Shiawase no kiiroi hankachi

The Yellow Handkerchief : A Japanese masterpiece of 1977. One of the best 'Road' movies. Three strangers riding in a car and wander here and there with no purpose. When they start to know each other, situation turns and unknowingly bonded relationship amongst them won't allow them to separate from each other but it has to end somewhere. Brilliant acting from all the three characters and great cinematography of Japan countryside. You can watch Ken Takakura in a sensitive role after playing villain in The Bullet Train.

One of those hilarious, tear-jerkers from the famed director-Yamada Yoji of the Tora-san fame. The three main actors--Takakura Ken, Takeda Tetsuya, and Momoi Kaori, with an appearance from Baisho Chieko-- give an outstanding performance. The storyline is reminiscent of Tony Orlando's song "Tie A Yellow Ribbon Round the Old Oak Tree". One of my favorite movies of all time.

The plot is a simple one but the characterizations and travel episodes fill the movie out. When the travelers near their destination, the film shows an affection for small towns as we look out the car window and see the old buildings and the residents passing by. I was surprised to hear a performance of the song "Can-Can Musume" which I haven't heard for over 50 years.

This confection is hard to watch for the first twenty minutes. The loudmouth driver in the cowboy hat is particularly irritating, and the poor distracted girl he eventually persuades to take for a ride is only just tolerable. Things begin to settle in when the great Ken-san finally moseys on in (about 25 minutes in).

Another reviewer observes that Hokkaido is a co-star. The local tourist bureau could certainly use this movie as a promotional video, as the lovely scenery of Japan's frozen north is handsomely on display here. Frankly, it is about the only aspect of the movie that held my attention while waiting for Ken-san, and remained a considerable asset from then on.

In case there can be any doubt, I will state it clearly. Yes, I can see that the young couple are mainly in this story as a foil for Ken-san. But I still contend that they take up too much screen time, and the film could only have been improved if their parts had been substantially cut. For instance, the first twenty minutes could have been cut to five minutes or less with no appreciable loss.

I hardly need say that Takakura puts in a subtle and moving performance, for which he is justly famous. And the longer he is on screen, the more the young couple improve. By the end, they are almost bearable, and the cowboy has even managed to develop some gentleness. Better late than never.

Ken's character's past is gradually revealed, and though there are no surprises here, the journey is compelling and moving. Very sentimental but highly watchable.

You could describe it as a gritty, "thinking man's Tora-san" (in fact it shares a script-writer and some of the same cast as the early Tora-san films). Funny in many places but not a comedy; more like a slice-of-reality, on-the-road film in which three strangers are thrown together and romantic love triumphs in the end. Not an art film by any means, but great in its own way.