Enfermera diabólica

Yes...this movie is bad. After all, what did you really expect? It was directed by the king of low-budget exploitation films of the 70s....Al Adamson. He was, if you remember, the same cinematic genius that brought us Dracula Vs. Frankenstein, Brain of Blood, and the classic Blazing Stewardesses. Yet, despite all the negative response to this film, I liked it. There is no question at all that it is poorly acted, poorly directed, has poor sets and scenery and terrible special effects. The story is ludicrous about a religious zealot who exacts his revenge on those people that would not let him die naturally. What the film DOES have is heart. The people involved really seem earnest about what they are doing, and it comes across the screen. The film is also a fountain of laughs. a fun time for anyone who likes to see the ridiculous treated like the sublime. If you like bad film-making, then look no further than Nurse Sherri. I promise you will not be disappointed!

Shock-A-Rama offers this DVD edition which features two different versions of the movie, commentary track on one feature by producer Sam Sherman, and the usual assortment of trailers that come with the majority of DVDs released under the Seduction Cinema umbrella.

Essentially, there are two different movies presented: Possession of Nurse Sherri, a remastered release of the horror cut with optional track with Sherman, and Nurse Sherri, the original drive-in release of the sexploitation version. Sherman provides juicy details on the canny presentation of the "horror" version, detailing what was edited/added to the initial release. At a glance, 70% of both movies are the same, but with noticeable differences: the horror cut has at least three additional scenes with character actor JC Wells being pursued by the disembodied spirit of a dead spiritualist, while three edited scenes of sex/nudity are provided by the sexploitation cut. These last three scenes are certainly eye-openers: a scene of hospital seduction between a buxom nurse and blind patient, another that has the chief surgeon receiving oral gratification at his podium while giving a lecture in front of a college classroom (!), and an extended scene between the surgeon and our Nurse Sherri with ardent lovemaking culminating in Sherri's flashback of her sole lesbian encounter. These last two segments show how Sherri fills that nurse's uniform with more than ample results!

Previous reviews at IMDB have decried the lack of horror elements and nudity, one even saying that if released today the movie would probably get a PG rating! I can assure anyone that neither of these versions are remotely PG.

Al Adamson--along with Jerry Warren and Jess Franco--had the notoriety of "film doctor", constantly re-editing and re-marketing product that had already saturated a film niche. This wonderful DVD shows how Sam Sherman and Adamson worked in that process.

A highly recommended DVD (regardless of the quality of the movies) which begs one question; whatever happened to star Jill Jacobson, and where is the inevitable Celebrity Sleuth layout?

I first saw this movie at the local drive-in as part of a double bill with "Eyeball" - What a complete laugh-fest! The "acting" and production values are definitely par for the course for Al Adamson (In one scene alone is it daytime or night - or just blue filter over the camera lens? Who cares? Apparently not Mr. Adamson) I had to buy this one as soon as I found a copy and now that it's on DVD, I highly recommend this to any fans of the genre...I think it's Al Adamson's...uhhh...masterpiece (?!) One that truly has to be seen to be believed...

Oh yeah! Jill Jacobson's breasts should have had their own credit in the movie (if you know what I mean) Whatever happened to Jill Jacobson??

I love just about everything the late Al Adamson directed in his long and varied career, but "The Possession of Nurse Sherri" stands head and shoulders above fun yet admittedly grade-Z schlockfests like "Horror of the Blood Monsters" and "Blood of Ghastly Horror". This film is actually scary! Am I saying that you're going to jump out of your seat when you watch "Nurse Sherri"? No, of course not. But this pastiche of elements from "The Exorcist", "Ruby", and "Carrie" is one of those nice, eerie little horror movies common to the '70s. You can't put your finger on what's so spooky about it, but the film drips with atmosphere. (And what an ending! Don't worry, I won't spoil it for you.) Adamson and producer Sam Sherman really nailed it with this one, and it doesn't matter whether "Nurse Sherri" was a calculated success or a happy accident. Jill Jacobson is likable but not outstanding as the hapless nurse who becomes possessed by the spirit of a recently deceased cult leader (Bill Roy, who shines in his brief role). Geoffrey Land is okay as her surly doctor boyfriend. There are some blaxploitative elements here (profit was the bottom line with these cheap drive-in flicks, after all) but they actually contribute to the plot rather than just being window dressing. "Nurse Sherri" was a Poverty Row production, and it shows at times (sets, special effects, etc.). Still, the film has heart, mostly decent acting and direction, and some genuine chills. Sam Sherman also saw fit to use Harry Lubin's theme music for the late '50s/early '60s television series "One Step Beyond" in this film, which certainly adds to the creepy atmosphere. The DVD contains two significantly different cuts of the movie (the early version features a lot of T&A that wound up on the cutting room floor to make way for more horrific stuff) as well as the theatrical trailer, the TV spot, and a great commentary by Sherman. Does anybody know whatever happened to Bill Roy, by the way? Next to John Carradine, he's the best actor I've ever seen in an Al Adamson film, and he plays the cult leader like he means it.

"Nurse Sherri" is proof positive that even a hack genre filmmaker like Al Adamson can still have it in them to produce something interesting and worthwhile. Compared to much of his output, this is actually pretty good. The acting (some of it, anyway) and the script (by Michael Bockman and Greg Tittinger, who also edited the picture) are above average. Dare I say it...Adamson crafts some striking and memorable horror here, especially the scene in the foundry.

The film is still rather crude if you put it up against slicker, more mainstream horror, and the animation effect is primitive, but this viewer still has a good time with this one.

Jill Jacobson plays the title role, who was present for an operation performed on a cult leader / necromancer named Reanhauer (Bill Roy). The trouble is, this was an operation that the patient did NOT authorize himself, so when he dies, his angry, vengeful spirit comes to rest inside Sherri, and compels her to murder the doctors who were involved. Sherri's lover (Geoffrey Land) and two of her co-workers (Marilyn Joi, Katherine Pass) all try to do something to reverse this possession.

There is some stiff and awkward acting, but the actors and their characters are engaging nevertheless, especially lovely exploitation veteran Joi, whose nurse lusts after star football player Marcus Washington (Prentiss Moulden), who was blinded in a car accident. Although quite serious overall, there is time for levity as Pass demonstrates a very sexy bedside manner to a male patient. Jacobson isn't really given enough to work with to make her character all that sympathetic, however. It's the devilishly good Roy who manages to steal the show, although J.C. Wells gives him some competition as a follower who is terrorized by the dead mans' spirit. John F. Goff, another prolific actor in exploitation features of the time, does a fine job as a psychiatrist.

It appears that the music used is stock music, but it's wonderfully theatrical schlock horror movie music that suits the material. And Adamsons' filmmaking may not be that slick, but it's clear that after a decade or so in the business, he'd honed his craft to some degree.

Good fun, for undemanding genre fans.

Also available in an 85 minute alternate version which puts the accent on sex rather than horror.

Seven out of 10.