its genius and its surprising. Its the art of acting, humor and intelligence come together. It captures centuries of human knowledge and wisdom. So marvelous put together, that not only will it be the best creation of its time, but its also an ideal for all times.

Many shows since are a reflection of TAXI, with many ideas, taken more or less directly from the show, and have become famous on that base. But they will never ever reach the hight of the original: TAXI Which once and for all proofs what a unique and unbeatable masterpiece TAXI is. A true wonder. Now, then and forever.