Skateboard

The phenomenon of skateboarding which blossomed in the 70s gets a look in this G rated film about a down and out promoter who sees a bunch of kids doing their skateboard thing and turns them into a team. Allen Garfield stars as the promoter who gets to like the kids no matter how much he first sees them as just a cash cow.

Garfield's probably a decent enough guy under ordinary circumstances and considering what he does for a living. But these times aren't ordinary, Garfield is into Anthony Carbone for some bucks and then borrows some bigger bucks to promote the team. The leg breakers will be paying him a call if he doesn't succeed.

Which explains the pressures he puts on the kids to win although they don't understand it. Neither does Kathleen Lloyd, team nurse and guardian and all around confidante to Garfield though he levels with her.

Leif Garrett who was on the cusp of bubblegum stardom plays one of the kids and Garfield's eventual savior. The rest of the players are skateboarders first and barely handled the dialog.

Still it's skateboarding and Leif Garrett that people paid to see and Skateboard gives them their money's worth.

Skateboarding is a pretty ancient depiction of both skateboarding culture and technology as manufacturers somehow hit upon the new, revived fad that was gaining more interest than it had when skateboards first made an appearance in the late 50s and early 60s.

The movie itself is rather stupid, especially when you have Dogtown's Z-boy Tony Alva only playing a supporting role while a wiener like Lief Garret got something of a starring role as a burgeoning member of the skate team. With Alva, they wouldn't have needed stunt men.

Manny Bloom is a washed up promoter of many failed opportunities. Owing a large debt to a bookie, he surmises that his only shot at squaring his arears is to promote a skate team. Now, being that this is the early days of skateboarding, Manny seemed like a fellow out of his mind for taking such a big risk on a sport that was still developing, never having had the extreme commercial following it does today. But Manny finds a bunch of misfit skateboarders (boys and girls) that he convinces to join a team with him as manager. As the story rolls along, Manny looks pretty pathetic, and fails to earn any respect from his team, which likewise have their own assorted problems. So, in that Mighty Ducks kind of tradition, he has to work hard with the team, so that they may win the championship that Manny has bet everything on.

Though terribly corny, the movie is a rather good look at the early days of skateboarding. More like when the sport modeled gymnastics as competitors in their goofy uniforms and flimsy protective gear rolled around on shiny maple floors with their twenty-four inch boards doing nose wheelies and hand stands. To think, Tony Alva, was part of the skating team (the Z-Boys of Dogtown) that competed against fool skateboarding like that and helped turn the entire skateboarding culture upside down (see the documentary, Dogtown and Z-Boys).

Manny is in debt to Sol, among others, and he has to come up with an idea to make money quickly. Earlier, he nearly ran into some kids who were skateboarding in the road. When he sees one of them outside his window, he pitches the idea of a skateboarding team to Sol, who reluctantly accepts this chance to get his money back and then some.

Manny knows nothing about skateboarding. He doesn't even realize there are already teams, and as talented as the kids are, it's hard to believe at first anyone will pay money to see them.

A number of problems get in the way of the team's success. One is the need for someone to supervise them, like a parent. So Millicent is hired. Of course, as often happens in sports movies, one of the kids thinks he is too good to follow the rules. Later, the events really look like something worth seeing.

I didn't see anything here approaching good acting, but Manny, Millicent and the kids were all easy enough to like. Manny was certainly funny because he was such a loser. And the kids certainly had talent on skateboards if nothing else. The situation was hard to believe but was executed well enough.

I seriously question any reference to this being a 'family' movie. The sound went out a number of times, and other times it sounded like words had been substituted, and while tame by today's standards, the sex talk seemed pretty frank.

If you're not looking to use your brain and if your expectations are not high, I suppose this was a pleasant enough film.

All that I can say is that the other guy that reviewed this movie knows nothing about the history of skateboarding. In the 1970s skateboarding was one of the greatest spectacles of the time. There were actually skateboard World Championships which drew grand crowds and the invents did include slalom(weaving in and out of cones) and downhill races... I found the other guy to be completely asinine in his reasoning. This movie has a cameo of Tony Alva of Dogtown fame. Who recently was featured in the video game Tony Hawk's American Wasteland, and the feature film Lords of Dogtown and the documentary Dogtown and Z-Boys. I would recommend this movie to anyone who loves skateboarding and its history because this is clearly a part of it...

GRADE: A+, excellent

This movie is worth watching when there's skating on screen; too bad there's isn't more of it. Most of the screen time is taken up with the stupid, predictable plot, and I, too, found myself thinking that the stupid dialouge must have been improvised, plus I can't figure out how they managed to make 35mm film look so bad. Manny reminds me of the park owner from Kiss meets the Phantom, a fat loser frantically running around trying to figure out what's cool and then cash in on it. Perhaps more beer or bad behavior from the kids would improve this movie, too.

It's worth watching this just to spot Tony Alva (I can't believe he's in this turkey) and to see what skaters looked like in 1977. This movie was already a curiosity when I taped it off TV in the 80s.