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IMDbPro

2 pícaros con suerte

Título original: Smokey and the Bandit
  • 1977
  • PG
  • 1h 36min
CALIFICACIÓN DE IMDb
7.0/10
61 k
TU CALIFICACIÓN
POPULARIDAD
1,141
2,263
Sally Field, Burt Reynolds, and Jackie Gleason in 2 pícaros con suerte (1977)
Ver Official Trailer
Reproducir trailer2:42
1 video
99+ fotos
AcciónAcción del cocheAventuraComediaViaje por carretera

Bandit es contratado para manejar un tractor-remolque lleno de cerveza sobre las fronteras estatales, perseguido por un molesto alguacil.Bandit es contratado para manejar un tractor-remolque lleno de cerveza sobre las fronteras estatales, perseguido por un molesto alguacil.Bandit es contratado para manejar un tractor-remolque lleno de cerveza sobre las fronteras estatales, perseguido por un molesto alguacil.

  • Dirección
    • Hal Needham
  • Guionistas
    • Hal Needham
    • Robert L. Levy
    • James Lee Barrett
  • Elenco
    • Burt Reynolds
    • Sally Field
    • Jerry Reed
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    61 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,141
    2,263
    • Dirección
      • Hal Needham
    • Guionistas
      • Hal Needham
      • Robert L. Levy
      • James Lee Barrett
    • Elenco
      • Burt Reynolds
      • Sally Field
      • Jerry Reed
    • 255Opiniones de los usuarios
    • 97Opiniones de los críticos
    • 50Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 3 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:42
    Official Trailer

    Fotos139

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    Elenco principal44

    Editar
    Burt Reynolds
    Burt Reynolds
    • Bandit
    Sally Field
    Sally Field
    • Carrie
    Jerry Reed
    Jerry Reed
    • Cledus
    Mike Henry
    Mike Henry
    • Junior
    Paul Williams
    Paul Williams
    • Little Enos
    Pat McCormick
    • Big Enos
    Alfie Wise
    Alfie Wise
    • Patrolman at Traffic Jam
    George Reynolds
    George Reynolds
    • Branford
    Macon McCalman
    Macon McCalman
    • Mr. B
    Linda McClure
    • Waynette
    Susie Ewing
    Susie Ewing
    • Hot Pants
    • (as Susan McIver)
    Laura Lizer Sommers
    • Little Beaver
    • (as Laura Lizer)
    Michael Mann
    Michael Mann
    • Branford's Deputy
    Lamar Jackson
    • Sugar Bear
    Ronnie Gay
    • Georgia Trooper
    Quinnon Sheffield
    • Alabama Trooper
    Jackie Gleason
    Jackie Gleason
    • Sheriff Buford T. Justice of Portague County
    Bruce Atkins
    • Man Little Enos Pays Off
    • (sin créditos)
    • Dirección
      • Hal Needham
    • Guionistas
      • Hal Needham
      • Robert L. Levy
      • James Lee Barrett
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios255

    7.060.8K
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    Opiniones destacadas

    trickrider

    Simple Times, Simple Movie, Simply FUN!!!!!!

    I grew up in the south as a teen in the 70's and this movie was the South at that time. It was all about CB radios. I remember when my dad got one in his 1972 cherry red Chevy Impala. He had this big ol' whip antennae on the back and his CB handle(name) was Midnight(because he worked the night shift at Pan Am airlines). I think part of the reason Smokey was such a huge hit was threefold. First off, we were going thru an energy crisis and the age of muscle cars was over and most of us were driving around in small pieces of crap like the Chevette or the VW Rabbit! The thrill of seeing a muscle car like the Pontiac Trans Am tearing across the land was a huge thrill! Secondly, the country as a whole was in a malaise of the "Me Generation"..and all the self-help crap! People were listening to soft-rock like Helen Reddy and John Denver and taking self-help courses like est! People wore earth-tone colors and sandals. So when we saw these 'real-men" like Burt and Jerry Reed in thier plaid shirts and tight jeans, taking on the establishment by disregarding the rules of the road and all that, we got excited! Finally, the sheer delight in seeing people enjoying life was a thrill we all wanted to partake in! I can see why so many people, who were bored with life in the pre-disco late 70's, really enjoyed the escapism of this simple but extremely fun flick! We wanted to be a part of it! It was late-night chocolate we never admitted to eating. It was a movie you partly felt dumb to admitting you liked! But the movie itself inspired the hugely popular TV series Dukes of Hazzard, right down to the cast. Burt and Jerry became Bo and Luke Duke..Sally turned into a Daisy(with better legs!) and Sheriff Buford T. Justice became Boss Hogg with his bumbling sidekick Sheriff Roscoe B. Coltrane! And of course the Trans Am was replaced by a true muscle car, the 1969 Dodge Charger (was thier ever a better muscle car than the 69 Charger?) What followed in the aftermath of this movie was the explosion of disco and letting oneself enjoy life again! The whole world got back into living life and having fun! Maybe Smokey had something
    Michael_Elliott

    Classic Chase Picture

    Smokey and the Bandit (1977)

    *** (out of 4)

    The Bandit (Burt Renolds) is challenged to deliver some illegal beer across state lines with the reward being a huge payday so he and his partner Cledus (Jerry Reed) head out for the journey. Along the way the Bandit picks up a woman (Sally Field) running away from her wedding and soon Sheriff Buford T. Justice (Jackie Gleason) is chasing them as well as countless other cops.

    SMOKEY AND THE BANDIT isn't a brilliantly directed masterpiece or some strong contender for an Oscar but it wasn't trying to be. If you come into this film expecting some sort of masterpiece then you're going to be disappointed but if you're looking for a fun cheap time then there's plenty of great stuff here. If you're unfamiliar with the 70s then you might not realize that this type of "chase" picture was quite popular but this one here was clearly the most memorable of the bunch and has remained a favorite to new generations of people.

    The greatest thing about the movie is the fact that no one takes it too serious. I say that because if you try to use logic with anything going on then you're just not watching the correct movie. Without a question the highlight of the picture are the non-stop action scenes where we get one terrific chase after another. The Trans Am used in the car is probably the most famous thing in the picture and there's no question that it's a beauty to watch as it jumps bridges and out runs various police cars. The stunts here are certainly excellent and fun to watch, which was the whole purpose of the film.

    It also doesn't hurt that you've got such a likable cast of characters. Reynolds was born to play a role like this as his good- looking nature, silly laugh and charm just spills over on each scene that he's in. Field is also very fun and believable as the "opposite" type of girl. There's no doubt that the two of them have a nice chemistry together. Reed is also fun in the movie, although he's certainly far from giving a great performance but his hit song is a terrific bonus. Mike Henry is great as the dimwitted son but it's the ad-libbing Jackie Gleason who easily steals the picture with his hilarious turn as the dumb Sheriff who just won't give up.

    SMOKEY AND THE BANDIT gave a major boom to the genre but of course, it would be followed by some less-than-successful sequels and other rip-offs from the same star and director. Still, it doesn't matter how many bad films followed because this one here remains one of the best out there and is highly entertaining all these years later.
    ggh6

    Burt, Sally, and a truckload of beer

    One of the first films to tap into the anti-authoritarian aspects of the Citizen's Band (CB) radio craze, "Smokey" is basically a movie-length car chase and a pleasantly insipid slice of late-'70's Americana.

    The tissue-thin plot has good ole boy pals The Bandit (Reynolds) and Cletus (a surprisingly good Jerry Reed) running a load of Coors cross-country on a tight deadline while trying to avoid an assortment of less-than-bright cops, led by pompous blowhard Buford T. Justice (Jackie Gleason). Sally Field, as a runaway bride who thumbs her way into Reynolds' car, brings charm and a welcome sense of irony to the macho proceedings.

    Stunt coordinator-turned-director Hal Needham stages the action competently, and the actors, who supposedly improvised much of the dialogue, obviously enjoy themselves. A good choice for those who want to relive the glory days of CB rebels, long sideburns, plaid western shirts, and black Trans-Ams with "screaming chicken" decals on the hood. Avoid the two vastly inferior sequels.
    8EmperorNortonII

    Burt Reynolds' Wild Ride

    "Smokey and the Bandit" may be Burt Reynolds' best movie. At least it's certainly one of his most memorable. In it, he plays good ol' boy the Bandit, the classic speed demon outlaw, driving flat out through five states and back on one wild and crazy beer run. This movie has lots of laughs and action. It also offers a look into the culture of CB radio, which was a huge craze of the day. And who could forget the Great One, Jackie Gleason's hilarious portrayal of Sheriff Buford T. Justice, the bombastic, persistent lawman from Texas. "Smokey" will always be a comedy classic, and that's a big 10-4!
    Nriks

    Smokey bacon!

    "Snowman what's your 20, you got your ears on, comeback? We got a Smokey convoy on our tail moving eastbound and down, with the peddle to the metal and the thing to the floor". If any of that makes sense to you it means one of two things. Either you were a young male in the late seventies who dressed in cowboy boots and drove a trans-am... or you have seen the film Smokey and the Bandit.

    Smokey sees classically trained thespian Burtrand Reynolds essay the role of the Bandit, a mythical, almost Quixotesque figure, who cuts across the American landscape in a black Pontiac firebird, the ultimate phallic representation of male dominance. The densely layered plot sees Bandit become involved in a quest of Arthurian proportions, attempting to do "what they say can't be done". As it goes, there's a drought in old Atlanta, and the fine townsfolk are gagging for some liquid refreshment for the upcoming monster-truck derby. Luckily, Bandit hears that there's beer in Texarkana, and sets out across country to bring it back... no matter what it takes.

    Director Hal Needham, surely an auteur of Hitchcockian proportions, keeps the first act moving along at a steady pace, and there is always close attention paid to characterisation. However, it is in act two that things really get interesting, for no sooner has the Bandit and his ever-faithful slave... sorry, sidekick Snowman loaded up the truck with the brew... than they are set upon by a runaway bride (Sally Field), a fleet of southern law enforcers, and the formidable Sheriff Bufred T. Justice (Jackie Gleason), whose catchphrase "that sun' bitch" proved to be as lastingly funny as a dose of the clap. From this point on tension is cranked to eleven, with more jaw-dropping moments than the entire Indian Jones series combined. Don't believe me, take the scene where Bandit attempts to jump the bridge... if this doesn't have you standing on your seat screaming "go bandit go... yee-haw", then quite frankly nothing will.

    Bandit is one no-nonsense jive-talker, an enduring character whose down with the kids (and the blacks), making him one fine example of a true southern gent. We never doubt our hero will fail at his mission, especially not with the benefit of hindsight, since Bandit managed to evade the law and return for the imaginatively titled Smokey and the Bandit II. Here his bounty was an African elephant that, understandably, had the hots for the moustachioed one. Then there was the third instalment, which had a script so bad Reynolds himself turned it down. Here the sh*t-kickers formula was repeated... just without the kick. Smokey and the Bandit is, admittedly, not high art. It's not even low art. But it does represent some kind of period piece, a history lesson, or the pinnacle of late seventies cinema.

    Your enjoyment of the film depends on your first viewing experience. If like myself, you were a young boy growing up in the mid-eighties, you will have no doubt lived for the endless thrills, spills, car crashes and second-rate jokes that pepper Bandit, and its two sequels. It's easy to laugh at now, and a young audience will probably be left scratching their heads at the sight of Burt Reynolds mugging uncontrollably to the camera for ninety-minutes whilst Jerry Reed gets to 'sing' his good ol' boy theme tune 'East-bound and Down' for the one-millionth time, but there is a perverse pleasure in seeing bell-bottoms, grown men with CB radios and muscles cars the size of small houses, the likes of which most people won't have seen since 1982. 3/5

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    • Trivia
      Hal Needham asked Jerry Reed to write a theme song for the film. A couple of hours later, Reed presented "East Bound and Down" to Needham. With an acoustic guitar, Reed started to play it and Needham immediately stopped him. Thinking Needham didn't like it, Reed offered to re-write the song. To which Needham replied: "If you change one note, I'll kill you!" The song went on to become one of Reed's biggest hits.
    • Errores
      When the police car at the road block is knocked off the embankment, the car seen rolling down towards the river is a late-'60s Ford Galaxy, but when it comes to rest at the bottom, it is a Plymouth Fury.
    • Citas

      Buford T. Justice: [to his son] There's no way, *no* way, that you came from *my* loins. Soon as I get home, first thing I'm gonna do is punch yo' momma in da mouth!

    • Versiones alternativas
      The TV print needed extensive overdubbing to reduce the amount of profanity. In particular, Jackie Gleason's expression "Sum-bitch!" was replaced with "Scum-bum." This new word became a popular catch phrase with kids after the film made its TV debut.
    • Conexiones
      Featured in Hollywood: The Gift of Laughter (1982)
    • Bandas sonoras
      East Bound And Down
      By Dick Feller and Jerry Reed

      Sung by Jerry Reed

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    Preguntas Frecuentes25

    • How long is Smokey and the Bandit?Con tecnología de Alexa
    • Did Cledus give his truck to Big and Little Enos at the end of the movie?
    • What did Big Enos get if Bandit didn't get back in time?
    • Did Sheriff Justice know about the beer or was he just after Bandit because Carrie was with him?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de febrero de 1978 (México)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Facebook
      • Universal Pictures Home Entertainment
    • Idioma
      • Inglés
    • También se conoce como
      • Smokey and the Bandit
    • Locaciones de filmación
      • Helen, Georgia, Estados Unidos
    • Productoras
      • Universal Pictures
      • Rastar Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 4,300,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 126,737,428
    • Total a nivel mundial
      • USD 126,750,426
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 36min(96 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Atmos
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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