The World's Greatest Lover

Gene Wilder was a great comedic actor but unfortunately he was not a very good director. The film is chock full of funny people, with the exception of the always obnoxious Dom Deluise, and by the end you wonder why you didn't laugh more. Gene Wilder did not a very subtle touch when it came to film comedy and tended to beat the audience over the head rather than allowing the comedy to come naturally. The sole reason for watching the film is Carole Kane. Her performance is absolutely enchanting,especially once she goes off on her own adventure.

The film is a virtual remake of the Federico Fellini film The White Shiek but adds the "world's greatest lover" contest, but it does have the female character go off in search of the silent movie star who is inspired by Rudolph Valentino, who is actually a character in this remake.

The story follows Wilder as he loses job after job for a nervous tic that involves him sticking out his tongue whenever he is stressed. He and Carole Kane head out to Hollywood to enter this contest designed by a studio to boost its sagging ticket sales. Everything involving the Wilder character falls flat and never gets much more than chuckle. I cannot contain my gushing praise over Carole Kane. She plays her role in direct opposition to the manic style of her co-star. She is genuinely sweet and she has a face that feels straight out of that period of the 1920's. I probably found the film funny when I saw it in '77 but upon watching it in recent years it just does not work. It is not on account of the year of its release as proven by Young Frankenstein released in '74 and still funny. When a film tries too hard to be funny it oftentimes comes across as desperate and fails at its objective. It's worth watching but don't go in thinking it's going to be another Young Frankenstein or Blazing Saddles.

Rainbow Studio is falling behind rival Paramount with their matinée star Rudolph Valentino. Studio head Adolph Zitz (Dom DeLuise) intends to find the next sex symbol for his movie "The World's Greatest Lover". He is surrounded by Yes men and gets violent whenever somebody disagrees. Rudy Hickman (Gene Wilder) from Milwaukee is filled with neuroses. When he gets nervous, he does one of three things. He either sticks out his tongue, gets hysterical laryngitis or mixes up his words. He gets fired again and decides to go to Hollywood with his innocent new wife Annie (Carol Kane) to win that Greatest Lover contest. Annie is tired of living with Rudy and leaves him in search for Rudolph Valentino.

There is one hilarious scene with Sex by the Numbers. It gets me every time. It's a great bit but the rest of the movie isn't that funny. Rudy Hickman is not a likable guy. The main problem is that he's so dismissive to his wife Annie. That is a real problem for him being the World's Greatest Lover. It's also tough to laugh with the guy.

This movie studies a handful of themes, among them: romantic problems, issues of the individual versus conformity, and beauty versus mediocrity. It is set during the Hollywood silent movie days, when Rudolph Valentino was the rage. Wilder plays the lead role, the husband of a Valentino fan, who has to muster up the sexy man in himself in order to save the day. The sets are lush, Carol Kane is gorgeous, Wilder gives one of his most heartbreaking performances, and Harry Nilsson devotes his song "Ain't it kind of wonderful" to the soundtrack. Very ambitious, especially considering that Wilder wrote, directed and produced it.

Yes, it's true some of the gags are dated or overdone, but there are other things to enjoy. It's in the same league as Woody Allen's early slapstick comedies, like "Sleeper" and "Play it again, Sam", as well as the Mel Brooks' oeuvre.

A motion picture which causes reactions even if it is not watched for a period of time. Last time I watched this film it was summer now Christmas is approaching fast. I missed it. I put it on my daily list with a reminder. I cannot give up this movie. I was so young when I first watched it on tv. It's pure , tells the truth , picks the fun out of stressful situations. It's a masterpiece of bringing together characters out of order , building a concrete storyline, making sense , printing scenes of incredible cinematography all that and more without becoming boring uninteresting out of time. There's nothing to discuss of the actors: adorable acting so precise and comprehensive so much flavor comes out of their being in this movie. To me a whole era is revealed by watching those people doing whatever each of them has to do so as to be a precious piece of that puzzle. It's silent movies meeting sound and colors. The characters meet on the set and plot using their dreams their duties their realities. Stars of silent movies producers who seek the future and a lovely couple all find a way in the cinematography world.

Interesting that 20th Century Fox gave Gene Wilder a second chance to develop his talents as a writer-director-star (and producer AND songwriter this time) after "The Adventure of Sherlock Holmes' Smarter Brother" left most critics indifferent. "Brother" wasn't terrible, and it reportedly grossed twenty million dollars, but as comic movie-making it was a botch (it had too much manic energy for one picture). Here, Wilder plays a Milwaukee schnook who travels to Los Angeles in the 1920's with his new bride to audition for Rainbow Pictures' answer to Rudolph Valentino. Wilder doesn't float gags around, he hammers away at them without much subtlety or finesse; he loves a good burlesque gag and he's fond of old-fashioned slapstick, but he needs more soft edges (the best scenes are the ones featuring Carol Kane, who is handled gingerly playing the wife). Lots of running jokes (bad ones, like Gene's character being named Rudy Valentine, that simply don't pay off), and too much of Dom DeLuise, bring the picture down. There are some laughs: Gene making eyes at a plain Jane on the train, an overflowing bathtub in a posh hotel. Wilder certainly has lots of ideas, but the results are more miss than hit. ** from ****