Agrega una trama en tu idiomaAfter a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.After a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.After a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.
- Dirección
- Guionistas
- Elenco
H.B. Haggerty
- Redneck
- (as H. B. Haggerty)
Gary Davis
- Greg Wilson
- (as Gary Charles Davis)
Opiniones destacadas
In the late 70s and early 80s, action films didn't rely on CGI to wow the audiences; stunts were what packed in the crowdsreal stunts performed by real stuntmen.
Anything with cars flying 30 feet through the air would be guaranteed to fill the theatres and the limits were pushed by these 'fall guys' as to what they would do in order to impress. StuntsAKA 'Who Is Killing the Stuntmen?' AKA 'The Deadly Game' (UK video title)tells of one such guy, Glen Wilson (Robert Forster), who becomes involved in the making of a movie after his brother mysteriously dies performing a stunt. Suspecting foul play, he searches for clues between filming, aided by a feisty female reporter (Fiona Lewis).
Director Mark L. Lester, who later helmed the 80s 'classics' Class of 1984 and Commando, packs the film with all manner of death defying feats, but struggles to make anything special from the run-of-the-mill script. Despite a good performance from the ever-reliable Forster and good support from a raft B-movie regulars (including the great Richard Lynch), the result feels very much like a made-for-TV movie, and lacks the grittiness I was hoping for.
Stunts is enjoyable on a nostalgic level (if you love the vibe of 70s flicks, then there is some fun to be had from the movie's general atmosphere), and it does contain a few fairly impressive action sequences, but I found that, even at a running time of less than an hour and a half, the film only just managed to keep my attention.
Anything with cars flying 30 feet through the air would be guaranteed to fill the theatres and the limits were pushed by these 'fall guys' as to what they would do in order to impress. StuntsAKA 'Who Is Killing the Stuntmen?' AKA 'The Deadly Game' (UK video title)tells of one such guy, Glen Wilson (Robert Forster), who becomes involved in the making of a movie after his brother mysteriously dies performing a stunt. Suspecting foul play, he searches for clues between filming, aided by a feisty female reporter (Fiona Lewis).
Director Mark L. Lester, who later helmed the 80s 'classics' Class of 1984 and Commando, packs the film with all manner of death defying feats, but struggles to make anything special from the run-of-the-mill script. Despite a good performance from the ever-reliable Forster and good support from a raft B-movie regulars (including the great Richard Lynch), the result feels very much like a made-for-TV movie, and lacks the grittiness I was hoping for.
Stunts is enjoyable on a nostalgic level (if you love the vibe of 70s flicks, then there is some fun to be had from the movie's general atmosphere), and it does contain a few fairly impressive action sequences, but I found that, even at a running time of less than an hour and a half, the film only just managed to keep my attention.
Small drive in film that is really well made and entertaining. The story is straight forward and easy to follow. Someone is tampering with stunt props resulting in what appear to be accidents causing the death of multiple stuntmen. No motive is apparent, and there appear to be a number of culprits who could be the doing this. Robert Forster is the Brother of one of the victims, and he more or less takes his Brother's spot on the stunt team. As the death rate climbs, Forster remains determined to see justice done. No police are involved, as stuntmen have their own way of dealing with a comrades demise. The cast is strong, and includes the always interesting Richard Lynch. This is a movie to seek out, if you enjoy low budget films that are a very pleasant surprise. - MERK
A stuntman dies falling from a helicopter during filming. The man's brother Glen Wilson (Robert Forster) is joining the crew. On the way, he picks up reporter B.J. Parswell who is writing about the dangers of stunt work. There are more accidents on set or it could be deliberate.
This is most notable for being New Line Cinema's first production after being a distribution company. It starts with a very nice stunt and at least, the stunt work is all very nice. There are a lot of car stunts. It's a good behind-the-scenes representation. Even a simple helicopter hovering looks more dangerous when it is so close. The story isn't much. There are a couple of great actor but in general, the acting isn't that good. Just watch this for the stunt work.
This is most notable for being New Line Cinema's first production after being a distribution company. It starts with a very nice stunt and at least, the stunt work is all very nice. There are a lot of car stunts. It's a good behind-the-scenes representation. Even a simple helicopter hovering looks more dangerous when it is so close. The story isn't much. There are a couple of great actor but in general, the acting isn't that good. Just watch this for the stunt work.
With All Due Respect to the Stuntman Profession and the Death Defying Daring-Do, this Movie is a Bland, but sometimes Realistic Tribute.
The Subject is usually better in a Documentary Format and it is a Noble Try to make it into an Action-Drama, but at least in this one, it comes off as Cheesy and Surprisingly Ineffective and the Drama here is just Awful.
Awful Writing, Awful Music, Awful Mystery. What saves the Movie from being Worthless is the On Screen setting up of the various Stunts with attention to Details about the Methods and Machines used to Pull Off the Magic.
These Scenes are well Photographed and Clearly Presented and the Mechanics behind the Stunts is Informative and Invites Viewer Curiosity. But other than that the Movie Strains to be a Movie and is as Intriguing as an Average TV Episode of an Average TV Show.
Robert Forster, Joanne Cassidy, and some Real Stunt Men make every Effort to Entertain but are Betrayed by a Boring Script and a General Feeling of just Going Through the Motions.
It's Baffling Lack of Energy and Suspense has to be Laid at the Feet of the Writer and the Director who Produce a Movie Homage about Movie Stuntmen and if the Movie Itself was a Stunt, Everyone would call for a Do Over.
The Subject is usually better in a Documentary Format and it is a Noble Try to make it into an Action-Drama, but at least in this one, it comes off as Cheesy and Surprisingly Ineffective and the Drama here is just Awful.
Awful Writing, Awful Music, Awful Mystery. What saves the Movie from being Worthless is the On Screen setting up of the various Stunts with attention to Details about the Methods and Machines used to Pull Off the Magic.
These Scenes are well Photographed and Clearly Presented and the Mechanics behind the Stunts is Informative and Invites Viewer Curiosity. But other than that the Movie Strains to be a Movie and is as Intriguing as an Average TV Episode of an Average TV Show.
Robert Forster, Joanne Cassidy, and some Real Stunt Men make every Effort to Entertain but are Betrayed by a Boring Script and a General Feeling of just Going Through the Motions.
It's Baffling Lack of Energy and Suspense has to be Laid at the Feet of the Writer and the Director who Produce a Movie Homage about Movie Stuntmen and if the Movie Itself was a Stunt, Everyone would call for a Do Over.
This neat little sleeper of a movie, which is a pre-cursor to the more mainstream THE STUNTMAN, grabs you from the first few minutes and takes you on a wild ride right up to the end. When stuntman Greg Wilson (Gary Davis) meets a grisly end while on location with a film company, his brother Glen (Robert Forster) shows up to complete the film in his place, and find out what really happened.
Several more stuntmen meet their demise and it's really looking bad for the Special Effects man Pete Lustig (Richard Lynch). Lustig is a strange fellow to be sure, but is he capable of cold-blooded murder? The surviving stuntmen seem to think so as the bodies continue to pile up.
Meanwhile reporter BJ Parswell (Fiona Lewis) arrives to do a story on the mysterious deaths and finds herself right in the middle of it all. The action-packed ending will have you on the edge of your seat as the killer is finally revealed.
I liked this film, it wasn't as good as THE STUNTMAN, but not bad either. Forster, who resembles Robert Blake, is great as tough guy Glen. You find yourself rooting for him to find the real killer. Lynch does a fine job as the creepy, lone-wolf Lustig, yet he has such a sad, puppy-dog quality to him that you find yourself hoping he's not the one. It's hard to hate someone who seems so lonely and left out. And Lewis is superb as the bitchy reporter who turns out to be pretty nice and who ends up helping to solve the mystery.
Several more stuntmen meet their demise and it's really looking bad for the Special Effects man Pete Lustig (Richard Lynch). Lustig is a strange fellow to be sure, but is he capable of cold-blooded murder? The surviving stuntmen seem to think so as the bodies continue to pile up.
Meanwhile reporter BJ Parswell (Fiona Lewis) arrives to do a story on the mysterious deaths and finds herself right in the middle of it all. The action-packed ending will have you on the edge of your seat as the killer is finally revealed.
I liked this film, it wasn't as good as THE STUNTMAN, but not bad either. Forster, who resembles Robert Blake, is great as tough guy Glen. You find yourself rooting for him to find the real killer. Lynch does a fine job as the creepy, lone-wolf Lustig, yet he has such a sad, puppy-dog quality to him that you find yourself hoping he's not the one. It's hard to hate someone who seems so lonely and left out. And Lewis is superb as the bitchy reporter who turns out to be pretty nice and who ends up helping to solve the mystery.
¿Sabías que…?
- TriviaAs of 2019 the hotel featured in the film, the Madonna Inn, is still operating and is largely unchanged.
- ErroresWhen Greg Wilson attempts the helicopter stunt at the beginning of the film, there is a black winch apparatus visible in the back of the helicopter. When the helicopter lands after Greg's fall, the hold of the helicopter is empty. The winch returns for for Glen's attempt, and is visible throughout.
- Créditos curiososBecause of the theme of this movie being movie stunts and because of the importance of it to the movie within the movie, the stuntmen are listed in both the opening and closing credits. The opening credits include the following phrase after the primary cast: "Featuring the Stuntmen" before the stuntmen's names are listed.
- ConexionesFeatured in Meet Bob Shaye (2004)
- Bandas sonorasDaredevil Made An Angel Out Of You
Music by Michael Kamen
Lyrics by Amy Ephron
Sung by Charlee
courtesy of Amerama Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Stunt
- Locaciones de filmación
- Madonna Inn, 100 Madonna Rd., San Luis Obispo, California, Estados Unidos(Hotel signage throughout the film)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 600,000 (estimado)
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Principales brechas de datos
By what name was Stunts (1977) officially released in Canada in English?
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