Agrega una trama en tu idiomaAdaptation of Russell Hoban's novel about two mechanical toy mice, and their quest to become "self-winding".Adaptation of Russell Hoban's novel about two mechanical toy mice, and their quest to become "self-winding".Adaptation of Russell Hoban's novel about two mechanical toy mice, and their quest to become "self-winding".
- Dirección
- Guionistas
- Elenco
Andy Devine
- The Frog
- (voz)
Neville Brand
- Iggy
- (voz)
Maitzi Morgan
- Teller
- (voz)
- …
Frank Nelson
- Crow #1
- (voz)
Cliff Norton
- Crow #2
- (voz)
Iris Rainer
- Paper People
- (voz)
- …
Robert Ridgely
- Jack in the Box
- (voz)
- (as Bob Ridgely)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was seven years old when this film came out, and probably around 8 or 9 when I first saw it on HBO. Now, at 31, I still can remember with startling clarity almost every detail of this movie! Is it dark? Yes. Is it deep? Yes. But what a great way to introduce pre-pre teens to higher concepts of philosophy! If you are tired of your youngsters filling up on the piffle that passes for children's movies and are looking for something more, this is the film for you. The plot is definitely heavy- lots of emphasis on philosophical concepts and deeper modes of thought; but it will stick with you and your child, and give lots of topics to converse on that go beyond "princess meets prince" threads that permeate most movies available for this age group.
I would strongly suggest that the parent view the film with the child (and probably recommend that parents watch the movie first without the kiddies- so to be prepared for the inevitable questions when viewed with children). A fantastic way to make a child think, instead of burst into song!
I would strongly suggest that the parent view the film with the child (and probably recommend that parents watch the movie first without the kiddies- so to be prepared for the inevitable questions when viewed with children). A fantastic way to make a child think, instead of burst into song!
10runderwo
I once saw this film when I was a small child. I don't know how old, and I barely remembered anything of it, but for some reason, something was causing this full-length, animated movie to stick in the back of my mind for years as I was growing up. I realized that until I fulfilled this desire to see this film again, some part of me would be at unrest. Now, a good 15 years later and a young adult with more money and quite a different mind, I was finally able to purchase a used, rental copy.
I wasn't sure at first how I would react. Would I consider this film childish now? Made in 1977, would it show its age considerably?
I would hate to give away too much of the film, as I firmly believe it must be seen to be understood. The story is simple; a toy mouse and his 'child' embark on a quest to become 'self-winding'. In other words, a journey from childhood to adulthood, from being a robot doing what we are told without question, to becoming an individual with the capability to carry out our own passions and desires. Along their twisted and unsure way to self-fulfillment, they meet a fortune-telling frog, a windup elephant, a muskrat, and other friends, while avoiding the antagonist, the despicable Manny the Rat.
This probably sounds terrible about right here, but I can assure you that the film is likely nothing that you are thinking it is. This is not a Disney usical, nor does it try to be something that it isn't. It is a story about love, inspiration, and the following and actualization of one's dreams. It is a story about cruelty, defeat, and cowardice. Most of all, it is a story about human life, and the sacrifices we make in the journey to discover our purpose, our place in the world.
This film is never cheap, never purposely cute, and never insults the viewer. The animation is not overdone, and attention is paid to detail in all the right places. The settings are wonderful and really add to the story and the situation the main characters are in. The music sets just the right mood at the right times.
I may have enjoyed this film as a child, and I'm not sure what kept it on the back burner through the years at all, but I can definitely say as an adult now the film moved me more than it ever could have as a child. I was literally in tears after the final scene, staring at the credits in silent applause. I had finally found why I couldn't forget about this film, and that is simply because it was excellent and very touching.
Disney may have the special effects, the storybook plots, and the musical majesty. However, when examining a film at deeper than surface level, Disney in all its camaraderie can't touch this powerful and effective film that tells a story about the human condition and how simply unfair life can be.
4 Stars. Probably one of the least acclaimed (and most deserving) animated films I have ever had the pleasure of viewing.
I wasn't sure at first how I would react. Would I consider this film childish now? Made in 1977, would it show its age considerably?
I would hate to give away too much of the film, as I firmly believe it must be seen to be understood. The story is simple; a toy mouse and his 'child' embark on a quest to become 'self-winding'. In other words, a journey from childhood to adulthood, from being a robot doing what we are told without question, to becoming an individual with the capability to carry out our own passions and desires. Along their twisted and unsure way to self-fulfillment, they meet a fortune-telling frog, a windup elephant, a muskrat, and other friends, while avoiding the antagonist, the despicable Manny the Rat.
This probably sounds terrible about right here, but I can assure you that the film is likely nothing that you are thinking it is. This is not a Disney usical, nor does it try to be something that it isn't. It is a story about love, inspiration, and the following and actualization of one's dreams. It is a story about cruelty, defeat, and cowardice. Most of all, it is a story about human life, and the sacrifices we make in the journey to discover our purpose, our place in the world.
This film is never cheap, never purposely cute, and never insults the viewer. The animation is not overdone, and attention is paid to detail in all the right places. The settings are wonderful and really add to the story and the situation the main characters are in. The music sets just the right mood at the right times.
I may have enjoyed this film as a child, and I'm not sure what kept it on the back burner through the years at all, but I can definitely say as an adult now the film moved me more than it ever could have as a child. I was literally in tears after the final scene, staring at the credits in silent applause. I had finally found why I couldn't forget about this film, and that is simply because it was excellent and very touching.
Disney may have the special effects, the storybook plots, and the musical majesty. However, when examining a film at deeper than surface level, Disney in all its camaraderie can't touch this powerful and effective film that tells a story about the human condition and how simply unfair life can be.
4 Stars. Probably one of the least acclaimed (and most deserving) animated films I have ever had the pleasure of viewing.
THE MOUSE AND HIS CHILD is a symbolic study of human suffering that apparently was palmed off as a kiddie cartoon feature because of it's characters(A clockwork toy mouse and his son).This film, however, has very little that recommends it as a typical children's cartoon--it's dark, with somber colors, no chirpy songs, no silly sidekicks or lame comedy. The mouse and his child fall from the safety of their toy store window and are cast out with the garbage, after which they roam around the outside world, looking to be "self-winding". Along the way they encounter various nefarious characters, including a rat who exploits worn-out toys by forcing them to labor for him hauling scavenged items from the garbage. See the symbolism yet? I didn't when I first saw this thing when I was six, but, in regard to the reviewer who wondered if children would "get" this movie, I can say that I felt sadness for these two little toy mice, struggling to find their way in a cruel world, and wondered if they would ever be safe. I knew that the rat was the bad guy, and that the mice would have to escape him if they were to find what they wanted. There's nothing here that I believe would disturb a child, it's grim tone won't endear the movie to most families. While children might not understand the symbolic signifigance of all they see, they can understand the mice's need to belong and be happy, which is what the film is about. Try this film if you sicken from the sugar supplied by the recent Disney offerings; this one offers substantial food for thought
This movie helped me along the path to liking stories with more than talking animals and large Disney Musical Productions, though there's a place for those in my viewing. This movie led me to un-childish series (mostly Japanese) with deep meanings and messages. Deep as Akira (though more comprehensible) and just as dark, this story tells about a toy "family" and a toy child's desperate wish for the family to find itself again and stay together despite cruel enemies and crueler friends. Having read the book again recently, it seems that stories Such as "Toy Story" and "A.I. Artificial Intelligence" took a little from this story's soul.
I aquired my own copy of "the Mouse and His Child" from a video store that (go figure) was just going to throw it away. I hadn't seen it in many years but I did remember it as being good.
Well, memory served me well, but not in the way I'd expected!
I can see why the store was so desperate to get rid of this one. Aparently, these days, you aren't going to make it in the Family section (and this really belongs in with the anime and the Bakshi) if you're quiet and introspective. This is one of the heaviest animated films ever made, but I admire it for that. Check it out, if you're able to.
What, you've never seen a cartoon where the characters contemplate infinity?
Well, memory served me well, but not in the way I'd expected!
I can see why the store was so desperate to get rid of this one. Aparently, these days, you aren't going to make it in the Family section (and this really belongs in with the anime and the Bakshi) if you're quiet and introspective. This is one of the heaviest animated films ever made, but I admire it for that. Check it out, if you're able to.
What, you've never seen a cartoon where the characters contemplate infinity?
¿Sabías que…?
- TriviaSir Peter Ustinov (Manny the Rat) and Andy Devine (The Frog) also did voice work for Disney's Robin Hood (1973), in which Ustinov voiced Prince John and King Richard, and Devine voiced Friar Tuck.
- ErroresDuring the spring when an insane Manny shows up and uses a rock to smash the two toy mice, he isn't wearing his scarf, most likely due to the season change, and his tail was briefly missing when he cowers at the sight and aftermath of the damage he did to the toys. They both reappeared later of in his next scene when he and the other rats invade the dollhouse.
- Citas
The Mouse Child: Papa, I'm afraid! I wanna go home! What's gonna happen to us?
The Mouse: Well, something good, son, as easily as something else. Why, anything can happen.
Manny the Rat: But it won't! Not this evening, my lads!
- Créditos curiososIn the Japanese release, the closing credits are altered and feature pictures of characters from the film, which are shown alongside the text on multi-colored backgrounds.
- Versiones alternativasThe American release has closing credits simply displayed against a pink background. However, the Japanese release has alternative closing credits with images of characters (see Crazy Credits).
- ConexionesReferenced in El halcón está suelto (1991)
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Detalles
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- Sitio oficial
- Idioma
- También se conoce como
- The Extraordinary Adventures of the Mouse and His Child
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