Ansioso por su futuro tras la escuela secundaria, un joven italo-estadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de baile de la... Leer todoAnsioso por su futuro tras la escuela secundaria, un joven italo-estadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de baile de la discoteca local.Ansioso por su futuro tras la escuela secundaria, un joven italo-estadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de baile de la discoteca local.
- Nominado a 1 premio Óscar
- 6 premios ganados y 14 nominaciones en total
Sam Coppola
- Dan Fusco
- (as Sam J. Coppola)
Robert Costanzo
- Paint Store Customer
- (as Robert Costanza)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...
An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
I first watched this as a teenager and I just thought Tony was a cool guy doing cool things, Annette was a stupid piece of ass and Stephanie was classy. I realized there were subplots like Frank and Bobby C's story but most of that went over my head.
As I've been rewatching this from time to time over the decades, I now see there is a lot more there. It's actually pretty nihilistic, the family drama is reasonably intricate, as is the love story. On top of that, it's an interesting view on 1970's NYC, perhaps not in the same league as Midnight Cowboy or Taxi Driver, but nevertheless sharing an origin. At times, it's as gritty and dark as these two films.
The music is stellar and the disco scenes are iconic. Not a masterpiece as it sometimes is cringeworthy and shallow, but on the whole it's a culturally important piece of film history.
As I've been rewatching this from time to time over the decades, I now see there is a lot more there. It's actually pretty nihilistic, the family drama is reasonably intricate, as is the love story. On top of that, it's an interesting view on 1970's NYC, perhaps not in the same league as Midnight Cowboy or Taxi Driver, but nevertheless sharing an origin. At times, it's as gritty and dark as these two films.
The music is stellar and the disco scenes are iconic. Not a masterpiece as it sometimes is cringeworthy and shallow, but on the whole it's a culturally important piece of film history.
It's funny how people remember a film they are reminiscing about. An example would be "Muriel's Wedding" - a film that is labeled as a comedy. And yet it is one of the saddest & most realistic films about family life that has been made. When you remember the film, its moments of humour are so clever, that they hide the dark undercurrents explored.
The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.
John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.
The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going something that his friends will never be unable to ever do.
It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.
John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.
The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going something that his friends will never be unable to ever do.
It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
¿Sabías que…?
- TriviaJohn Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
- ErroresWhen Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
- Citas
Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.
- Créditos curiososWhen the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
- Versiones alternativasIn 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
- 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
- 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
- 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
- 4) Tony signs for a telegram that tells his father has been asked to go back to work.
- 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
- ConexionesFeatured in Les rendez-vous du dimanche: Episode dated 16 April 1978 (1978)
- Bandas sonorasHow Deep Is Your Love
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Saturday Night Fever
- Locaciones de filmación
- 86th Street, Brooklyn, Nueva York, Nueva York, Estados Unidos(opening sequence: Tony's Walk)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 94,213,184
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,878,099
- 18 dic 1977
- Total a nivel mundial
- USD 237,113,184
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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