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I read a review of this movie indicating that Seagal's acting "almost saved it." I would go farther and say that this movie is enjoyable primarily because of the acting. Segal's Harry Calder is very good and properly understated -- you get the impression of a nice guy with little ambition or tact. Widmark is also good as the know it all cop. However, Bottoms' blackmailer is even better! He plays the young man with the cold, calculating efficiency of the sociopath. Very understated, which is a sign of good acting. I'm reminded of a Jack Lemmon quote describing his early years in film when the director kept telling him "a little less." Bottoms give us the bare minimum, which is perfect for this character. The script is also good, taking what could be an action-only cliché and turning it into a suspenseful "how is he going to do it." Anyone who is looking for high drama or Hitchcock is going to be disappointed. But if you are looking to be entertained then it is a very enjoyable ride.

Thrilling and entertaining catastrophe movie with some clichés and stereotypes containing enjoyable performances from George Segal and Richard Widmark ; dealing with a psychotic person who plans a massive killing spree in amusement parks . Police and FBI are called in to investigate and trace the crimes to a young man (Timothy Bottoms) , as this is a race against time and terror . They are pursuing a nameless, faceless man through America's greatest amusement park . This disaster movie blends action , intrigue , breathtaking spectacle, suspense and emotional byplay . ¨Rollercoaster¨ was a successful film that grossed at box office . The FBI led by superior officer named Hoyt (Richard Widmark) and helped by technical supervisor Calder (George Segal) learn of the plot and rush to the scene , as the psychopath blackmails a whole conglomerate of companies for a million dollars . Still , they may be too late , as an all-star cast finds itself lined up in the sights of a madman . They spend most of their time devising various ways for avoid to psychopath carries out his aims : a massive killing spree in parks and rollercoasters especially . As our heroes get stuck in the before it blows up and when slaughter takes place they go into action ; as they pay tribute to policemen . There takes place a struggle between two forces , the cops along with FBI and the sinister assassin and ultimately erupts when the crowd turns almost effortlessly and devours itself in a climax of panic .

Exciting film that packs thrills , noisy action , overwhelming scenes , suspense , emotion and turns out to be pretty entertaining . This formula intrigue movie belongs to catastrophe genre of the 70s , being the undisputed king , ¨The towering inferno¨ along with ¨Earthquake¨ , ¨Two minutes warning¨ and many others ; this formula disaster movie was widely developed by Irwin Allen , previously winner of numerous Oscars for ¨Poseidon¨ until the failures as ¨Beyond Poseidon¨, ¨Swarm¨ and ¨When the time ran out¨ . ¨Rollercoaster¨ results to be an intriguing and thrilling film . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of a strong acting by starring trio George Segal , Richadd Widmark and Henry Fonda . Good performance by Timothy Bottoms , the filmmakers later decided that the movie was more suspenseful if the motive behind the Young Man's actions were never known, as well as keeping the audience from sympathizing with the Young Man's situation . Succeeds in combining various talented actors , an all star cast came together that tie for film's top casting honors ; furthermore a top-notch secondary casting such as Harry Guardino , Susan Strasberg , William Prince , Robert Quarry and a teenager Helen Hunt and Craig Wasson , Steve Guttenberg's first film . Furthermore , most of the actors portraying police officials in the film were actual police officers from the surrounding area . And for the first time, you are experiencing the most sensational rides of our time, to be presented in "Sensurround", a special low-frequency bass speaker setup consisting of four huge speakers loaned by distributors to select theaters showing the film , this system was employed only during certain sequences of the film, and was so powerful that it actually cracked plaster at some movie theaters. "Sensurround" was employed in only three other films released by Universal: Earthquake, Midway, and the theatrical release of Battlestar Galactica .

Colorful and gripping photography in Panavision by David Walsh , including persistent high-angle shots , subjective camera-work and use of long lenses . Some of the amusement park scenes were shot at Kings Dominion in Doswell, Virginia, just north of Richmond and also partially filmed at Ocean View Park in Virginia (including the destruction of the roller-coaster) and the roller coaster featured in the main climax of the movie is the Revolution at Six Flags Magic Mountain in Valencia, CA and was the first to feature a complete 360-degree vertical loop . Intriguing and thrilling score by Lalo Schifrin in his usual style . This big-budgeted disaster movie was professionally directed by James Goldstone , an ordinary TV movies director and subsequently made another catastrophe film , the disastrous ¨When time ran out¨ . Rating : Good and entertaining , it's a fairly watchable disaster movie.

Like many others, I agree that this is an underrated suspense movie. I would rank it with other, similar suspense movies of the 70s that have aged pretty well--"The Taking of Pelham 1,2,3" and "Juggernaut" in particular. Of course, the clothes and music (including a performance from SPARKS) smacks of late '70s cheese. But it is gripping and has the perfect amount of humor (George Segal as a movie hero? Who would've guessed that?)

Plus it is the only movie where I can see some favorite places of my youth--Oceanview Park in Norfolk, VA. Not to mention King's Dominion, only 1 year old at the time

i thought this was a pretty good little thriller.it kept me entertained throughout,and it never became boring.In a nutshell,it's a about a guy who blows up a roller coaster ride and extorts money from the owners of other amusement parks to keep more of the same from happening to their roller coasters.Timothy Bottoms plays the psychopath,with George Segal as his main nemesis.Bottoms is quite chilling and cold,and Segals' character matches wits him.watch for a young Helen Hunt,as well.i really liked the music by Lalo Schifrin,which is reminiscent of Bernard Herrmann.it really added to the atmosphere.the tension and suspense is down to the wire in this one.for me,Roller-coaster is a 6/10

Timothy Bottoms plays a disturbed young man who plants radio controlled bombs in amusement parks, centered on the rollercoasters. After demonstrating his skill and determination, he contacts the park owners with ransom demands of large cash payments, or he will destroy more parks, putting them out of business. The FBI gets involved, and investigator Harry Calder(played by George Segal) gets involved as a go-between with the bomber, as he also tries to track him down to stop his madness.

Highly entertaining yarn has a good cast of characters, and direction by James Goldstone is taut and exciting, with good model effects and an interesting(if vague) story. Watch out for a young Helen Hunt, cast as Harry's teenage daughter.

I'd watched this thriller/disaster movie on Italian TV as a kid; I was looking forward to re-acquainting myself with it via the Universal DVD, as part of my ongoing Richard Widmark tribute – but, unfortunately, the viewing was plagued by multiple freezing and jumps (beginning at the 47-minute mark and recurring every quarter of an hour or so thereafter!).

Despite some pacing problems which render the film a tad overlong, Roller-coaster is entertaining and fairly solid as these things go: once again, the casting sees a star in every major role. George Segal is the safety officer hero (his intelligence concealed by an essentially bemused countenance, he's ideal for playing the slightly neurotic common man suddenly thrust in the midst of a precarious situation), Timothy Bottoms the young extortionist/bomber (whose targets are various amusement parks across the U.S.), and Widmark plays the veteran F.B.I. agent out to get him (he also shares a typically antagonistic relationship with Segal). Henry Fonda appears as the hero's cantankerous boss (though featured in many of these films, his roles were always brief and basically thankless), Susan Strasberg as Segal's current girlfriend, Harry Guardino a local cop (curiously enough, he had appeared with both Widmark and Fonda in MADIGAN [1968], another policier but much classier). By the way, Segal's daughter here is played by a very young Helen Hunt!

Another interesting connection to an earlier thriller featuring a member of the film's cast is NO WAY TO TREAT A LADY (1968) with Segal; in both titles, the hero is contacted by the killer prior to making his moves (with this in mind, Bottoms' clean-cut appearance lends the latter a chilling quality – though the characterization, in itself, is fairly limited). Incidentally, the film is more concerned with the chase for the killer (generating reasonable suspense towards the end – especially in the way he determines to plant another bomb on an inaugural roller-coaster ride after his initial gizmo is detected) rather than depicting his mayhem; in fact, there's only one major disaster sequence early on (but it's an undeniably spectacular one)! I should mention, at this point, Lalo Schifrin's rather schizophrenic music – the carousel jingle is quite effective, but the scoring of the suspense sequences is gratingly monotonous!

P.S. Director Goldstone followed this with another star-studded epic – WHEN TIME RAN OUT… (1980), about an erupting volcano – which, however, was a notorious production that brought the disaster movie cycle to a lamentable conclusion. I wouldn't mind revisiting it at this stage, though

I recently watched Rollercoaster 🎢 (1977) on YouTube. The storyline follows a terrorist planting bombs in an amusement park, demanding a ransom or he'll continue the destruction. The tension builds as authorities race to outsmart him-can they stop him before he brings down the park and everyone in it?

Directed by James Goldstone (Jigsaw) the film stars George Segal (Who's Afraid of Virginia Woolf?), Timothy Bottoms (The Last Picture Show(, Richard Widmark (Kiss of Death), Henry Fonda (12 Angry Men), and Helen Hunt (Twister).

As a '70s thriller, Rollercoaster is undeniably dated, but the amusement park setting creates a fun and engaging atmosphere. The backdrop adds to the suspense, and while the storyline is straightforward, it's enjoyable, especially with a mysterious and unpredictable villain. The film has a whodunit element that keeps you guessing throughout. The opening rollercoaster crash is spectacular and sets the tone for the movie, but I found myself waiting for another equally impactful moment that never quite came.

I've always wondered what Henry Fonda is doing in this film, but it's also cool to note this was the first movie for both Helen Hunt and Steve Guttenberg. The final rollercoaster sequence is a highlight, especially when you realize it's the same one from the ending of National Lampoon's Vacation.

In conclusion, Rollercoaster is a fairly straightforward thriller with some redeeming qualities. I'd give it a 5.5-6/10 and recommend it only if you have the right expectations.

This is probably my favorite childhood film having seen it 30 times at the theater during the summer of '77 (to put it in perspective I only saw Star Wars 12 times) and it still holds up very well. I'm sure part of that is the nostalgia factor as it seems to capture a time and place(s) pretty well, but there's a bit more to its appeal to me than that. It works because none of the characters are grossly exaggerated caricatures but everyday men with foibles like struggling to quit smoking. The Caulder character is identifiable because of his family and work failings while Bottom's soft-spoken psychopath (which probably would be portrayed as over the top if the movie were to be made now) is much more in tune with an understated realism that most contemporary madmen you see on screen today lack. While the Widmark character of Hoyt is a pretty much by the book portrayal of a federal dick, his sardonic exchanges with Segal lend an heir of authentic, yet begrudging mutual respect. That credit should go to the screenwriters. Henry Fonda's exchanges with Caulder are similar in their edge and that makes for an understanding of what Harry is up against in trying to stop the bomber. Susan Strasberg as Caulder's love interest is sympathetic, and very pretty, but isn't given much screen time outside of being a nanny for Caulder's daughter...a minor complaint to be sure.

After Roller-coaster came down from my long since demolished local three screen multiplex and had its initial HBO run it sadly all but seemed to disappear from my life, outside of an occasional run on late night TV during the eighties, but reappeared in 1998 when I stumbled upon a VHS copy from a company called GOODTIMES at a Tower Record store in Seattle. I was ecstatic. I still pull it off the shelf every once in awhile to remind myself that some of the minor films of the seventies that weren't appreciated in their day deserve another view.

A mysterious young man (Bottoms) derails a Roller-coaster with a bomb, killing or injuring passengers, then attacks more amusement parks across the US in order to extort $1m from the companies running them. It is not immediately obvious that these attacks were deliberate, as opposed to being accidents (e.g. through metal fatigue), so the Amusement Park owners can keep what is happening quiet. It also makes it easier for the extortionist as he has public hysteria to threaten the owners with if they don't pay him off.

Harry Calder (Segal) works for Standards and Safety. He had inspected the derailed Roller-coaster, realises other amusement parks have suffered similar problems and finds out about the plot. Calder gets involved more deeply than he envisaged, as he becomes a reluctant 'bag man' for the $1m, whilst the FBI try to catch the mystery man, just as the US heads towards 4th July and a wealth of potential targets.

This movie is a decent suspense thriller and I have seen it several times. I have never regarded it as part of the 'disaster' movie genre and feel such a description is both lazy and inappropriate. Whilst the Roller-coaster crash scenes were fairly horrible for the time, they seem pale today. The horror is in the mind, and there are only a couple of such scenes in the movie. It is not therefore a bloody horror flick, either.

I don't know if this misconception comes from bad marketing, suggesting that this is a disaster movie, or if there were suggested scenes of gore and blood for the horror fans, in order to con people into the cinema, or if this is down to the critics of the time being lazy and perhaps even reviewing a movie they didn't see. I am a little too young to have seen or read anything at the time.

This is a suspense thriller, even though there is no suspense about 'whodunit', but the movie's style is familiar and it is no surprise to see 'Columbo' creators Levinson and Link in the credits.

The strength of this movie is the cynical, maverick, but quick-witted Calder character that is played so well by Segal. He also has the often-amusing story thread to play with of trying to quit smoking (you wonder if 'Airplane' got the "picked a hell-of-a-day to quit smoking" from Roller-coaster). Calder, we also find, is divorced from his wife, amicably, and has a daughter called Tracy (Helen Hunt, in a child role that hints of the actress to come), and he has a lover, Fran (Strasberg).

Widmark gives FBI Agent Hoyt authority and a little added depth as the film progresses and he spars nicely, if not quite equally, with Segal's Calder. Henry Fonda, in his 70s, essentially has a cameo as Calder's boss, and Strasberg is underused as Calder's girlfriend, in a role that you suspect may have had a little more to it in the script than there was in the movie's final cut. I smell a plot twist that was cut for some reason, perhaps time.

Bottoms is suitably chilling as the amoral, perhaps sociopathic extortionist, because he is young, good-looking, quiet, polite, intelligent, clean-cut, and, as he corrects Calder about his "psychological profile", this is for him a business transaction; he is only interested in the money.

Some may feel that this character is a bit thin, and this may (again) be down to a cut from the original script, but he might simply have been written that way. You don't really need to know more than you ever find out about this character, but because he is a cool, calm sort of a madman, as opposed to the more traditional 'raving lunatic', you may be left wanting at the lack of an obvious answer or explanation for his actions.

There are hints, however. As well as the sociopathic traits, he is an explosives expert, electronics expert, about 30 and, in an early scene, a decent marksman. In mid-1970s USA, what does that suggest? Perhaps the guy running the amusement park duck shoot has him correctly pegged; perhaps not. The Bottoms character simply smiles and walks away, staying mysterious.

There are also bit parts for Harry Guardino, Craig Wasson and Steve Guttenberg, and it features real life band, Sparks.

I recommend this movie. It is a suspense movie that appeals to the brain rather than a horror or disaster movie that appeals more to the senses. It has become a bit dated, as, for example, a $1m extortion fee seems small these days, and Roller-coaster rides were really at their height then, so the enthusiasm for the rides by adults indicates a bygone era, and a 70s movie in setting and style is too distinctive to be anything else, but that now becomes part of its latter-day charm.

Roller-coaster is also a duel of wits, with Segal perfectly cast, and Bottoms, as I say, suitably chilling. With both characters being intelligent and quick-witted, able to plan and to improvise, this adds to the plot, the tension and therefore the overall enjoyment.

You might also recall and bear in mind that this movie was made at the time of "Son of Sam", "The Hillside Stranglers" and Ted Bundy.

A blackmailer threatens to sabotage roller-coasters at various American amusement parks if he isn't paid a huge ransom.

Look at this: Helen Hunt, in her first feature film role, has the supporting role as Tracy Calder, Harry's teenage daughter and a potential victim of the young man. Steve Guttenberg, also in his first brief film role, plays a messenger at Six Flags Magic Mountain who brings the plans for the Revolution to Calder and Hoyt. Gotta love that.

But really, you have to love this movie. A great, high-stakes game of cat and mouse, and one of the few really centered around a theme park. I'm surprised that doesn't seem to be a more common location. I could have done without the music from Sparks, though... that "Big Boy" song is not good.

Brainless disaster flick with George Segal playing a burnt-out civic inspector investigating two roller-coaster bombings and ending up in a cat-and-mouse game with the psychopath. Full of 'suspense' scenes telegraphed far in advance, and a showdown at Magic Mountain that needed to be rewritten (for clarity), directed by someone who knew a bit more about pacing, logic and credibility, and re-edited for more impact (this version just lies there). Segal really does looked burned (perhaps unintentionally), however Helen Hunt is fun to see in her film debut (looking like a pint-sized hippie in turquoise bracelets). Timothy Bottoms works his sullen little smile to ill effect and Richard Widmark grunts through his role as Segal's adversary (whose side is HE on?). It's a terrible, depressing movie, but the technical aspects hold attention and some of the cinematography is good. *1/2 from ****

Rollercoaster is a film very much of its time, that being the 1970's when "disaster" movies were box office gold. It's a genre they tried to revive in the past 20 years but for me they never really worked second time around because they relied solely on what you saw on the screen - big CGI, something the likes of Rollercoaster didn't have, but they were missing the suspense that the 70's movies had.

Here a young man, whose motive is never truly explained holds theme parks across America to ransom by blowing up their rollercoaster rides.

Yes the big action scenes don't really hold up nearly 50 years later (it's clear the cars leaving the tracks are full of mannequin dummies) but I think that's part of the charm of the film.

I've probably said this in reviews for other older films on IMDB, but modern younger audiences will probably not enjoy Rollercoaster, but if you're of an older generation who remembers this from back in the day this is a great trip down memory lane.

Roller-coaster if seen should be seen in a specially equipped theater rigged for Sensurround. I didn't see this in theater, but I did see Earthquake and I still remember both seeing Earthquake and later going to the same multiplex cinema seeing another feature and hearing the Earthquake noises from the adjoining screening room. It just wasn't the same thing when I later saw Earthquake on television. Nor was it the same seeing a DVD of Roller-coaster.

Timothy Bottoms plays the young genius at electronics and explosives who has figured out that the amusement park industry is very unsecure and impossible to secure as a target for terrorism. After causing a couple of accidents where lives were lost, Bottoms blackmails several park owners.

On one of those accidents the safety engineer George Segal gets a dressing down on his dereliction of duty and that sends him on a mission. For a guy who hasn't any training in this field, Segal proves to be a remarkable sleuth who matches FBI guy Richard Widmark in this field.

Bottoms kind of bonds with Segal in the same way that Scorpio bonded with Dirty Harry and it ends just about the same way.

Roller-coaster and other high speed amusement rides are thrilling in and of themselves, adding the possibility of explosion does heighten the tension in Roller-coaster.

It's an interesting film premise and Roller-coaster does provide some nice entertainment and it's a catalog of Seventies fashions.

A man (Timothy Bottoms) threatens to sabotage various amusement park rollercoasters throughout America if he is not paid a ransom.

Rollercoaster is a pretty standard thriller film. It's well made and entertaining. George Segal, Richard Widmark and Timothy Bottoms are good, and Henry Fonda appears for a couple of scenes as Segal's boss.

First time viewing. 3/5

Roller-coaster is not a disaster movie. Do not cheapen it by labelling it with this tag. It is a suspense thriller. A lunatic is stalking Americas theme parks and sabotaging the coasters. Cue, Harry Calder(George Segal), a burned out safety inspector who is designated to track the maniac.A tense game of cat and mouse follows with the psycho using Harry as his confidant, calling him regularly, with an almost begrudging respect. This nut is so insane, he actually likes Harry!Timothy Bottoms is excellent, giving a super-creepy performance as the saboteur.Roller-coaster boasts great performances, superb photography and some classic dialogue exchanges. And hey, you've got Richard Widmark AND Henry Fonda thrown in there too! Roller-coaster - a seminal 70's thriller.

"Rollercoaster" is a good nail-biter of an action and crime movie. This isn't in the genre of good mysteries, because there's little suspense about who the bad guy is and why. But it is in the realm of action thrillers with the big questions of when and how will the good guys stop the culprit.

With its different and somewhat original plot, and some fantastic filming of rollercoaster rides, this film is quite entertaining. The acting isn't anything special - it's hardly ever in films like this with the development of hairy plots and/or lots of action taking up film time. But, the cast has top notch actors of the time - several in their later years.

Gorge Segal provides some light humor as Harry Calder. Richard Widmark is the lead FBI agent on the case, Hoyt. The culprit is known only as the young man, played by Timothy Bottoms. Henry Fonda has a smaller role and Harry Guardino is part of the pursuers. Some female parts and other male characters figure in the story.

Anyone who likes action thrillers should enjoy this film.

This is Mostly a Disaster and goes off the tracks more than not. It Bottoms out on Thrills and Spills as well as Suspense. It manages to take Everything that makes for a Good Movie Experience and Relegates it to those most Mundane and doesn't even Exploit its Exploitation.

The All-Star Cast is mostly Wasted as is the Title Character with Pedestrian POV Shots that Neither Encompass or Elevate the Rides Appeal. it is Shot in the most Slick and Uninspired use of an Amusement Park with Post Card Images of both the Setting and the Patrons.

The Dialog is not Dumb it is just Numb. Nothing in this Failed Attempt at a Thriller works and the Pacing is Staggered and Never Really Reaches a Zenith. In the End it is a Forgettable Film that has Little to Recommend. Not Awful but Awfully Anemic.

Rollercoaster was released at a time when disaster movies were very popular. I guess that's why it's been labeled by many critics as exactly that. But it's not. It's a very clever thriller with some great dialogue. I wasn't too surprised that Columbo creators Richard Levinson and William Link co-developed the story and wrote the screenplay. Especially the conversations between George Segal and Timothy Bottoms are just as good as anything you've ever seen on Columbo. This is a very underrated movie and during all the Sensurround hype the finer qualities of it got overlooked. So maybe next time you get a chance watch it again. Perhaps you'll be surprised.

"Rollercoaster" is a decent 70s disaster-type film that was shown in "Sensurround" in theatres; this process would involve the shaking of selected theatre seats to try to give audience members a more visceral experience. You of course can't get this effect at home, so you're left with the story, which is reasonably entertaining, and the filmmaking, which is competent but not particularly distinguished. George Segal stars as Harry Calder, a civic inspector who picks up the trail of a young man (Timothy Bottoms) who's already caused a horrible accident at one amusement park, and who threatens to do so again, motivated purely by financial gain.

It is indeed the acting that keeps this interesting for just under two hours. Bottoms is a case study in minimalism; all you need to know about his villain is that he's a really cool customer, is extremely efficient at what he does, and that people are naturally going to underestimate him. Segal is dynamic as the flawed but still likable hero, a true Everyman type who makes up in brains what he lacks in tact. It's fun to watch these characters interact, as Bottoms puts Segal through a lot of paces in order to get his money. Segal also has some great scenes with Henry Fonda (who plays Segals' superior) and hard nosed Federal agent Hoyt (Richard Widmark). The script by Richard Levinson and William Link is sometimes funny, giving the main characters opportunities to take shots at each other. Thrilling roller-coaster sequences, featuring some good camera-work, do get ones' pulse racing. Granted, this story could have been tightened a bit, and doesn't end all that well, but Segal, Widmark, and Bottoms prevent things from ever getting painful to watch.

This isn't a star studded affair, as some of these disaster films tended to be, but there are a number of familiar faces present. Susan Strasberg is wasted as Segals' new girlfriend, and Helen Hunt makes her film debut playing Segals' daughter. Harry Guardino co-stars as a detective, and he never gets to do very much. Robert "Count Yorga" Quarry plays a mayor, Craig Wasson has a tiny role as a hippie dude, and that's none other than a young Steve Guttenberg as a messenger.

Not bad as these things go.

Seven out of 10.