Spectre

Spectre definitely isn't the type of film that'll be featured on Svengoolie. They often show horror movies that are quite lame by today's standards. It's ideal for people who like to go down memory lane and revisit the silly creature features they watched in the theater for the first time as a teen, or just to laugh at, but not if they want something that's actually frightening. I'm not big on paranormal stuff, but I thought Robert Culp was brilliant in Columbo, and that made me curious enough to check this out, despite it's spooky storyline.

He plays occult criminologist William Sebastian, who develops a heart condition after a supernatural experiment. He wants his friend, Dr. "Ham" Hamilton (Gig Young), to help him with a case that involves traveling to London and investigating a wealthy businessman, Geoffrey Cyon (Majel Barrett), partaking in the dark arts. It's funny to watch them together. I don't know about anyone else, but I got the impression they don't like each other because they both have an elevated IQ. It was humorous how in the midst of the plane having mechanical problems on their way to London, William is having a discussion on philosophical and psychological reasoning, while Ham is looking worried and nauseous. Once they arrive, they stay in Cyon's house, which is also occupied by his other family members. William and Ham encounter a demon, along with other terrifying occurrences.

Honestly, I haven't finished the movie. I managed to get about 10 to 15 minutes to the end, so I've watched enough of it to have an opinion. I wasn't scared, but I found aspects of the content to be unsettling. Demons, monsters, BDSM, possessions. It just seemed wrong to be watching as a Christian. I know people say it's only entertainment, but it's more than that to me. Anything you take in through your eyes and ears can have a powerful influence on you. It had become quite disturbing, so I'm hesitant to see what the ending is like. I think it had a negative affect on my brain, honestly. I watched it on a Tuesday night, and woke up the next day thinking it was Saturday. That probably came from me being tired, because my job is hectic - the constant business always has me feeling exhausted - but I doubt this helped. It's a weird movie. Not appropriate for family night, so if you have kids, I'd stick with Svengoolie. Unless you don't mind taking a chance on having unsettling dreams, then by all means, check this out, but otherwise, I would skip it and go with something that doesn't have so much creepiness.

...from co-writer and producer Gene Roddenberry.

Robert Culp stars as William Sebastian, a renowned criminologist whose attentions have turned to occult matters in recent years. He re-teams with old colleague Ham Hamilton (Gig Young), an alcoholic medical doctor who's hit hard times,vand they journey to England to investigate reports of supernatural powers targeting the wealthy Anitra Cyon (Ann Bell). Also featuring John Hurt and James Villiers as Anitra's brothers, Gordon Jackson as a Scotland Yard inspector, and Majel Barrett as Lilith, Sebastian's spell-casting housekeeper.

If Star Trek was Roddenberry's rumination on 60's-era idealism, this failed pilot was his look at 70's hedonism and the search for spiritual meaning. Modeled after Holmes & Watson, Culp and Young's characters encounter a cult of Dionysian sex-addicts and demon worshipers, all living an anything-goes debauched lifestyle that ultimately leads to their destruction.

This film suffers from poor production values, shoddy editing, terrible pacing, and laughable effects in the big finale. The identity of the mastermind behind everything is.

From the demise of Star Trek: TOS to the premiere of Star Trek: TNG Gene Roddenberry took at least three swings at returning to Stateside prime-time television. None of the broadcast pilots was bought by a commercial network as a series. I viewed each at first broadcast.

Genesis II (later repackaged and re-tried as Planet Earth) had an interesting pilot, very much a product of Roddenberry and his times, but likely as a series would have become quite weird and not lasted long. The Questor Tapes had a superb pilot, but likely as a series would have been forced by network suits to devolve into The Robo-Fugitive.

Spectre was not your average Roddenberry product and wasn't even science fiction. Its concept was decidedly original and very well wrought—what if, just What If?, everything you suspect and fear about the occult is true and a world-renowned criminologist who KNOWS that sets out to right the purposive wrongs of some mighty nasty perps who must be called by their true names out loud? If this sounds familiar, mind you, this is the Stateside television pilot I recall after 30-plus years…

Robert Culp is at his certifiable creepiest. And he's the good guy. This is not the DC Comics Spectre, he's no Doc Strange, John Constantine or He(ck)boy, less Sherlock Holmes and more Manly Wade Wellman's John Thunstone (with the apparent trappings of wealth) or John the Balladeer (without the southern mountain accent or music). William Sebastian quite literally has a bone to pick with an antagonist that has a very long memory and reach, not to mention staying power. By the end you want to know more about Sebastian, how and why he knows what he knows, and what compels him to know and do more.

A fine supporting cast, John Hurt, Gordon Jackson, James Villiers and Gig Young in particular. Good production values in a fittingly English setting. Well-paced with genuine suspense in the right places. And, for Stateside prime-time in the Seventies, a knockout confrontation with some truly evil—things—that, as best as I can recall, were not enhanced with anything other than makeup, clever editing, a hypnotic chant, and lots of fire.

Had this become a series we likely would've seen less of "Ham" (more Dr McCoy than Dr Watson, and certainly less of poor Gig Young) and more of Lilith. A section of the viewing demographic that also thought Mr Spock a satanic influence would probably get a little wound up and publicly take offense. I am told the theatrical release with respectable box office overseas is marginally longer and adds to that knockout confrontation some truly evil—distractions—that don't need makeup at all. I'd like to think it could have done better on Stateside television simply because it would have HAD to leave something to the imagination and NOT explain everything.

So here's a pitch: Given today's audience, if Someone Out There is still watching, consider the possibilities!

Concerning the question of why "Spectre" did not become a series , i would like to give my 2 cents. the 1970's saw a lot of supernatural/sci-fi themed TV movies which were obviously intended as series pilots . NBC had this film , and also "The Norliss Tapes" with Roy Thinnes. "The Questor Tapes" was a Gene Roddenberry concept. CBS had another of Gene's creations,"Genesis II". This was later redone as "Planet Earth" on ABC , which also aired "Baffled!" with Star Trek's Leonard Nimoy as a clairvoyant race car driver(!). Not a one made it to series. I believe it was a concern about not having enough plots to sustain a weekly series , expensive location shooting and f/x , and a continuing lack of support for the genre led to their demise. The failure of ABC's "Night Stalker" and "The Sixth Sense" also didn't help. In addition , "Star Trek" itself was still at that time considered a relative failure despite the beginnings of its resurgence. I think a possible answer may have been to include a series like "Spectre" as part of a rotating "Mystery Movie" type of show along with some more standard detective /thriller series. with a star like Robert Culp , older viewers may have given it a chance , along with younger viewers who were the main fans of the genre.

This would have made an excellent television series. Robert Culp has rarely been better as Sebastian, a psychic sleuth and expert on the occult. He takes on a case that threatens the world. Not bad for your introduction. An excellent Gene Roddenberry creation. I give it a "7" out of "10."